JACKIE MCLEAN w/FREDDIE REDD CONNECTION VERY RARE ORIG '61 BLUE NOTE MONO LP RVG

$

82

    
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IMPORTANT: OUR EBAY STORE WILL BE CLOSED FROM AUGUST 20, 2013 TO SEPTEMBER 14, 2013 AND NO ITEMS WILL BE SHIPPED DURING THIS PERIOD. ALL ITEMS PAID WHILE OUR STORE WAS CLOSED WILL BE SHIPPED AS SOON AS WE REOPEN.  THANK  YOU !

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·       FREDDIE REDD QUARTET featuring JACKIE McLEAN – THE CONNECTION –  ORIGINAL 1960 BLUE NOTE RECORDS MONO LP BLP-4027

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 63RD STREET., NEW YORK',  ADDRESS ON THE LABEL

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE) [note: the cover is stereo; we suspect that the album was either mispackaged, or that it had a small mono sticker which fell off or was removed]

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Freddie Redd composed the music for Jack Gelber's The Connection, a gritty play about musician junkies. Gelber had originally thought that the play would feature real musicians -- who would also double as actors in minor roles -- improvising on blues and jazz standards in the tradition of Charlie Parker, but Redd convinced him to use an original score. The two weaved Redd's original compositions into the score, making it an integral part of the play, but the music holds up superbly on its own. Using the direction "in the tradition of Charlie Parker" as a starting point, the pianist wrote seven pieces of straight-ahead bop, wide open for improvisations, and then assembled a sterling quartet featuring himself, alto saxophonist Jackie McLean, bassist Michael Mattos, and drummer Larry Ritchie. The end result was a set of dynamic straight-ahead bop. While both Redd and McLean show signs of their influences -- the pianist blends Monk and Powell, while the saxophonist has built off of Bird's twisting lines -- they have developed their own voices, which gives the driving, bluesy bop on Music From the Connection an edge. McLean's full, robust tone often dominates, but he never overshadows Redd's complex, intricate playing, and both musicians, as well as Mattos and Ritchie, effortlessly keep up with the changes from hard-hitting, up-tempo bop numbers to lyrical, reflective ballads. Musically, Music From the Connection might not offer anything unexpected, but whenever straight-ahead bop is done this well, it should be celebrated.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(c)           The record comes in the original stock inner sleeve.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction

-        Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has a partially split spine (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has some visible fraying/tattering on all three seams

-         Cover has all four corners slightly worn / dinged  (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        A visible water stain (VISIBLE ON BACK SIDE ONLY)  affects the area about 1/2 inch wide along the bottom seam and lower spine; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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