SANDY DENNY Sandy SCARCE UK 1972 Island Pink Rim N/M LP

	£		40
	$		53

Hi, I am Mike, now 50 – yes the big FIVE-O! Old enough to remember the golden era of original, high quality music, bands, artists.

Also records from the 1960s and 70s bought from the shops from new, I have been a music collector and enthusiast for over 37 years now. We all wish we could turn back the clock and buy those wonderful brand new records from the 60s and 70s, but alas, this is not possible; so I always try to offer the finest and most accurately described and graded records I can find. No vinyl/music lover really would choose to buy second-hand, but this is only way now to own these valuable, prized and elusive items now. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested reader – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee one hundred percent is exact colour matching for covers - this depends on the lighting at the time and that is out of my control, but I feel sure most items will be very close to the actual real item. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12 with Ittok Mk IV arm and Ortophon 520 Mk II cartridge (tracks at 1.75 grams). Amps: Arcam 2 x 125W Pre-Power. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

POSTING & PACKING: What You Get: I post all my UK items on FRIDAY every week, most will arrive Saturday to make signed-for delivery easier. All records are posted in professional boxes (NOT mailers) with the record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with TWO massively thick stiffners for even extra protection and bubble wrap if deemed necessary. These stiffners are the thickest possible and custom supplied for ‘Oneadayrecords’ – these are NOT commercially available and you will not have seen thicker protection anywhere. The cover will be placed within a BRAND NEW heavy duty soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. Printed address labels are used as well as ‘Fragile’ tape for that extra professional touch for the packet. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. Customers requests or special needs for P&P will be respected if at all possible but NOT surface mail abroad. I never make profit on posting and offer probably the cheapest and safest shipping possible. I will invoice any winning bidder as soon as possible after the auction ends, with the total costs including ‘standard’ or ‘optional extra insurance’ P&P – ALL UK and Russian packets go out non-negotiable Recorded Delivery. My ‘loss’ or ‘damage rate’ is less than 0.1 per percent based on over 3,500+ items sold in over 5 years of Ebay trading (I am now one of most established sellers via Ebay) and I consider that pretty exceptional.

PLEASE NOTE: I will now only send packets to Russia with Recorded Delivery at a cost of £7 per single LP. If this is unacceptable to Russian collectors, please do not bid. I only want my records to arrive safely and this gives packets a better chance to do so. Also ALL UK packets will be sent with either Recorded or Special Delivery as standard (both have to be signed for). All shipping costs and rules can be found after my description. If they are not acceptable, please do not bid.

Album Title: Sandy.

Producer(s): Trevor Lucas.

TRACK LIST:

Side 1: It’ll Take a Long Time; Sweet Rosemary; For Nobody to Hear; Tomorrow is a Long Time; The Quiet Joys of Brotherhood.

Side 2: Listen, Listen; The Lady; Bushes and Briars; It Suits Me Well; The Music Weaver.

Label/Format: Island – original pink rim format (Please see my label scan).

Label Conditions: Both immaculate: very clean and highly attractive with only a couple of ultra light and faint spindle traces and no wear around the hole area.

Cat Number: ILPS 9207.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 144 grams, the heaviest pressing of this I have ever had. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.

Country of Manufacture: England.

Rarity: Scarce and very difficult to find with such a clean record and cover.

Original Year of Release: 1972

Matrix Nos: ILPS 9207 A-1U / ILPS 9207 B-1U

Stamper Codes: 1 L / 1 L

Musicians: Sandy Denny - guitar, piano, vocals; Richard Thompson - guitar, mandolin, vocals; Pat Donaldson - bass, vocals; Dave Swarbrick - violin; Sneaky Pete Kleinow - pedal steel guitar; John Bundrick - organ, keyboards, piano; Timi Donald - drums; Linda Thompson - vocals.

Brief Info: Featuring a stunning front cover portrait by famous photographer, David Bailey, this was Sandy Denny’s second ‘solo’ album. She had previously made three with Fairport Convention and one with Fotheringay, eight of the songs were self-written. A truly beautifuly album in every way, wonderful music and packaging (but fragile), the material was perfect for her voice and includes some lovely string and brass arrangements. This lady was pure class and still one of my favourite female vocalists ever. This very early, heavy pressed copy is a beauty too. The record has clearly hardly been played and sounds marvellous and that’s never easy. The cover is very delicate indeed and made with the thinnest of card which is very slightly textured, dark and unlaminated, these are usually found badly worn and damaged and this must best the best I have seen for some considerable time, not quite perfect but setting a very high standard. Also included is the Island blue inner which again is in great condition. So arguably Sandy’s best ever ‘solo’ album and one most collectors will treasure.

This Cover’s Potential for Wear: Very High: [Unlaminated covers are always the most vulnerable for rubbing, fading, sticker tears and ringwear, gatefolds are more prone still and the darker they are, the more this type of wear occurs and shows. Some sleeves have a textured finish or die-cut shaped edges or ‘windows’. These are even more delicate and the hardest to find in top condition. Fully laminated covers are more resistent to wear but often the laminate ages with dulling, creases and blistering. Many 60s covers have outer flipback construction, these are very vulnerable to damage]. (US covers are the most fragile of all, very rarely laminated and made with thick brittle card that rubs and ringwears badly. Seams and edges split more easily). Please see format below to access this cover’s potential for wear and damage.

Cover Grade and Format: I feel undergraded at EX+, this is so fragile, many would consider this exceptional. An unlaminated, lightly textured, matt finished gatefold format. Printed and made in England by MacNeill Press Ltd.

Cover Front: Beautiful beyond words, this must be the ultimate published Sandy Denny portrait and unusually still looking really fine on this very intolerant and delicate sleeve. There is little wear at all and this retains all its glorious colour with no fading, rubbing or major creasing. Just one light surface crease near the bottom right corner area, it has little visibility. When viewed up close, there are a couple of very faint marks near Sandy’s eyeline, ultra faint and fine scuffs almost certainly from a mild rub against another cover at some time. Any other marks are few and tiny and little even registers. These faint marks are the only real blemishes on what remains a truly beautiful front.

Cover Back: Fantastic and only one in many will ever avoid deep penetrating ringwear. This has only a mild record pressmark which has not developed into that ugly form of wear. Being such a dark brown with a heavy record inside all these years, the failure of ringwear fomation is almost remarkable. Clearly this has not been kept too tighly in a rack or record case and any outline is minimal and even the faint traces present are way over-emphasised by my camera flash. This has not rubbed and has few marks again and creasing has been avoided. Try finding both these incredibly wear-prone sides much better.

Cover Inner Gatefold: Stunning, both look as new and that’s truly beautiful again.

Top Edges: Barely any wear at all.

Bottom Edges: Again showing little wear, the odd tiny touch-in possible with very close viewing.

Right Edge(s), and Type: Clean, very sharp with no wear or feathering. Record enters on this back edge.

Spine and Text: Such a soft and fragile spine, finding a perfect one will prove near impossible these days. This reamins solid, straight with minimal compression and folded very square, both right edges meet up perfectly together and parallel. There is a little light rubbing, mostly to the corners top and bottom and very light centre crease foldline from opening which has passed through the word ‘SANDY’ but the Cat. No. is only lightly affected and the ‘Sandy Denny’ text is perfect, totally unworn.

Corners: The spine pair have rubbed a little, less so on the right four, and these retain very fine shape overall.

Cover Summary: A very strong all round example of this very fragile 70’s cover, one that will prove very difficult to find much better. This beautiful item should please many collectors.

The Inner: EX++ and one of the best seen for some time. The only blemishing is gum darkening on the edges, few seem to avoid it. Still fully lined with no edge splits or tears, this retains a lovely shade of blue, so many fade but this hasn’t to any degree. Hardly any creasing and with barely any marks and solid seams. The i text is ‘island records ltd basing street london w11’.

Vinyl Condition/Visual Grading: Mint(-), A superb visual copy that is super clean, shiny, intense black and heavily pressed for a record of this period. A copy with minimal plays on all the evidence and barely a noteworthy mark or blemish to be seen. Visually a super record that should please most collectors again.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This wonderful record plays up to its high visual grading nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is astonishing with a wide dynamic range and very detailed sound. Beautifully produced with very lush audio quality, Sandy’s vocals have an in-the-room quality and will rarely sound better. Any surface sounds are minimal indeed and this is a very challenging album to find that will play this well. No pops or clicks were noted and this is an exceptional clean pressing. Few copies will match or outperform this early pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been clearly well stored and carefully handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this wonderful record. This copy will prove very difficult to find significantly better and can be strongly recommended.

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & OPTIONS:

Posting & Packing: UK & CHANNEL ISLANDS all now sent Recorded Delivery:

1 LP (First Class Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4 (OPTIONAL).

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7 (OPTIONAL).

Posting & Packing: EUROPE & SCANDINAVIA (NOT RUSSIA, see below) (Airmail Only):

1 LP (Small Packet Standard with Standard Royal Mail Insurance) = £5.

1 LP (Small Packet ‘Signed For’ with included Insurance to Item’s ‘Sold’ Value, £500* Maximum) = £9 (OPTIONAL).

Posting & Packing: RUSSIA (Recorded Only, if this is unacceptable, please do not bid):

1 LP (Small Packet ‘Signed For’ only £7) = £9 (OPTIONAL extra insurance as above).

Posting & Packing: OVERSEAS (non-European) e.g. US; Australia; Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet Standard with Standard Royal Mail Insurance) = £8.

1 LP (Small Packet ‘Signed For’ with included Insurance to Item’s ‘Sold’ Value, £500* Maximum) = £13 (OPTIONAL).

* If Rules allow for that country.

PLEASE NOTE: I always get a Royal Mail ‘Proof-of-Posting’ receipt for ALL packets that are sent out and I am happy to prove this to any customer who wishes to see it via email.

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders.

The customer can choose their method of shipping with the exception of second class or surface mail overseas – these I will NOT use. The winner bidder chooses his/her posting method and if uninsured is chosen, its their decision and they have to stick with it, I can accept no responsibility if an item is lost in the post. I can only try to claim at standard levels if no enhancement is chosen (£35).

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund minus the Posting and All Ebay costs as long as the item detail has been read and understood. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer. If any overseas collector does not understand anything in my listing, please email and ask me to help.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.