Tom Waits The Black Rider Original

$

62

Rare UK vinyl edition of Tom Waits' The Black Rider, never released on vinyl in the USA and limited in the UK.

The Black Rider is a collaborative theater piece by Tom Waits, Robert Wilson and William S. Burroughs. Burroughs, believe it or not, sings one song on this LP.

Tracks are:
1. Lucky Day (Overture) (Waits) - 2:26
2. The Black Rider (Waits) - 3:20
3. November (Waits) - 2:50
4. Just the Right Bullets (Waits) - 3:35
5. Black Box Theme (Waits) - 2:45
6. 'Tain't No Sin (Donaldson/Leslie) - 2:35
7. Flash Pan Hunter (Intro) (Waits) - 1:11
8. That's the Way (Burroughs/Waits) - 1:11
9. The Briar and the Rose (Waits) - 3:50
10. Russian Dance (Waits) - 3:10

1. Gospel Train [Orchestra] (Waits) - 2:35
2. I'll Shoot the Moon (Waits) - 3:50
3. Flash Pan Hunter (Burroughs/Waits) - 3:05
4. Crossroads (Burroughs/Waits) - 2:45
5. Gospel Train (Waits) - 4:40
6. Interlude (Cohen) - 30
7. Oily Night (Waits) - 4:25
8. Lucky Day (Waits) - 3:45
9. The Last Rose of Summer (Waits) - 2:10
10. Carnival (Waits) - 1:30

allmusic.com says Tom Waits:
In the 1970s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The Early Years and The Early Years, Vol. 2. His formal recording debut came with Closing Time (1973) on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. Waits attracted critical acclaim and a cult audience for his subsequent albums, The Heart of Saturday Night (1974), the two-LP live set Nighthawks at the Diner (1975), Small Change (1976), Foreign Affairs (1977), Blue Valentine (1978), and Heart Attack and Vine (1980). His music and persona proved highly cinematic, and, starting in 1978, he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley (1978), wrote the title song for On the Nickel (1980), and was hired by director Francis Coppola to write the music for One From the Heart (1982), which earned him an Academy Award nomination. While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated.

Moving to Island Records, Waits made Swordfishtrombones (1983), which found him experimenting with horns and percussion and using unusual recording techniques. The same year, he appeared in Coppola's Rumble Fish and The Outsiders, and, in 1984, he appeared in the director's The Cotton Club. In 1985, he released Rain Dogs. In 1986, he appeared in Down by Law and made his theatrical debut with Chicago's Steppenwolf Theatre in Frank's Wild Years, a musical play he had written with Brennan. An album based on the play was released in 1987, the same year Waits appeared in the films Candy Mountain and Ironweed. In 1988, he released a film and soundtrack album depicting one of his concerts, Big Time. In 1989, he appeared in the films Bearskin: An Urban Fairytale, Cold Feet, and Wait Until Spring. In 1991, he appeared in the films Queens' Logic, The Fisher King, and At Play in the Fields of the Lord. In 1992, he scored the film Night on Earth; released the album Bone Machine, which won a Grammy Award for Best Alternative Music Album; and appeared in the films Deadfall and Bram Stoker's Dracula. In 1993, he released The Black Rider, the recording of a musical he had co-written with beat novelist William Burroughs for opera director Robert Wilson in 1990, and appeared in the film Short Cuts.


Vinyl is VG++, Sleeve is Excellent Original UK pressing

Sleeve has a superficial bend in top right corner

On vinyl, side has 3 light surface scratches that don't affect play.

Great copy of this rare album anyway, getting harder and harder to find, especially with the recent reissue.