THE BEATLES - RUBBER SOUL rare LOUD CUT variant LP

	£		38
	$		50

THE BEATLES - Rubber Soul

Ist UK PRESSING DECEMBER 1965.
PARLOPHONE: PMC 1267(MONO).
MATRIX No.s XEX 579 - 4 / XEX 580 - 1.    J G0D & C36 LR STAMPERS with KT around Side 1 spindle hole.
ORIGINAL 1965 Emitex INNER SLEEVE IN EXCELLENT+ CONDITION.
SLEEVE: 1st ISSUE GARROD & LOFTHOUSE PRINTED COVER IN EXCELLENT++ CONDITION.
VINYL: VERY GOOD+ CONDITION

This is a very rare variant of the "Loud Cut" matrix pressing (usually -1/-1), as here we have side 1 with the revised more common matrix (579-4) and the "Loud Cut" matrix to Side 2 (580-1), and as such is actually rarer than the usual "Loud Cut". The most common 1965 pressing ends "-4/-4", and then we move onto the rarer "-1/-1" and a lot rarer than even that are "mixed" pressings with one side ending "-4" and the other "-1", as we have here. (Pressings ending "-5/-5" are also very rare, but I'll leave that for another time!)

  The labels are in very clean condition, with unblemished bright silver printing on the titles and credits. The unscuffed "Parlophone" logo is an unfaded deep yellow. "Sold In UK" is printed across the label, "K T" is embossed on Side 1 with "The Gramophone Co. Ltd." on the rims. The spindle areas display average wear, certainly considering this is a 39 year old record. The heavyweight vinyl displays some surface marks and occasional hairlines, but plays extremely well. Absolutely no loud, irritating or intrusive clicks - this is a respectable copy! This pressing has been dubbed the "loud cut", but in reality, little separates this pressing from subsequent ones. Suffice to say, the stunning sound of this1st pressing is simply explained by the full involvement of George Martin and The Beatles. The 2nd and all successive pressings had no input or need for approval from the Producer or the artists. There is no question about the rarity of this pressing, pressed in relatively small numbers they were the first bought, the first played and the first to be worn out!.

This first issue cover is distinctive for the sheer quality of the printing, as well as the extra thick laminated finish. This sleeve is in stunning condition! The artwork is in unfaded rich deep colours, under the thick ultra glossy laminate, that's undulled by time or handling.
Apart from a couple of light laminate wrinkles there are few signs that this is a 39 year old second hand sleeve! No impression left from the very heavy vinyl and I know for a fact that this sleeve has spent the almost 40 years in a plastic sleeve. All the corners and edges are in superb condition, displaying negligible wear. The spine is superb, the very clear title is under the thick unscuffed laminate.
The back panel is in incredible condition, still a bright white background, with again, minimal ageing. The black ink of the graphics and the photo's is the original 1965, jet black colour. The flipback edges are in perfect condition. A truly beautiful cover, rarely found in this condition.

Recorded: Abbey Road
Recording: October 12 to November 11, 1965
Released: UK December 3, US December 6, 1965
John's compositions: 'Norwegian Wood', 'Nowhere Man', 'Girl' and 'Run For Your Life'.
Lennon/McCartney collaborations: 'Drive My Car', 'The Word', 'What Goes On' (with Starkey), 'In My Life' and 'Wait'.George's compositions: 'Think For Yourself', 'If I Needed Someone'

The Beatles completed a trio of albums in the mid-1960s which totally changed popular music. This is where rock music started to develop with the Beatles at the forefront. Albums were ceasing to be a couple of hit singles with 10 filler tracks but were complete entities. Of the Beatles triumvirate, two of them contained no UK-released singles at all!

Rubber Soul was the first of the three, the other two being Revolver and Sergeant Pepper's Lonely Hearts Club Band. Rubber Soul was the album where the Beatles moved beyond very good pop songs towards a level of inventiveness that was starting to set them apart from other bands of the era (or any other era frankly). 

The differences started with the album sleeve. No mention of the band's name but the four moody faces looking down at you could not be anyone else. Like a number of Beatles albums that contained no singles, the tunes are still mostly instantly recognisable even to a non-Beatles fan. The title came about after references to the Rolling Stones by black musicians. Paul is also heard shouting "plastic soul, man, plastic soul" after I'm Down on Anthology 2.

The album shows greater ease with the recording studio with band starting to use, with the help of George Martin, more varied techniques to create new sounds. Within a year the Beatles would be a studio-only band. 

Drive My Car is the opener. Norwegian Wood is Lennon's confession of a night of infidelity. This is the first instance of George Harrison playing sitar on record and possibly the start of "world music."

Nowhere Man is the one of the album's highlights. The song later reappears in the soundtrack for Yellow Submarine. Both Drive My Car and Nowhere Man had been omitted from the US release of the album. 

Paul McCartney attaches a fuzz box to his bass for Harrison's song Think for Yourself. This shows George Harrison's maturing as a songwriter. The same applies to If I Needed Someone. This was the first time that George Harrison had been allowed two of his tracks on an album. The bass guitar comes to the fore as well in The Word. Paul McCartney is one of the best bass guitar players of all time but his playing is rarely discussed. 

There are three ballads on the album. Michelle is Paul McCartney's ballad, partly sung in French. This was a hit in the UK for the Overlanders. Girl is another Lennon song. In My Life is regularly rated as one of the greatest songs of all time, and it was only an album track. 

Every album (almost) had  a song sung by Ringo. His contribution on Rubber Soul is the country-esque What Goes On.

The final track Run for Your Life was once banned by a Canadian radio station on the basis that the line "I'd rather see you dead little girl than to be with another man" encouraged violence against women. 

One of the strengths of Rubber Soul, like Revolver, is the diversity of musical styles and sounds. Indeed, this is one of the Beatles' strengths. Their days in Hamburg and Liverpool playing long sets opened them to diverse influences and material from rock & roll through musicals and country music. This richness is one of the major factors that drove their creativity as they were able to spin off all these different influences. Sergeant Pepper tends to be cited more often as the greatest album ever. However, Rubber Soul and Revolver are arguably better.

Essential Tracks:

• Girl
• In My Life
• If I Needed Someone
• Nowhere Man

Track Listing:

1. Drive My Car
2. Norwegian Wood (This Bird has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle
8. What Goes On
9. Michelle
10. Girl
11. I'm Looking Through You
12. In My Life
13. Wait
14. If I Needed Someone
15. Run For Your Life

AN ABSOLUTE MUST FOR YOUR BEATLES COLLECTION!

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all 45s come with plain white sleeves unless otherwise stated.

   GOOD LUCK!

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