SEALED LP: LEON RUSSELL: STOP ALL THAT JAZZ

$

20

Leon Russell: Stop All That Jazz

FACTORY SEALED LP

• If I Were a Carpenter
• Smashed
• Leaving Whipporwhill
• Spanish Harlem
• Streaker's Ball
• Working Girl
• Time for Love
• Ballad of Hollis Brown
• Mona Lisa Please
• Stop All That Jazz
• Wild Horses (#)
• Wabash Cannonball (#)

• Terence P. Minogue: Assistant Engineer, Assistant Producer
• Jamie Oldaker: Drums
• Cheryl Pawelski: Assistant Engineer, Assistant Producer
• Don Preston: Dobro, Vocals, Guitar
• Carl Radle: Bass
• Edwin Scruggs: Guitar (Acoustic), Guitar
• Lena Stephens: Vocals, Vocals (Background)
• Odell Stokes: Guitar
• Pam Thompson: Vocals, Vocals (Background)
• C. Wilson: Organ, Vocals (Background), Percussion
• Charlie Wilson: Keyboards, Vocals
• Ronald Wilson: Horn, Vocals (Background)
• Tom Cartwright: Producer
• Ric Wilson: Bass
• Tom Wilkes: Design
• Tami Masak: Assistant Engineer, Assistant Producer
• Bernadette Fauver: Assistant Engineer, Assistant Producer
• Kent Duncan: Engineer
• Robert Sinclair Wilson: Bass, Drums
• Steve Hoffman: Engineer
• Pete Drake: Guitar (Steel), Engineer
• Linda Hargrove: Guitar (Acoustic), Guitar
• Marcy Levy: Vocals, Vocals (Background)
• Jim Keltner: Bass, Drums
• Ann Bell: Vocals, Vocals (Background)
• Henry Best: Bass
• Chuck Blackwell: Drums
• Chris Clayton: Horn, Vocals (Background)
• Joey Cooper: Guitar, Vocals
• Denny Cordell: Producer
• John Gallie: Keyboards, Programming
• Margaret Goldfarb: Assistant Engineer, Assistant Producer
• Karl Himmel: Drums
• William Kenner: Mandolin
• John LeMay: Engineer
• Charles Levan: Assistant Engineer, Assistant Producer
• Tommy Lokey: Horn, Vocals (Background)
• Willie Nelson: Guitar, Guitar (Rhythm), Performer, Vocals
• Tom Russell: Engineer
• John Cale: Guitar, Guitar (Electric)
• Leon Russell: Synthesizer, Main Performer, Producer, Vocals, Piano (Electric), Bass, Piano, Keyboards, Guitar, Banjo

• The ultimate rock & roll session man, Leon Russell's long and storied career includes collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, OK, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector's renowned studio group, Russell played on many of the finest pop singles of the 1960s, also arranging classics like Ike & Tina Turner's monumental "River Deep, Mountain High"; other hits bearing his input include the Byrds' "Mr. Tambourine Man," Gary Lewis & the Playboys' "This Diamond Ring," and Herb Alpert's "A Taste of Honey."
• In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. While touring with Delaney & Bonnie, he scored his first songwriting hit with Joe Cocker's reading of "Delta Lady," and in 1970, upon founding his own Shelter Records imprint, he also organized Cocker's legendary Mad Dogs and Englishmen tour. After the subsequent tour film earned Russell his first real mainstream notoriety, he issued a self-titled solo LP, and in 1971 appeared at George Harrison's Concert for Bangladesh following sessions for B.B. King, Eric Clapton, and Bob Dylan. After touring with the Rolling Stones, Russell increasingly focused on his solo career, reaching the number two spot with 1972's Carney and scoring his first pop hit with the single "Tight Rope." While the success of 1973's three-LP set Leon Live further established his reputation as a top concert draw, response to the country-inspired studio effort Hank Wilson's Back was considerably more lukewarm, as was the reception afforded to 1974's Stop All That Jazz. 1975's Will O' the Wisp, however, restored his commercial luster, thanks in large part to the lovely single "Lady Blue."
• In June of 1975, Russell married singer Mary McCreary; the following year the couple collaborated on The Wedding Album, issued through his newly formed Paradise Records label. Also in 1976, the Russell-penned "This Masquerade" earned a Grammy Award for singer George Benson. He and McCreary reunited for 1977's Make Love to the Music, and upon completing the solo Americana, Russell teamed with Willie Nelson for 1979's Willie & Leon. He then spent the next two years touring with his bluegrass band, the New Grass Revival, issuing a live LP in 1981; although Paradise shut down later that year, the label was reactivated for 1984's Hank Wilson, Vol. 2 and Solid State. Russell spent the remainder of the decade largely outside of music and did not resurface until issuing the Bruce Hornsby-produced Anything Can Happen in 1992. The album appeared to little fanfare, however, and another long period of relative inactivity followed prior to the 1998 release of Hank Wilson, Vol. 3: Legend in My Time. Face in the Crowd appeared a year later. Moving into the new century, Russell issued Moonlight & Love Songs, an album of cover songs, in 2002, followed by Angel in Disguise five years later in 2007. A trio of releases, Almost Piano, Bad Country, and In Your Dreams, appeared in 2008.

• This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua, Pennsylvania.
• Phantasmagoria used round colored stickers to indicate the price of the albums. They had a chart on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value.
• All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling.

• If I list an album as "New", but not sealed, it is because the album is probably an import or from a small USA record company. Back in the 70's, many imported albums were not sealed by the record companies, and the importers/distrubutors did not spend the time or money to seal them before being sent to the stores. I will not knowingly misrepresent an album as new if I have any doubts.
  
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• All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.

Shipping and pick-up

WITHIN U.S.A.

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