BEATLES BUTCHER COVER INSANELY RARE ORIGINAL STEREO LP

$

710

WE CURRENTLY HAVE   NEARLY 700   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

►Click here to see our ROCK auctions ►See our JAZZ auctions ►See our BLUES auctions ►See our COUNTRY auctions ►See our CLASSICAL auctions ► See our STILL SEALED ITEMS ►See our PROMO auctions ►See our SOUL auctions ►See our AUDIOPHILE auctions

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·       BEATLES - YESTERDAY AND TODAY - ORIGINAL 1966 CAPITOL RECORDS STEREO LP ST-2553

·       ORIGINAL U.S. PRESSING

MONSTRUOUSLY RARE ORIGINAL “BUTCHER COVER”– ONE OF THE RAREST AND MOST COVETED RECORD ALBUMS

·       EXTREMELY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS A “THIRD STATE” (COMPLETELY PEELED “TRUNK” COVER), REVEALING THE FAB FOUR WITH BUTCHERED BABY DOLLS AND BLOODY SLABS AND CHUNKS OF MEAT) IN ALL THEIR INGLOROUS GLORY!!! VERY NICE PEEL JOB LEFT ONLY A FEW TINY, BARELY VISIBLE SPOTS – AND ONLY ON THE MARGINS OF THE COVER!!! THE RARE BUTCHER PAPER SLICK IS PRACTICALLY PERFECT!

·       ORIGINAL BLACK/'SPECTRUM' CAPITOL LABEL WITHOUT THE 'SUBSIDIARY' INSCRIPTION ALONG THE PERIMETER OF THE LABEL.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (NIBBED) FRONT COVER.

·       BEAUTIFUL, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       SMALL NUMBER NEXT TO THE SMALL RIAA SYMBOL ON THE BACK COVER IS: 2

·       This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪

Of course, what we have here is a legendary Beatles "BUTCHER COVER" album, unavailable anywhere outside of US in this form (other than a cheap replica). Yes, folks, this is the real thing: 100% guaranteed, original, genuine pressing of one of the rarest albums in existence.  Certificate of authenticity will be provided upon request.

The album is such a critical part of the Beatles legend and record-collecting lore, that we feel that anything we could say on the subject would be entirely redundant. Arguably, everyone knows everything that there is to be known about it. And some folks out there know even more than there is to be known J

Nonetheless, let’s give it a shot: in 1966, as the Beatles stopped touring and their American label (Capitol) began fearing that the group would not be able to keep up with the nascent psychedelia – what with their family-friendly, warm and fuzzy image and mass appeal – the label decided to add some gravity and oomph to their market image. Not having any clue how to proceed (that’s Capitol for you, folks – forty two years later, they still don’t have a clue, although they now have a new - clueless, of course - management), the label made – even by record label standards - a  remarkably  idiotic decision to portrait Fab Four as a – gasp! – bunch of sinister, Jack-the-Ripper types holding dismembered and disemboweled babies and chunks of bloody meat (and, if that was not enough, wearing blood-stained butchers’ aprons) – and, get this: grinning profusely, as if deriving some strange libidinal gratification from this unseemly act. Yikes!!! A lifetime achievement Academy Award for corporate cretinism! Haliburton and Enron have NOTHING on this!

I can only try to imagine the look of shock and disbelief on parents’ faces as they entered the local Sears store the morning the album was released. I’ll be willing to bet 95% of them walked away in total disgust, not wanting to even touch the piece, let alone buy it for their teenage kids. (Oddly enough, the sinister subplot would return to haunt the Beatles on a number of occasions for the rest of their career: during the making of the White Album, as a possible Charles Manson connection, during the Paul-is-dead controversy, and so on and so forth).

And, therein lies the reason for the rarity of the album: fearful of the “satanic” implications of the cover (mind you, Roman Polansky’s Rosemary’s Baby was shot earlier that very same year), Anton LeVey had just founded his Church of Satan, and Jayne Mansfield was about to be beheaded in the strange car crash with bizarre, fiendish, almost Luciferian overtones),  the buying public voted with their feet, and the vote was a resounding NO. Realizing (duh!) what they had done, fearing the backlash from the alienated public and dreading the possibility that the “new” Beatles album (which, in fact, was a composite of preceding three UK albums with a few hit singles tossed in for good measure) may become the first Beatles album not to go gold in the States, Capitol promptly pulled any and all already distributed copies from the stores (most of whom were a part of the Sears chain), filled up a giant landfill (literally – we kid you not) and rolled a bulldozer over each and every copy they could retrieve.  They may well have thrown the entire corporate management into that hole and get it over with.

That’s it, folks. The long and short of it. The infamous story of the short life and ignoble death of the Beatles Butcher Cover.

Ah, but wait…that’s not all. Realizing that tracking down and destroying tens of thousands of remaining copies out there – and at their expense – would be tantamount to corporate Capitol…er, capital punishment, Capitol did, in fact, do something moderately intelligent: as a stop-gap measure, they altered a small group of covers by pasting over the new photo slick, showing the Fab 4 gathered around an open trunk (suitcase) – a trunk we can only suspect was originally used to store those dismembered baby dolls and chunks of meat (no tofu or veggieburgers!) - until a brand new, completely remade and remodeled cover was ready for the market .  These interim versions of the butcher cover are (almost) as rare as the first pressings, and can be easily identified by a few visual clues, of which the most prominent one is the V-cut on Ringo’s sweater showing through the pasted-over white paper slick.  These second versions are usually referred to as “second state” or “pasteover” butcher covers. 

What we have here is the so-called “third state” cover (completely peeled-off second version which reveals the offending butcher photo)

How many hundreds (possibly thousands) of times are butcher covers more rare than the regular, “trunk” covers? I don’t have a clue.  I am sure that some statistics and historical data exist somewhere, but this is largely speculative in view of the fact that many “butcher covers” were effectively, well…butchered when their owners attempted to peel them off. As a result, many butcher (as well as “trunk”) covers were essentially destroyed or seriously damaged in the process. In other words, any existing historical data must be mitigated by the fact that many surviving butcher copies were essentially disfigured beyond recognition by their owners. This may help explain why the butcher(ed) copies are many times rarer than any historical evidence might suggest.

To put things in perspective, the year 1966 was a big year for corporate cover censors: mind you, in this same year, Mamas and the Papas had to endure humiliating retraction of their “Toilet Seat” cover,  Frankie Valli and the Four Seasons survived no less than three encounters with the artwork police (on their “Four Seasons sing Bacharach-David and Dylan” album), Jefferson Airplane’s first album was altered in both content and form (cover had to be changed, too) *, Frank Zappa’s first album (Freak Out) had a hippie hot-spot “blurb” excised from the cover; Bob Dylan (presumably on his own volition?) changed the layout on his “Blonde on Blonde” album*, deleting the image of Claudia Cardinale; the Fugs’ first album underwent no less than 4 (four !!!) alterations*, the cover of the Monkees’ first album had to be changed because of misperceived “transsexual” reference, Buffalo Springfield’s first album had to have a song deleted from BOTH record AND the cover; Simon and Garfunkel’s second album (The Sounds of Silence)  underwent no less than three cover revisions; Velvet Underground’s first album* had to have back cover significantly modified because of a legal dispute. In other words, corporate censors and self-censors were out in full force back in 1966, doing the devil’s work in earnest. (* = please see our other featured auctions for the copies of these rare albums)  

Needless to say, despite (or perhaps precisely because of) the controversy, Yesterday and Today quickly became a RIAA-certified million-seller, topping the Billboard pop charts. In the sea of official “regular” covers that flooded the market, it is virtually impossible to find surviving copies of the original “butcher” covers. They are a sight unseen. We comfortably and without any reservations state that the censored “trunk” covers outnumber “toilet bowl” covers at a ratio of AT LEAST 500:1.

Some  reasons Why You Should Own Original American Beatles Albums:

I.                 These are genuine historical artifacts. Rock & Roll did not produce many works deserving to be called history; albums by Beatles are a noble exception to this rule.

II.            These pressings are coveted by EVERYONE and, despite the fact that Beatles sold almost a billion records, precious few original albums in good shape remain on the market.

III.        First pressings sound MUCH better and are much more vivid than the stereo versions.

IV.         Original Beatles albums are all analog pressings; whereas everything else you can currently find on the market is a …~NMLD digital mastering.

V.              The original Beatles albums are a terrific investment value, not likely to go the Enron or Smith Barney way.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

PLEASE NOTE THIS IS A RESERVE AUCTION!

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE VINYL IS IN DECENT, VERY GOOD (VG) CONDITION. CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in clean, playable condition. There are a few surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches  (1 inch = 2.5 centimeters) and a few others that might cause short periods of pops and clicks, specially during the low, quiet passages.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Withdrawn “butcher” covers of this album are much rarer than the replacement (trunk) covers; We estimate that censored covers outnumber uncensored toilet bowl covers by a ratio of at least 500:1.

(d)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD- / very good minus /  (VG-).

The following flaws or imperfections are noted on the cover:

-        Cover has all three seams (top, bottom and spine) partially split; The split seams were delicately taped by the previous owner with a piece of transparent scotch tape (one on each seam)

-        Cover has 3 small peel-off mark, all three on the edges of the “butcher” paper slick; none of which is larger than 1/8th square inch); the marks appear to have been “retouched” (masked with a pencil or something similar) to make them less conspicuous

-        Cover has a small, rectangular, glue  residue (small yellowish discoloration from the removed trunk paper slick) , plus a few smaller yellowish spots here and there

-        Cover has some writing on its back side (name of the previous owner written in blue ballpoint pen, about ¼ x 1 inch in size)

-        Cover has two corners slightly worn / frayed / bent.

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4 (front side) and 5 (back side)

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has some tiny, faint writing on its back side (a small filing code written in one corner)

-        Cover has some fraying/wear along the opening side (nothing significant)

-        Tiny, barely visible remnant of the “trunk” slick noted in the top right corner, may be possible to remove (less than ¼ square inch in size)

-        Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No bar codes

-        No RIAA stamps or stickers (save for the small RIAA logo on the back panel). 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

POSTAGE & SHIPPING:

We offer two postage rates for both Domestic and International Mail: Media Mail and Priority Mail for domestic, and First Class and Priority International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: you should select priority mail when making a payment, in order to prevent any lost, stolen, damaged or undelivered orders and to obtain tracking info, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof,  please note we are NOT responsible for uninsured items.

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK ►HERE TO see HOW!

(please note recent changes in our policy)

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

►OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE AND INSURANCE RATES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy .

© 2001,2007 MDJ. All rights reserved.