ZOOT SIMS Quintet "ZOOT" LP Riverside RLP 12-228, Deep Groove NM/VG
  $   136

 


$ 136 Sold For
Nov 19, 2015 Sold Date
Nov 12, 2015 Start Date
$   10 Start price
12   Number Of Bids
  USA Country Of Seller
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

AllMusic Review by Scott Yanow

For a little while in the mid-'50s, Zoot Sims occasionally doubled on alto although he soon switched back exclusively to tenor where he had a stronger musical personality. On the CD reissue of Riverside's 1956 Zoot!, Sims plays alto on two of the seven tracks and works well with trumpeter Nick Travis. Actually, pianist George Handy, who contributed four originals (two standards and drummer Osie Johnson's "Osmosis" complete the program) and did all of the arranging, comes across as the key supporting player; bassist Wilbur Ware and Johnson are fine in quiet support. Although Handy's arrangements are a bit modern, this is still a typically hard-swinging and melodic Zoot Sims date.

The Zoot Sims Quintet ?– Zoot!

Label: Riverside Records ?– RLP 12-228 Series: Riverside Contemporary Series – Format: Vinyl, LP, Album, Mono 
Country: US Released: 1956 Genre: Jazz Style: Cool Jazz

Tracklist

A1 Why Cry? A2 Echoes Of You A3 Swim, Jim B1 Here And Now B2 Fools Rush In B3 Osmosis B4 Taking A Chance On Love

Companies, etc.

  • Recorded At – Reeves Sound Studios

Credits

  • Alto Saxophone – Jack "Zoot" Sims* (tracks: A3, B3)
  • Bass – Wilbur Ware
  • Design [Typography] – Paul Bacon (2)
  • Drums – Osie Johnson
  • Engineer – Jack Higgins
  • Photography By [Cover Photograph] – Carole Reiff Galletly
  • Piano, Arranged By – George Handy
  • Producer, Liner Notes – Orrin Keepnews
  • Tenor Saxophone – Jack "Zoot" Sims*
  • Trumpet – Nick Travis

Notes

New York: December 13 and 18, 1956. 

Released by Bill Grauer Productions New York City

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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