The Rise & Fall of Paramount Records: Volume One, 1917-1927 6xLP Box Set 3rd Man

$

200

For aficionados of vintage blues and collectors of rare vinyl treasures, the Third Man Records Paramount Box Set Volume 1 is an essential addition to your collection. This meticulously curated box set resurrects the raw and soul-stirring sounds of early 20th-century blues, meticulously restored and pressed onto high-quality vinyl.

Inside this limited edition box set, you'll discover a treasure trove of musical history, featuring recordings from legendary artists such as Charley Patton, Blind Blake, and Ma Rainey. Each record is lovingly remastered, preserving the authenticity and vitality of these seminal tracks while bringing them to life in stunning clarity.

The Third Man Records Paramount Box Set Volume 1 isn't just a collection of music; it's a journey back in time to the roots of American blues, capturing the essence of a bygone era with its crackling melodies and heartfelt lyrics. Whether you're a seasoned collector or a newcomer to the blues scene, this box set offers an unparalleled listening experience that will captivate and inspire.

Indulge in the rich sonic tapestry of early blues with the Third Man Records Paramount Box Set Volume 1. With its exquisite presentation and unparalleled attention to detail, this limited edition vinyl collection is sure to become a cherished centerpiece of your music library.

Features:

• Limited edition box set from Third Man Records
• Volume 1 of the Paramount series
• Includes rare and remastered recordings from iconic blues artists
• High-quality vinyl pressing for superior sound
• A must-have for collectors and enthusiasts of vintage blues music
• Immerse yourself in the rich history and timeless beauty of early 20th-century blues

Description from Third Man Records:

Volume One contains the following:

- 6 x 180-gram vinyl LPs pressed on burled chestnut colored vinyl with hand-engraved, blind-embossed gold-leaf labels housed in a laser-etched white birch LP folio

- 800 newly-remastered digital tracks, representing 172 artists and accessible via a first-of-its-kind music and image player app that allows user management of all tracks and ads, housed on a custom-designed USB drive

- 250-page large-format, clothbound hardcover art book

- 360-page encyclopedia-style softcover field guide containing artist portraits and full Paramount discography

- 200+ fully-restored original 1920s ads and images

- Handcrafted quarter-sawn oak cabinet with sage velvet upholstery and custom-forged metal hardware

How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in The Rise and Fall of Paramount Records: 1917-1932, an epic, two-volume omnibus of art, words, and music housed in limited-edition, hand-sculpted “Cabinets of Wonder,” jointly released by Jack White’s Third Man Records and John Fahey’s Revenant Records. Volume One covers the label’s improbable rise from 1917-1927.

Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a “race records” powerhouse, its sound and fortunes directly linked to the Great Migration. By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable “other” (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.

The 'Rise and Fall’ wonder-cabinet gives equal status to page-turning narrative and new scholarship, original and newly created graphic art, industrial design, and compelling analog and digital music experiences.

Dimensions: Length - 18.5", Width - 16", Height - 5.75”

Goldmine Grading: NM (Near Mint) Vinyl has never been touched by a needle; it is in pristine condition! Sleeve Grading: VG+ (Very Good Plus) See photos for detailed images of minor dings to external case
Shipping policy: Combined shipping (media mail) within the US is $7 for up to 2 LPs, then $1 for each additional LP.  
All records are shipped in corrugated 7" or Whiplash LP mailers with appropriate cardboard padding for a snug fit & safe journey! See why thousands have given us positive feedback on Discogs (shop name: deadwaxrecordsonline).
Feel free to reach out with any questions or for international combined shipping quotes.
About the Goldmine Grading System: Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all. Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap. Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it. Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.