MUDDY WATERS BRASS+BLUES MEGA-RARE LP BLACK CHESS LABEL

$

653

WE CURRENTLY HAVE   MORE THAN 1200   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

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·       MUDDY WATERS - BRASS AND THE BLUES - VERY RARE ORIGINAL 1966 CHESS BLUES STEREO LP LPS-1507

·       ORIGINAL U.S. PRESSING

·       MUDDY WATERS’ THIRD STUDIO ALBUM!!!

·       INCREDIBLY RARE ORIGINAL BLACK CHESS LABEL WITH  MULTICOLORED  CHESS SET LOGO

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This is a strange -- though in large part, successful -- album on a number of counts. Appearing after the release of the singles compilation Real Folk Blues, Brass and the Blues (also sometimes known as Muddy, Brass, and the Blues) was Chess Records' effort to give some fresh momentum to Muddy Waters' current recordings. It was only his third original LP following his tribute album to Big Bill Broonzy and the Folk Singer album -- like them, it was a concept album, but with a difference. Those earlier albums had been built around Waters simply returning to sounds and influences out of his past, but for Brass and the Blues the label tried to give him a new sound, somewhere close to that of B.B. King (who was selling a lot of records at the time). The presence of the brass and the prominent organ on some songs was manageable. Stripped of his guitar once again (the cover photo notwithstanding), Waters proved what a great R&B singer he was -- there are moments on this album where he almost crosses over into Otis Redding territory. Sammy Lawhorn and Pee Wee Madison's guitars come through the dubbed-on brass reasonably well, and this is more of a real "band" sound than was achieved on, say, Electric Mud, an even more extreme attempt at reshaping Waters' sound. The album was reasonably successful, though the reality in terms of Waters's sound and history is that, when this material has been compiled, the producers have often tried to use the undubbed versions without the brass.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Dismissed upon its release by blues purists as sacrilegious (for blending R&B elements such as brass with "pure" blues), and for covering other people's tunes (such as songs by Big Joe Turner, BB King, Charles Brown, Jimmy Reed and Chuck Willis), this 1966 Muddy Waters masterpiece not only aged with infinite grace, but gained much in stature over the past 38 years to become one of the best and most appreciated Muddy Waters albums, certainly much, much better than his electric and psychedelic efforts. This is only the second album Muddy released between 1960 and 1966. Very tough to find in good shape,  Track listing:  Corine, Corina - Piney Brown Blues - Black Night - Trouble in mind - Going back to Memphis - Betty and Dupree - Sweet Little Angel - Take my advice - Trouble - Hard Loser.

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Back cover has a small address sticker /label, which may be possible to remove with a little effort (we did not attempt to)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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