Sealed LP: Randy Weston: African Nite

$

20

Randy Weston: African Nite

FACTORY SEALED LP

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Songs

• Little Niles
• Suite Eolienne, Pt. 1
• Suite Eolienne, Pt. 2
• Suite Eolienne, Pt. 3
• Jejouka
• Portrait of Myriam Makeba
• Con Alma
• C. W Blues
• Yubadee

Credits

Randy Weston: Piano, Main Performer

Album Review

During 1974-76, Randy Weston recorded five solo piano albums. It was a natural move for him since, being quite percussive, he really did not need a drummer or even a bassist. This obscure Lp (originally out on Owl and now long out-of-print) finds Weston performing eight of his originals (including "Little Niles") along with Dizzy Gillespie's "Con Alma." Many of the other songs were written during Weston's long stay in Morocco where his music became even more African-oriented than previously. The playing is consistently exciting, but unfortunately this album is now quite rare. ~ Scott Yanow, All Music Guide

Biography

Randy Weston biography by Richard S. Ginell, All Music Guide

Placing Randy Weston into narrow bop-derived categories only tells part of the story of this restless musician. Starting with the gospel of bop according to Thelonious Monk, Weston has gradually absorbed the letter and spirit of African and Caribbean rhythms and tunes, welding everything together into a searching, energizing, often celebratory blend. His piano work ranges across a profusion of styles from boogie-woogie through bop into dissonance, marking by a stabbing quality reminiscent of, but not totally indebted to, Monk.

Growing up in Brooklyn, Weston was surrounded by a rich musical community: he knew Max Roach, Cecil Payne, and Duke Jordan; Eddie Heywood lived across the street; Wynton Kelly was a cousin. Most influential of all was Monk, who tutored Weston upon visits to his apartment. Weston began working professionally in R&B bands in the late '40s before playing in the bebop outfits of Payne and Kenny Dorham. After signing with Riverside in 1954, Weston led his own trios and quartets and attained a prominent reputation as a composer, contributing jazz standards like "Hi-Fly" and "Little Niles" to the repertoire. He also met arranger Melba Liston, who has collaborated with Weston off and on into the '90s. Weston's interest in his roots was stimulated by extended stays in Africa; he visited Nigeria in 1961 and 1963, lived in Morocco from 1968 to 1973 following a tour, and has remained fascinated with the music and spiritual values of the continent ever since. In the '70s, Weston made recordings for Arista-Freedom, Polydor, and CTI while maintaining a peripatetic touring existence -- mostly in Europe -- returning to Morocco in the mid-'80s.

However, starting in the late '80s, after a long recording drought, Weston's visibility in the U.S. skyrocketed with an extraordinarily productive period in the studios for Antilles and Verve. Among his highly eclectic recording projects were a trilogy of "Portrait" albums depicting Ellington, Monk, and himself, an ambitious two-CD work rooted in African music called The Spirits of Our Ancestors, a blues album, and a collaboration with the Master Gnawa Musicians of Morocco. Though he does tend now and then to recycle material written up to nearly half-a-century before, well in to his seventies, Weston remains an unpredictable, unusually enterprising musician, issuing Khepara in 1998.

• This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua.
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