ALAN SONDHEIM RITUAL 7-70 ORIG ESP AVANT-GARDE MONO LP

$

40

    
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·       ALAN SONDHEIM – RITUAL ALL 7-70 – ULTRA-RARE ORIGINAL AVANT-GARDE JAZZ ALBUM – ORIGINAL 1967 E.S.P. RECORDS  MONO LP  ESP-1048

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE ESP LABEL WITH BLACK PRINT.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Ritual All 7-70 is a curious collection of short improvisations by the multi-instrumentalist Alan Sondheim -- who plays, among others, koto, English horn, electric and acoustic guitars, and various percussion and reed instruments -- and a bassist, percussionist (doubling on tabla and bongos), and drummer, with the wordless vocals of Ruth Ann Hutchinson echoing the horn lines and occasionally spiraling off into the ether on their own. Although they largely sound like live improvisations by a full band, the fact that Sondheim plays the majority of the instruments by himself suggests that these pieces were painstakingly overdubbed. Although Sondheim's 1968 follow-up, T'Other Little Tune, is a largely electronic effort with quite a bit of pioneering synthesizer and oscillator work, this album is much more traditional in its sound and format. Some of these short pieces -- all of them given numbers between 770 and 782 for titles, except for the almost traditional-sounding "June" -- recall John Cage's occasionally harsh '40s and '50s vintage work, when randomness and indeterminacy were the primary focus of his composing method, while the more overtly jazz-oriented works, like the fascinating "780" (which features a rat-a-tat rhythm that may be of electronic or found-sound origin), are more in tune with the usual ESP ethos.

 (EXCERPT FROM AN ONLINE REVIEW BY STEWART MASON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 4 and 6 inches  / 10 to 15 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some yellowing on both sides, apparently from aging.

-        A faint, barely visible water stain affects the area about 3-inch wide along the spine; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the exposure to humidity has caused a faint yellowish discoloration and a slight warp in the affected area.

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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