THE DOORS SELF TITLED FIRST ALBUM FACTORY SEALED SHRINK WRAP LP NO BARCODE
  $   24

 


$ 24 Sold For
Sep 7, 2015 Sold Date
Aug 31, 2015 Start Date
$   20 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

THE DOORS~SELF TITLED FIRST ALBUM~FACTORY SEALED SHRINK WRAP LP~NO BARCODE!!

Product Description

The Doors ?? The Doors
Elektra ?? EKS-74007

FROM A COLLECTION OF SEALED LPs THAT ARE ALL 25 - 35 YEARS OLD COMES THIS CLASSIC!!
STILL SEALED IN ITS ORIGINAL SHRINKWRAP, THIS COPY OF THE DOORS' DEBUT FROM 1967 IS ONLY MISSING A SMALL AMOUNT OF SHRINK ALONG THE RIGHTHAND EDGE ON THE FRONT.
THERE IS NO BARCODE ON THE COVER ANYWHERE!
JUDGING FROM THE WEIGHT AND FLEXIBILITY OF THE COVER, THIS PRESSING IS FROM SOMETIME BETWEEN THE MID-1970s AND EARLY 1980s, BEFORE BARCODES WERE IN USE.
A RARE OPPORTUNITY TO PICK UP A VINTAGE SEALED COPY OF THIS ROCK CLASSIC!!


 Tracklist
Break On Through (To The Other Side)     2:25
Soul Kitchen     3:30
The Crystal Ship     2:30
Twentieth Century Fox     2:30
Alabama Song (Whisky Bar)     3:15
Light My Fire     6:50
Back Door Man     3:30
I Looked At You     2:18
End Of The Night     2:49
Take It As It Comes     2:13
The End     11:35

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knock-out punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered.


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