THELONIOUS MONK w/CHARLIE ROUSE MONK MISTERIOSO RARE ORIG '65 MONO LP 1A/1A MINT

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·       THELONIOUS MONK - MISTERIOSO: RECORDED LIVE ON TOUR -  1965 COLUMBIA RECORDS MONO LP CL-2416 (NOTE: THIS ALBUM IS NOT TO BE CONFUSED WITH THE SAME-TITLED 1958 RIVERSIDE RELEASE, WHICH IS A DIFFERENT ALBUM ALTOGETHER)

·       GENUINE  U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1966 ON RED & WHITE "360 SOUND" COLUMBIA MONO LABEL WITH A 'NONBREAKABLE' BANNER.

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1...'  DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Not to be confused with the Misterioso album which was recorded at the Five Spot, this Misterioso came a few years later and was recorded all over the place, some tunes from the Newport Jazz Festival (the aptly titled "Light Blue"), some stuff even came from Japan ("Evidence"). Maybe this was a statement. Monk was denied work in many clubs due to a petty drug conviction during the late fifties, and perhaps this album was a dedication to the first Misterioso album and the famous Five Spot, as here he was with an album recorded though various venues and taking in a few countries. All round the album is a cool and breezy collection of Monk in both lazy and vibrant form. Though when he is lazy he still produces a vivid ambient and blows with a quirky style. Among the eight cuts on the album there is little to get disappointed about, yet hardly an album to play every day, no, you'd just get sick of it. Sunday mornings, nice Autumn bleeding into Winter mornings flicking though the Sunday papers seems just about the perfect time to play Misterioso, Recorded On Tour, but then again, I seem to say that about every jazz album! What I find is the strength of the album, and can be said for Monk in General, is that when he starts to play in an almost esoteric, angular way it's when the band kick in and join the tune that it all fits into place with an ease, especially the saxophone of Charlie Rouse which blends seamlessly with Monk's piano but with very different and contrasting dynamics. Great production work from the patient Teo Macero who could really give a jazz album that special feeling, capturing the essence and mood of the musicians.

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 5:1.

(d)            The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4   (front side) and 3 (back side)

-         The cover has a few tiny scratch marks on the front side  (nothing significant)

-         Minor shelf wear noted on the bottom seam (nothing significant)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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