JIMI HENDRIX/REDDING MONTEREY MINT WHITE LABEL PROMO LP

$

610

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·       OTIS REDDING AND JIMI HENDRIX EXPERIENCE - AT THE MONTEREY INTERNATIONAL POP FESTIVAL 1967 – ORIGINAL (?) 1970 REPRISE RECORDS STEREO LP MS-2029

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       ORIGINAL REPRISE LABEL WITH RIVERBOAT LOGO, WHITE PROMO VERSION

·       ORIGINAL “COLLAGE” VERSION OF THE COVER, AND NOT THE LATER “PSYCHEDELIC POSTER” VERSION

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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OK…where do we start? Let's start with Jimi: this legendary, incendiary Jimi Hendrix performance (“incendiary” to be taken literally here: Jimi actually doused and torched his guitar in Monterey) is one of two or three pinnacles of Rock music. Think of this performance as Jimi Hendrix dropping a REAL Big One on the world of Pop and Rock music. In the mayhem that ensued, nothing would ever be the same. And, no, after playing this disc "you will never listen to the Surf music again" (certainly not the way you did before Hendrix cremated his Guitar for the whole world to see).

Ah, but wait…you ain’t heard nothing yet…compared to what you are about to find on the other side of this record, Jimi Hendrix's side is basically a filler - a light aperitif; a humble hors d’oeuvre to a delicious five-course meal Otis Redding is about to serve you. Flip the disc to the Otis Redding side and hear what we totally, firmly, believe is the SINGLE GREATEST live performance in the history of recorded music. According to the legend, after Otis' 15-minute performance with Booker T. & the MG's and Mar-Keys (he was more or less dragged away from the stage by the police despite protestations from the audience, because he overstayed his brief time slot), Mama Cass was gasping for air, Janis Joplin was weeping uncontrollably, and Brian Jones and Pete Townsend were standing there, deaf, dumb and… numb. No wonder. Nothing we've heard in 33 years of collecting music matches, let alone tops, the screaming passion, the agony and the ecstasy, and the brutal intensity - almost violence - of Otis's Monterey performance – the very last live performance of his brief life. You can literally hear Otis struggling in between songs to regain his breath. If ever a performer EXPLODED on stage in a mushroom cloud, this is IT. Show us another concert performance of this level of emotional intensity, if you can. SHOW US!!! WE DARE YOU!!!

In other words, on side 1 Jimi Hendrix douses and torches his guitar. On side 2, Otis Redding sets HIMSELF on fire!!!

Finally, for those doubting Thomases who claim that Otis Redding had a voice of only limited range: hearing this live version of "I've been loving you too long" should keep ‘em mum for awhile.

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in the original stock inner sleeve.

(c)             The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.

(d)            White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 150:1.

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover has two tiny, almost invisible, pinholes (or staple holes) in one corner. These tiny holes are NOT cutout holes.

-         Cover shows JUST A HINT of yellowing on front side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No wrinkles or creases

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No glue traces or wax residue.

-         No bar codes

-         No RIAA stamps or stickers.

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Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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