The Jesus and Mary Chain - Honey's Dead

€ 22

$ 26

€ 22 Sold For

Dec 26, 2016 Sold Date

Mar 10, 2016 Start Date

1 Number Of Bids

Switzerland Country Of Seller

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Description

Allgemein

Artikel Name: Honey's Dead
Genre: Rock englischsprachig Produkt Typ: LP (Vinyl) Label: Demon Records Titelanzahl: 12

Trackliste LP - 1

1. The Jesus and Mary Chain - Reverence 2. The Jesus and Mary Chain - Teenage Lust 3. The Jesus and Mary Chain - Far Gone and Out 4. The Jesus and Mary Chain - Almost Gold 5. The Jesus and Mary Chain - Sugar Ray 6. The Jesus and Mary Chain - Tumbledown 7. The Jesus and Mary Chain - Catchfire 8. The Jesus and Mary Chain - Good for My Soul 9. The Jesus and Mary Chain - Rollercoaster 10. The Jesus and Mary Chain - I Can't Get Enough 11. The Jesus and Mary Chain - Sundown 12. The Jesus and Mary Chain - Frequency

Beschreibung

Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad. ~ Ned Raggett

Ned Raggett