Rat Pack ROBIN +SEVEN HOODS Soundtrack LP Nelson Riddle Sinatra Dean Martin Falk

	£		25
	$		33

British Reprise 1st release of the original film soundtrack to 'Robin and the 7 Hoods' (1964, dir. Gordon Douglas), featuring music composed and conducted by Nelson Riddle. Music by James Van Heusen, lyrics by Sammy Cahn. Vocals by Dean Martin, Frank Sinatra, Sammy Davis Jr and Bing Crosby.

The film starred Frank Sinatra, Dean Martin, Sammy Davis Jr., and Bing Crosby. The picture features Peter Falk, Barbara Rush, and an uncredited Edward G. Robinson.

Robin and the 7 Hoods – Various ?(Original Score From The Motion Picture Musical Comedy) (1964)

Condition (refer also to notes at bottom): Vinyl: G. Overall, clean on visual inspection. Played just pre-listing and sound clarity is good throughout. Some clicks/pops in places. Slight distortion in louder sections. Side B sounds very good; brighter than side A. Plays with no skipping, jumping or sticking.
Outer Sleeve/Cover: G. Colours remain unfaded and bright. Fantastic laminated front. Minor stains and creasing on front and from edges/spine. Aperture wear is significant though no tears visible. Reverse shows some soiling and marks, notably towards bottom left. Discolouration all round the edge. Cover is intact and flipbacks are undamaged and secure.
Inner Sleeve: G. Original Reprise. Green with duotone picture on both panels. Minor folding/creasing/rucking in corners; split in centre of one side. Clean and intact.

Label: Reprise Records ?– R 2021
Series: Pop (Yellow/Green Reprise Riverboat label)
Format: Vinyl, LP, Album
Country: UK
Released: 1964
Genre: Jazz, Swing, Stage & Screen, World, Vocal
Style: Soundtrack, Instrumental, Theme, Score, Folk

Tracklist:
A1. Robin And The 7 Hoods - Overture – Nelson Riddle And His Orchestra   
A2. My Kind Of Town – Frank Sinatra   
A3. All For One And One For All – Peter Falk
A4. Don't Be A Do-Badder – Bing Crosby
A5. Any Man Who Loves His Mother – Dean Martin
A6. Style – Frank Sinatra and Bing Crosby and Dean Martin   

B1. Mister Booze – “Robin And The 7 Hoods" Chorus   
B2. I Like To Lead When I Dance – Frank Sinatra
B3. Bang Bang – Sammy Davis Jr  
B4. Charlotte Couldn't Charleston! –“ Robin And The 7 Hoods" Chorus   
B5. Give Praise!! – “Robin And The 7 Hoods" Chorus   
B6. Don't Be A Do-Badder (Finale) – Frank Sinatra and Dean Martin and Bing Crosby and Sammy Davis Jr.


Soundtrack review:

Robin and the 7 Hoods is one of the more obscure releases from Reprise Records to be associated with Frank Sinatra and a major project, in this case a movie from the tail-end of the Rat Pack era.

It also isn't nearly as successful an album as its all-star lineup of talent would lead one to hope. Not that there aren't some worthwhile moments here -- it's just that between Sinatra, Bing Crosby, Dean Martin, and Sammy Davis, Jr., one might have expected two, or maybe three, great songs, instead of the good and fair moments spread across this album. It is true that the recordings, like the production of the movie, bridged a difficult time in the lives of everyone -- the Rat Pack itself was starting to fall apart; and Reprise Records, Sinatra's new business venture, with which he started the decade, was pretty much hemorrhaging money, except for his own recordings; and in the midst of the movie's production came the assassination of President Kennedy.

So in retrospect, if everyone involved was a little off their game, it was understandable.

Following the breezy, brassy overture, which already sounds a bit dated for 1964, we get the highlight of the record, Sinatra's rendition of "My Kind of Town." With Nelson Riddle's arrangement and conducting, this is the kind of number that Sinatra's fans just devoured, and it's the reason a lot of people actually bought this album -- his intonation is fine, his cocky manner fits the lyric, and the music works (and it works even better when seen as a performance in the movie).

Then we jump to the other extreme on the record, Peter Falk's version of "All for One and One for All" -- Falk at this point was not yet a star, but his was the kind of talent that endeared him to many a director and producer, and it's pretty plain that he must've done the same to Sinatra to get his spot on this album, raspy voice and all. Bing Crosby's contribution is confined to two songs, "Don't Be a Do-Badder" and "Mister Booze," neither representing the best that he was capable of, even at this late date in his career, though neither is a complete waste of time, either -- the influence of the earlier Sammy Cahn/Jimmy Van Heusen song "High Hopes" can certainly be heard woven through "Do-Badder."

"Style" is a joint contribution of Sinatra, Crosby, and Dean Martin that is cute but hardly worthy of the three voices. "I Like to Lead When I Dance" allows Sinatra to range across his vocal persona, from his introspective side, recalling his then-recent work on Point of No Return, to his more extrovert voice.

It's not his best work, but it would have made a good track on any of his albums from this period. And Sammy Davis, Jr.'s major contribution is "Bang! Bang!," which is a delightful romp.


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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.