SUN RA HELIOCENTRIC WORLDS#2 RARE ORIG '65 ESP MONO LP

$

53

    
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·       SUN RA - THE HELIOCENTRIC WORLDS OF SUN RA, VOL. 2  - ORIGINAL 1965 ESP-DISK MONO LP ESP-1017

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE ESP LABEL WITH BLACK PRINT

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE) (STEREO COVER WITH MONO STAMP)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Although the "Vol. 2" in the title insinuates some degree of continuity with its predecessor, this is a bit of a misnomer as the only acknowledged connection with The Heliocentric Worlds of Sun Ra, Vol. 1 (the volume number only indicating the order in which they were issued). Due in part to the wider exposure and distribution of the ESP label, enthusiasts and critics were unanimous in their recognition of this masterpiece of free jazz -- or, as Ra called it, "space jazz." The Heliocentric Worlds of Sun Ra, Vol. 2 is comprised of three unique compositions: "The Sun Myth," "A House of Beauty," and "Cosmic Chaos." Sun Ra's work with an ensemble often presents a stated emphasis on the percussive nature of solos as well as within the group context. The underlying freeform anti-structure allows defining contrasts that ultimately establish the progressing sonic sculpture. "The Sun Myth" showcases Ra's definitive capabilities to guide his assembled musicians from anywhere within said group. He is heard on this recording initiating improvisational exchanges on tuned bongos -- for a portion of the track -- rather than from his customary keyboards. The resulting interactions include mesmerizing bass solos from Ronnie Boykins as well as some impassioned alto sax work from Marshall Allen. Directly contrasting the works that surround it is "A House of Beauty." The emphasis shifts, juxtaposing Allen's unfettered piccolo solos with Ra on piano and Robert Cumming on bass clarinet. Of particular note here are Ra's achingly lyrical piano runs and chord progressions, which weave between the light percussion beds and the dominant woodwind section. "Cosmic Chaos" is the final and most archetypal of the ensemble works that Ra and his various Arkestras would produce throughout the '60s. The extended piece begins with rush upon rush of aggressive counterpoint, building into unreserved group crescendos that are likewise punctuated by various woodwind soloists.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Just a few years after Jackson Pollock hit the world of painting straight between the eyes with his abstract expressionism, Sun Ra did the same to the world of Jazz (and was quickly followed by his acolytes: Eric Dolphy, Ornette Coleman and late-period John Coltrane who quickly mastered the fine art of musical deconstruction and abstraction). Ever a dubious character, Sun Ra claimed (among other things) to have been born on Jupiter - and his music truly, genuinely reflects his "place of birth". This record, which came out in 1965 on a legendary ESP label at the apex of the New Jazz movement (Coltrane’s earth-shattering "Ascension" came out earlier that same year) is truly a wonder of nature, a robust and masculine work which requires undivided attention and devotion on part of the listener. A master of all things modal and atonal, Sun Ra created an improvisational masterpiece which is occasionally difficult and demanding, but is generally considered to be one of his finest works.

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS STILL IN ITS ORIGINAL ►SHRINK WRAP; HOWEVER, WE ARE UNABLE TO GRADE IT NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS VG+(+)      (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        A visible water stain affects the area about 25% of BOTH sides (both front and back panels); there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible and has caused visible yellowish discoloration and a slight warp in the affected area.

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a small MONO stamp on the back panel

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Minor water stain noted in one corner (nothing significant)  (VISIBLE ON BACK SIDE ONLY)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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