RONETTES PRESENTING VERONICA INSANELY RARE STEREO LP
$
307
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· RONETTES - PRESENTING THE FABULOUS RONETTES FEATURING VERONICA (PRODUCED AND ARRANGED BY PHIL SPECTOR) – ULTRA RARE TRUE STEREO PRESSING ON PHILLES RECORDS LABEL – PHILLES RECORDS STEREO LP ST-90721
· RARE CAPITOL RECORD CLUB PRESSING
· ORIGINAL U.S. PRESSING
· MONSTROUSLY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO (NOTE: STEREO PRESSINGS OF THIS ALBUM CONTAIN SIGNIFICANTLY DIFFERENT MIXES OF THESE CLASSIC WALL-OF-SOUND TRACKS; NAMELY, THE LADIES VOICES ARE MORE PROMINENT AND EXPOSED, WHILE THE RHYTHM SECTION IS SLIGHTLY MORE SUBDUED IN THE MIX THAN ON MONO VERSION)
· ORIGINAL YELLOW & RED PHILLES RECORDS STEREO LABEL (BLUE STEREO LABELS DO NOT EXIST)
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-W1/-W1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format (SONY/Legacy announced the release of the Phil Spector box set which was ostensibly going to include this particular album for June 2011, but, as of today, August 25, 2011 this release yet has to take place, and may yet turn out to be just another Phil Spector smoke-and-mirrors mirage; in any event, from what I understand, the Legacy version - if it is ultimately released at all -- will be MONO-only...the only format it has been available in for the past 50 years except for THIS short-lived and monumentally rare stereo version)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here for the complete album listing).
Track listing: Walking in the rain - Do I love you? - So young - Breakin' up - I wonder - What'd I say - Be my baby - Baby, I love you - How does it feel - When I saw you - Chapel of Love.
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The wall of sound - a production method patented by Phil Spector (which involved - inter alia - torturing the artists for maximum effect: just ask Tina Turner who was tormented so badly during the recording of "River Deep, Mountain High" that her tight bra fell apart) - does not get any more vivid than this. This collection of songs is a proverbial fortress of sound, consisting of multitude of overlapping layers of voices, sound effects, cascades of rhythm and ornamentation, and polyrhythmic textures; a joyful, luscious, retrogressive, a*al-retentive, guilty-pleasure of a bygone era. Phil Spector is king!!! Absolutely critical album in the development of R&R, absolutely, positively the finest Phil Spector Work ever, and one of the most visually arresting covers in the cover-design history. And, oh yes…mega-rare album in any shape or form. What else can we do for you?
***
Innocence is not a requirement for purity, as this album proves. Nedra Talley, Estelle Bennett, and right up front, Veronica Bennett (later Spector) sounded more in love with being in love than any other girl group. Simple lines like "For every kiss you give me/I'll give you three" say more about the absolute need of the savage teenage experience than any lyrics ever voiced. The sound effects for the opening number set the ambience, because it is always starting to rain when Ronnie sings. "Be My Baby," with Hal Blaine's divinely inspired drumming (especially the fade-out), is the fullest plea for reciprocity beckoned by mortals. One of the most fun is "Breaking Up," which, swear to God, sounds like the Beach Boys if they were girls. The album closer, "Chapel of Love," is so substantially different from the hit version by the Dixie Cups, that it becomes a different song. And everything else in between is gorgeosity made flesh. Producer (and Veronica's husband) Phil Spector may or may not have been projecting his ideas of the perfect woman here. But he certainly found and refined the perfect sound.
(REVIEW BY PHIL MERSHON, WWW.FURIOUS.COM)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY PHIL SPECTOR ► CLICK HERE
THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 10:1.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has all three seams (top, bottom and spine) partially split, as follows:
- Top seam: less than 1 inch / 2.5 centimeters.
- Bottom seam: between 2 and 4 inches / 5 to 10 centimeters.
- Spine: less than 1 inch / 2.5 centimeters.
- Cover has some fraying/wear along the bottom seam
- Minor shelf wear noted on the top and bottom seams (nothing significant)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has two corners slightly worn / dinged / bent.
- Minor water stain noted on the back panel (VISIBLE ON BACK SIDE ONLY) ; (less than ¼ square inch in size)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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