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***** - LAST COPY!! - LAST COPY !! - LAST COPY !! -*****

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We offer a "not satisfied, money back!"  guarantee.

If you are not happy with your purchase you can return it

within 14 days and you will be refunded without discussion.

The return postage is not refundable.

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Nous offrons un garantie "non satisfait, remboursé!".

Si vous n'êtes pas satisfait avec votre achat,

vous pouvez le retourner pendant 14 jours et vous serez remboursé sans discussion.

Les frais de retour ne sont pas remboursables. 

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

..... very-hard-to-find-worldwide in this " perfect " Quality !! .....

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Thank you for visiting my auction .....

I have for sale: ..... with .....

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..... secure & insured shipping worldwide .....
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..... Foreign bidders are welcome .....
..... please, ..... Winners have to contact me within 3 days ..... 

..... of auction close .....

..... Winners have to pay shipping costs .....

..... for 1 valuable, analogue, audiophile MOSAIC-LP/RECORD-BOX .....

..... worldwide  = from GERMANY with DHL - "PREMIUM" SHIPPING " .....
..... insured shipping worldwide ..... with DHL - "PREMIUM" SHIPPING .....
..... all country´s ... around the world ..... with DHL - "PREMIUM" SHIPPING .....

  .......... worldwide shipping ....... with airmail, registered, insured .....
.......... and safety first class cardboard package ............

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..... secure & insured shipping worldwide .....

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..... SALE !! ..... OF MY PRIVATE ANALOGUE - .....
..... MOSAIC - LP/RECORD - COLLECTION .....
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..... my audiophile hobby over 40 years !! .....
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..... BEST RECORDINGS ..... WORLDWIDE !! .....
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..... please note ..... all of my worldwide = ..........

..... many thousands of positive feedbacks ..........

..... soon over 20 ebay years ..... 

..... if you are satisfied, they say....there friends and other music-collectors....
..... If youare not satisfied, then please tell me !!! .....

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..... EXTREMELY RARE AUDIOPHILE MOSAIC-LP/RECORD-BOX !! .....

..... LIMITED EDITION ..... VERY-HARD-TO-FIND-WORLDWIDE !! .....

..... THIS ALBUM IS ONE OF AN SPECIAL EDITION LIMITED NUMBER !! .....

..... IN " VERY HIGH " QUALITY !! ..... BEST CONDITION !! .....

..... ORIGINAL ANALOGE MOSAIC RECORDING, ..... MADE IN USA .....

..... IN VERY HIGH QUALITY !! ..... TRANSFERRED DIRECTLY .....

..... FROM THE FIRST ORIGINAL ANALOGE MASTER TAPES .....

..... FROM MY WELL-TENDED AUDIOPHILE VINYL COLLECTION !! .....

..... COLLECTOR OVER MANY, MANY YEARS ..... OVER ..... 40 YEARS .....

..... I AM THE ORIGINAL OWNER OF THE ANALOGE MOSAIC-LP/RECORD ..... 

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..... ONE COPY !! ..... LAST CHANCE  !! .....

..... AUDIOPHILE MOSAIC 5-LP-RECORD-BOX .....

..... in perfect " NEW = NEVER PLAYED " Quality !! .....

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******* - LAST COPY!! - LAST COPY !! - LAST COPY !! -********

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..... rare audiophile Mosaic-5-LP/Record-Box .....
..... limited edition ..... limited edition .....
..... made by Mosaic Record in USA !! .....

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... MOSAIC RECORD 5-LP/RECORD-BOX !! .....

..... ORIGINAL HIGH QUALITY VINYL-RECORDING !! .....  

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... MOSAIC MQ5-172 ..... (5-LP/Record-Box!!) .....
..... in perfect " NEW = NEVER PLAYED" Quality .....

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........ THAD JONES (TRUMPET) .....

..... " THE COMPLETE BLUE NOTE/UA/ROULETTE - .....

....... RECORDINGS OF THAD JONES " ..............

........... LIMITED EDITION ..... MADE IN USA !! ..........

************* this is one of 7500 limited copies **************

***special limited number # ? (was forgotten)***

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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TRACKLISTING: ......................... 

This limited-edition LP set “The Complete Blue Note/UA/Roulette Recordings of Thad Jones” (MQ5-172).

It is in mint (never played). The box and booklet are in perfect condition. .......

The set contains the music from the following albums, plus additional material: .....
Blue Note BLP 1513 ..... Detroit-New York Junction .....
Blue Note BLP 1527 ..... The Magnificent Thad Jones .....
Blue Note BLP 1546 ..... The Magnificent Thad Jones, Volume Three .....
United Artists UAS 5025 ..... Motor City Scene.....
Roulette RB-2 ..... The Birdland Story - various artists .....

The five 180-gram LPs were mastered from the original tapes and pressed at RTI in Camarillo, California. Set weight: 4 pounds. ..........................

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 ..... ORIGINAL COMPILATION RECORDING BY MOSAIC RECORD IN USA .....

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ALBUM NOTES: ...................

Thad Jones: The Complete Blue Note/UA/Roulette Recordings

With the greatest justification, Thad Jones is remembered as a giant among composers and arrangers of the second half of the century. As co-leader and director of the Thad Jones-Mel Lewis Orchestra, he was an imposing and magnetic figure. But there was much more to Jones.
Before he started devoting most of his time and energy to writing and leadership he was unique among trumpet players of the 1950s-and since-for his power, fluidity and harmonic originality. His qualities as a composer and an improviser were inextricably intermeshed. He avoided the obvious; his compositions were as unusual as his choices of notes in a solo. Long before he left Detroit to join Count Basie in New York in 1954, he was a writer with deeply personal traits. His ingenuity as a composer/arranger and a player is on extensive and satisfying display in this Mosaic box.
Some of Jones’ charts on his first Blue Note session date from the early ’50s, when he was with Billy Mitchell at the Blue Bird in Detroit. His writing and playing on pieces like “Zec,” “Scratch” and his unusual arrangement of “Blue Room” show that he had long since harnessed his imagination, wisdom and resourcefulness. Those qualities intensified over the next three decades. His harmonic knowledge rivaled the chordal acumen of Fats Navarro. His tone was as personal a hallmark as Miles Davis’ or Kenny Dorham’s. In fluency, he was in the same league as Dizzy Gillespie. The unconventional intervals and wry humor that permeated his writing were also abundant in his playing. There are more than three hours of his brilliance here, and it may startle those who remember him only for occasional solos in the Thad Jones-Mel Lewis Orchestra.
The collection begins in the spring of 1956. It ends four years later when Jones was still with Basie but becoming increasingly driven to develop his own outlet. The core of musicians in his sessions consisted of other members of the Detroit jazz community who had moved to New York: His brothers Elvin and Hank, tenor saxophonist Billy Mitchell, pianists Tommy Flanagan and Barry Harris, guitarist Kenny Burrell, bassist Paul Chambers. Other players included Percy Heath, Max Roach, George Duvivier, Gigi Gryce, Benny Powell, Oscar Pettiford, Al Grey, Richard Davis, Shadow Wilson, Osie Johnson-a cross section of the decade’s elite.
Mitchell and Flanagan are on all but a few of the 27 tracks. Some of Mitchell’s best work on record is here, a reminder that this constantly improving tenor man has never received the recognition he deserves. Flanagan is superb throughout. Like Hank and Thad Jones, he seems to have emerged from Detroit fully developed and kept growing within his style. Elvin Jones, on the other hand, was evolving his approach. In the 1959 United Artists date, you can hear him edging toward the polyrhythms that would be so important to John Coltrane.
As for the leader, his playing is on a high plane from beginning to end. His creative musical thinking, passion of expression and clarity of execution are remarkable. I hear only one outright wrong note choice or mistake by him in the three CDs (in the final chorus of “I’ve Got A Crush On You”) and a miniscule percentage of the fluffs and near misses that any player experiences in the course of spontaneous creation. Few improvisers who take Jones’ kind of risks could match that consistency.
During the last 20 years of his life Thad Jones relegated his playing to second or third place behind his writing and band leading. His soloing could be as magnificent as ever, but several of his colleagues use the same phrase, “like pulling teeth,” when they talk about what it took to get him to pick up his horn. For a long time before his interest shifted, however, he was one of the most original trumpet soloists of his generation. The evidence is here

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If only we had started collecting the Mosaic Jazz Record titles when they first started issuing them! There is no doubt that Mosaic Records have been quietly issuing some of the most important jazz performances ever committed to vinyl record and/or CD. Many of the Mosaic sets have reached "mythical" status and are highly prized by jazz afficionados, audiophiles and music collectors. Indeed, their sets are first rate in terms of production quality, performances chosen, libretto information and sound! All the Mosaic sets are limited edition and numbered and when they sell out, the company does not reissue them anymore - in other words, if you snooze, you lose! ......................
Best of all, this set is BRAND NEW and UNPLAYED! It has been safely stored away for a number of years - this may be your only chance to get a MINT copy of a superb rarity!
Up for sale:  ................

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            U.S.A. "MOSAIC RECORDS" 5-LP boxed set (180 gram vinyl)
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            Audiophile Pressings of these magnificent performances
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            LPs come in a hard outer box
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            Set comes complete with an extensive Libretto
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            Limited Edition LP set - 7,500 made worldwide
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            Record Catalog Number: MQ5-172 (5-LP boxed set)
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Extremely rare, this is a much sought after 5-LP set:
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The BOX and LIBRETTO are in Mint condition - the set is actually BRAND NEW.
The LPs are in Mint condition! - everything is BRAND NEW & UNPLAYED...... Comes in LP-sized Box with 16page booklet.............. 

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in German Language: ...................

Wenn wir nur angefangen hätten, die Mosaic Jazz Record Titel zu sammeln, als sie anfingen sie zu veröffentlichen! Es besteht kein Zweifel, dass Mosaic Records still und leise einige der wichtigsten Jazz-Performances herausgebracht hat, die jemals auf Vinyl-Schallplatten und / oder CD-Platten aufgenommen wurden. Viele der Mosaic-Sets haben einen "mythischen" Status erreicht und werden von Jazz-Fans, Audiophilen und Musiksammlern sehr geschätzt. In der Tat, ihre Sets sind erstklassig in Bezug auf Produktionsqualität, Leistungen gewählt, Libretto Informationen und Sound! Alle Mosaic-Sets sind limitiert und nummeriert und wenn sie ausverkauft sind, gibt das Unternehmen sie nicht mehr aus - mit anderen Worten, wenn du schläfst, verlierst du!
Das Beste ist, dass dieses Set " NEU UND UNGESPIELT ist. Es wurde einige Jahre lang sicher aufbewahrt - das ist vielleicht Ihre einzige Chance, eine NEUE UND UNGESPIELTE Kopie einer großartigen Rarität zu bekommen! ......

 Thad Jones: Die komplette Blue Note / UA / Roulette Aufnahmen

Mit der größten Berechtigung wird Thad Jones als ein Riese unter den Komponisten und Arrangeuren der zweiten Hälfte des Jahrhunderts in Erinnerung bleiben. Als Co-Leiter und Direktor des Thad Jones-Mel Lewis Orchesters war er eine imposante und magnetische Figur. Aber Jones hatte noch viel mehr zu bieten.

Bevor er begann, die meiste Zeit und Energie dem Schreiben und der Führung zu widmen, war er einzigartig unter den Trompetern der 1950er Jahre - und seither - für seine Kraft, Fluidität und harmonische Originalität. Seine Qualitäten als Komponist und Improvisator waren untrennbar miteinander verbunden. Er vermied das Offensichtliche; seine Kompositionen waren so ungewöhnlich wie seine Notenwahl in einem Solo. Lange bevor er 1954 Detroit verließ, um sich Count Basie in New York anzuschließen, war er ein Schriftsteller mit sehr persönlichen Charakterzügen. Sein Einfallsreichtum als Komponist / Arrangeur und Spieler ist in dieser Mosaic-Box umfassend und befriedigend.

Einige von Jones 'Charts bei seiner ersten Blue Note-Session stammen aus den frühen 50ern, als er mit Billy Mitchell beim Blue Bird in Detroit war. Sein Schreiben und Spielen auf Stücken wie "Zec", "Scratch" und seinem ungewöhnlichen Arrangement von "Blue Room" zeigen, dass er seine Vorstellungskraft, Weisheit und Einfallsreichtum schon lange genutzt hat. Diese Qualitäten haben sich in den nächsten drei Jahrzehnten intensiviert. Sein harmonisches Wissen wetteiferte mit dem Akkord von Fats Navarro. Sein Tonfall war so persönlich wie Miles Davis oder Kenny Dorham. Mit Gelassenheit war er in der gleichen Liga wie Dizzy Gillespie. Die unkonventionellen Intervalle und der schlaue Humor, der sein Schreiben durchdrang, waren auch in seinem Spiel reichlich vorhanden. Es gibt mehr als drei Stunden seiner Brillanz hier, und es kann diejenigen erschrecken, die sich nur an vereinzelte Soli im Thad Jones-Mel Lewis Orchestra erinnern.

Die Sammlung beginnt im Frühjahr 1956. Sie endet vier Jahre später, als Jones noch bei Basie war, aber zunehmend dazu getrieben wurde, sein eigenes Geschäft zu entwickeln. Der Kern der Musiker in seinen Sessions bestand aus anderen Mitgliedern der Detroiter Jazz-Community, die nach New York gezogen waren: Seine Brüder Elvin und Hank, Tenorsaxophonist Billy Mitchell, Pianisten Tommy Flanagan und Barry Harris, Gitarrist Kenny Burrell, Bassist Paul Chambers. Weitere Spieler waren Percy Heath, Max Roach, George Duvivier, Gigi Gryce, Benny Powell, Oscar Pettiford, Al Grey, Richard Davis, Shadow Wilson, Osie Johnson - ein Querschnitt durch die Elite des Jahrzehnts.

Mitchell und Flanagan sind nur einige der 27 Tracks. Einige der besten Werke von Mitchell sind hier zu sehen, eine Erinnerung daran, dass dieser sich ständig verbessernde Tenor-Mann nie die Anerkennung erhalten hat, die er verdient. Flanagan ist überall hervorragend. Wie Hank und Thad Jones scheint er aus Detroit ausgereift zu sein und wuchs in seinem Stil weiter. Elvin Jones hingegen entwickelte seinen Ansatz weiter. Im Jahr 1959, dem Datum von United Artists, kann man hören, wie er sich den für John Coltrane so wichtigen Polyrhythmen nähert.

Was den Anführer betrifft, ist sein Spiel von Anfang bis Ende auf einer hohen Ebene. Sein kreatives musikalisches Denken, seine Leidenschaft für den Ausdruck und seine Klarheit der Ausführung sind bemerkenswert. Ich höre nur eine richtig falsche Notenwahl oder einen Fehler von ihm in den drei CDs (im letzten Refrain von "Ich habe dich verknallt an dir") und einen winzigen Prozentsatz der Fluffs und Beinahe-Fehler, die ein Spieler im Verlauf des Kurses erfährt der spontanen Schöpfung. Nur wenige Improvisatoren, die Jones 'Risiken eingehen, könnten dieser Konsequenz entsprechen.

In den letzten 20 Jahren seines Lebens verbannte Thad Jones sein Spiel auf den zweiten oder dritten Platz hinter seinem Schreiben und seiner Bandführung. Sein Solo könnte so großartig wie immer sein, aber einige seiner Kollegen benutzen den gleichen Satz "wie Zähne ziehen", wenn sie darüber sprechen, was nötig war, um ihn dazu zu bringen, sein Horn aufzuheben. Noch lange bevor sich sein Interesse änderte, war er einer der originellsten Trompetensolisten seiner Generation. Die Beweise sind hier...... (Übersetzung mit google-translater ....)

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..... Vinyl / Cover / Box = 5-LP/RECORD-BOX .....

..... in perfect " NEW = NEVER PLAYED " Quality !! .....

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..... rare MOSAIC 5LP/RECORD-BOX !! .....

..... very hard-to-find-worldwide .....

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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Here a couple of small details ...... " The original audiophile MOSAIC-180gram-5-LP/RECORD-BOX is perfect " NEW = NEVER PLAYED ", in perfect condition, complete and made in USA ..... with very high Eqipment from the original master/session tapes. The original MOSAIC 5-LP/RECORD-BOX is perfect " NEW = NEVER PLAYED ". The Box/Booklet includes the complete original artwork, linernotes and Photos. There are none dents or cracks in the Box, ..... none of seams are split or corners badly damaged. It is not a cut-out. (No saw marks or drill holes.) It is a completely original Pressing in USA. This original audiophile MOSAIC 5-LP/RECORD-BOX is long out of print and is an extremely rare title.  This is one of the rarest titles to find, especially perfect " NEW = NEVER PLAYED ".  This original audiophile MOSAIC 5-LP/Record-Box comes from my own vinyl collection and smoke-free environment. ........ "

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... ORIGINAL MOSAIC RECORDING, USA ..... VERY HIGH QUALITY .....

..... Specially Plated and Pressed on High Definition Super Vinyl .....

..... by MOSAIC RECORD in USA ... " NEW = NEVER PLAYED " - Copy !! ...

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*** - LAST COPY !! - LAST COPY !! - LAST COPY !! - ***

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..... sorry, ..... please ..... look at my ebay assessments .....

..... I prefer worldwide payment with Paypal .....

..... to keep the handling fair is very important for me. .....

..... I promise you that .....

..... if you have any questions, please email me .....

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..... sorry, ..... please look all my other items  .....

..... in my auction ..... this week ......

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Dear music collectors, .....

I have been collecting music for about 40 years and as I wish to reduce my vinyl collection,

I am offering various analogue and audiophile LPs & CDs for sale. .....

I have some particularly rare and out-of-print objects:

many of my LP's and CD's are still sealed = FACTORY SEALED / OVP.

I have verified and evaluated all used LP´s and CD´s according to the official collectors rating. .....

I will take any LP or CD back, if you are not satisfied with the quality of the item and disagree with my rating. .....

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......... with-money-back-guarantee .........

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Explanations regarding my ratings: ..........

1st part: quality of the record 2nd part: quality of the cover ...............

SEALED / OVP: ..... LP & CD is - FACTORY SEALED - in shrink-wrap or cellophane ........

NEU / NEW: ..... LP & CD is OPEN and UNPLAYED .........

MINT / MINT: ..... LP & CD is as NEW and does not show wear .............

M - / M - : ..... LP & CD shows minimum wear .............

VG / VG (very good): ..... LP & CD shows wear ...........

Demo-Copy: LP & CD = ..... Promo - not for sale - particularly rare!! ....

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..... THANK YOU !! .....

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