BBC TRANSCRIPTION DISC - TOP of the POPS THE BEATLES SONGS & INTERVIEWS

	£		1,500
	$		1,790

SINGLE SIDED DISC PLEASE NOTE ON DISGOGS THESE RECORDS HAVE LABELS THESE HAVE NOT BECAUSE THEY A THE DEMO'S OF THE LABELLED ONES 

RARE BBC TRANSCRIPTION DISC - TOP of the POPSFEATURING THE BEATLESALSO YARDBIRDS - BILLY J KRAMMER - MARION FAITHFUL - CHECKMATES - TOM JONES - SWINGING BLUE JEANS - SPENCER DAVIS GROUP - SANDRA BROWN - SMALL FACES - MINDBENDERS - ROCKIN BERRIESPAUL & BARRY RAND - TONY OSBOURNE - RINGO 

RECORD 1 MATRIX: 12FPM 114576A14th JUNE 1965 - BRIAN MATTEWS DJYARDBIRDS I WISH YOU WOULD - BILLY J KRAMMER INTERVIEW & TRAIN BOAT & PLANESMARION FAITHFULL GO AWAY FROM MY WORLDCHECKMATE INTERVIEW & MR PITTYFULLBEATLES DIZZY MISS LIZZYYARDBIRDS INTERVIEW & HEART FULL OF SOUL
RECORD 2 MATRIX: 12FPM 114099A15th FEB 1965 - BRIAN MATTEWS DJBEATLES INTERVIEW TALK ABOUT JOHN BEEN DRESSED IN GREENTOM JONES INTERVIEW NEW TO THE POP WORLDSWINGING BLUE JEANS INTERVIEW & OLD MAN KNOWSSANDRA BROWN INTERVIEW & KNOCK ON ANY DOORSPENCER DAVIS GROUP WATCH YOUR STEPBEATLES INTERVIEW TALKING ABOUT TOURING US AND RINGO'S MARRAGEAND SINGING KANSAS CITYTOM JONE INTERVIEW & IT'S NOT UNUSUAL
RECORD 3 MATRIX: 12FPM 116561A16th MAY 1966 - BRIAN MATTEWS DJSMALL FACES A TO ZMINDBENDERS INTERVIEW & CAN'T LIVE WITH YOU CAN'T LIVE WITHOUT YOUPAUL & BARRY RAND KEEP YOUR BIG MOUTH SHUTROCKIN BERRIES CALIFORNIA GIRLSSMALL FACES ONE NIGHT STANDMINDBENDERS ALL NIGHT LONGBEATLES INTERVIEW TALKING ABOUT IF WE CAN'T SING YOU CAN'T HAVE US JOKING HAS THEY WAS NOT GOING TO SING THIS TIME JOHN TALKING ALBUM FINISHED IN 2 WEEKS TOUR OF 14 PLACES IN THE US
RECORD 4 MATRIX: 12FPM 114100A15th FEB 1965 - BRIAN MATTEWS DJ
SWINGING BLUE JEANS IT ISN'T THERETONY OSBOURNE SHOT IN THE DARKSPENCER DAVIS GROUP INTERVIEW & IT HURTS ME SORINGO TALKING & SINGING HONEY DON'TSANDRA BROWN I WANT LOVESPENCER DAVIS GROUP I CAN'T STAND ITSWINGING BLUE JEANS SO MUCH IN LOVETOM JONES ONCE UPON A TIMEBEATLES ROCK N ROLL MUSIC
RECORD 5 MATRIX: 12FPM 114577A14th JUNE 1965 - BRIAN MATTEWS DJBILLY J KRAMER LOVE MADE A FOOL OF YOUMARION FAITHFULL INTERVIEW SECRET WEDDING & THIS LITTLE BIRDBEATLES INTERVIEW JOHN JUST WRITTEN ANOTHER BOOK THINKING OF WRITTING A MUSICIAL GOING TO THE US FOR 2 1/2 WEEKS THEN SINGINGEVERYBODY IS TRYING TO BE MY BABY NOWCHECKMATES ALL NIGHT WORKERYARDBIRDS FOR YOU LOVEMARION FAITHFULL SHA LA LABILLY J KRAMMER TODAY TEAR DROPSBEATLES TICK TO RIDE

PLEASE SEE OTHER LISTINGS FROM THIS GREAT RARE COLLECTION
 The BBC Transcription Services started life in the mid-1930s as the London Transcription Service to license BBC Radio programmes to overseas broadcasters who were authorised to broadcast the programmes for a set period, usually two or three years. The programmes sold to overseas broadcasters in this way covered every part of the BBC's output, including all types of music, drama, religious and children's programmes and comedy. It is now called BBC Radio International.
Whilst the BBC destroyed most broadcast recordings it produced for its various outlets, BBC Transcription Services often retained their copy and many of the surviving radio programmes from the 1940s onwards owe their survival to the fact that Transcription Services issued the material.

The original releases were in the form of 12-inch 78 rpm discs. Each of these discs contained no more than three or four minutes per side and so a radio operator would have needed to cue the start of many discs as the previous one finished for a half hour programme. Consecutive parts of a programme were on different discs to enable the radio operator to cue the start of the next part of the programme from a different disc from the one being played.

By around 1947, the 78 rpm discs were replaced with 16-inch transcription discs running at 33⅓ rpm. These coarse groove discs each contained approximately ten minutes per side, so the requirement to cross fade throughout an episode was still required.

As witness Ted Kendall's Technical Notes included in The Goon Show Compendium box sets, the 16-inch discs were superseded by 10-inch and later 12-inch vinyl LPs from the mid-1950s onward.

These discs were edited to run to standard lengths, and to remove any content deemed too topical or potentially offensive. In the case of The Goon Show, for instance, each episode was cut to approximately 29 minutes and 30 seconds. A later reissue series of Goon Show episodes was cut further to 27 minutes to accommodate commercials.

BBC Transcription Services typically pressed only one hundred copies of each disc with instructions to the overseas radio network to destroy the disc at the end of the licence period.

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SINGLE SIDED DISC