LED ZEPPELIN SECOND ALBUM ULTRA-RARE ORIGINAL MONO LP
  $   306

 


$ 306 Sold For
Jan 9, 2011 Sold Date
Dec 30, 2010 Start Date
$   25 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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WE CURRENTLY HAVE   MORE THAN 1200   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

 

►Click here to see our ROCK auctions ►See our JAZZ auctions ►See our BLUES auctions ►See our COUNTRY auctions ►See our CLASSICAL auctions ► See our STILL SEALED ITEMS ►See our PROMO auctions ►See our SOUL auctions ►See our AUDIOPHILE auctions

 

 

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·       LED ZEPPELIN – LED ZEPPELIN II (SECOND ALBUM) – IMPOSSIBLY RARE ORIGINAL BRAZILIAN-ONLY  MONO PRESSING  - ORIGINAL 1969 ATCO RECORDS (BRAZIL) MONO LP ALP 605.031

 

·       ORIGINAL BRAZILIAN PRESSING

 

·       ORIGINAL GRAY ATCO (BRAZIL) LABEL WITH SILVER PRINT

 

·       This is A BRUTALLY rare Brazilian-only MONO version of the Led Zeppelin’s second album, which had ONLY been released in MONO in Brazil (Indian mono pressings are also rumored to exist, but we were unable to confirm their existence). MONO version of this album has NEVER been released ANYWHERE in the world!!!)

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST BRAZILIAN PRESSING; THIS IS NOT A REISSUE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

 

·       ORIGINAL LAMINATED COVER

 

·       RARE UNIQUELY BRAZILIAN COVER ARTWORK, NOT FOUND ANYWHERE IN THE WORLD IN THIS FORM (CHECK THE BACK COVER, SHOWN ABOVE)

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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When this album was released in November 1969, it marked – literally - the beginning of the new era and the new sound: Heavy Metal. And, while Heavy Metal existed as a genre even before Led Zeppelin II (Blue Cheer, Vanilla Fudge, Steppenwolf) it was heavily beholden to psychedelia and bore a heavy burden of  debt to the previous era`s exaggerations and idiosyncracies.

 

Not so with Led Zeppelin II. From the opening blast of ‘Whola Lotta Love’ to the final fade of ‘Bring it on Home’, the listener knows that he is not in Kansas anymore. This is a whole new, uncharted territory. In fact, the album makes a clean break even with the band`s first album: on their first album, one can easily hear remnants of British psychedelia (Black Mountain Top),  progressive rock (Your time is gonna come)  urban electric blues (You shook me; How many more times; I can`t quit you),  folk music (Babe, I’m gonna leave you) and other styles the band members were into at a time. However, you won’t find such excursions on Led Zeppelin II:  the album is a monolithic slab of primo metal: an all-out, in-your-face assault from start to finish. Even the ballads exude the spirit of burning Metal.

 

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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing).

 

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.  In this case, though, this is a rather moot point,  since this rare promo-only MONO version of the album was never commercially released to begin with.

 

The bidders should note that this album contains mono mixes which are either considerably different: much more raw and "punchy" than the common, commercially available stereo mixes.

 

For additional historical or discography information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

THIS IS A RESERVE AUCTION!

 

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·       CONDITION:

 

·       RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record comes in a hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

 

(c)           The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 50:1.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-         Cover shows some light yellowing on back side, apparently from aging (nothing significant)

 

-         Cover has a few tiny wrinkles along the seams

 

-         Minor shelf wear noted on the seams (nothing significant)

 

-         Cover has a minor 'bump' (dent) along the upper seam  (VISIBLE ON BACK SIDE ONLY)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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