RUSH “Feedback” Original 2004 GEDDY LEE-NEIL PEART-ALEX LIFESON M-

2004/USA/Atlantic Records 83728-1….. here’s a clean original pressing of this great lp by these Canadian legends. The gatefold cover is in M- condition with a little short crack  1/2" at the bottom on the inside center fold(not split), otherwise the cover is solid and clean with a perfect clean readable spine, no splits or delete. The vinyl is in clean glossy M- condition with three very small light inaudible scuffs on side one. The vinyl looks and plays very clean with rich fidelity. Clean labels. A gorgeous keeper copy for your collection! Please check my listings for other rock and psych lp's. Good luck and thanks for looking!

Rather than put out some windy and dreary box set to celebrate their 30th anniversary, Canada's seminal power prog band and one of big rock's most enduring units turns the tables and lays out hot and heavy covers of eight classics from the annals of rock & roll history. The track list is amazing, and the cool thing is that the arrangements of these nuggets are not all ripped up and mutated, either. "Summertime Blues" may begin as a nod to Jimi Hendrix's "Foxy Lady," but it comes roaring back as an acknowledged homage to the Who's Live at Leeds version. The version of Stephen Stills' "For What It's Worth" begins as a slippery little acoustic tune but quickly turns into a heavy, droning rock orgy. "The Seeker" goes for the jugular in the same way that the Who's did; Geddy's sneer has a little less contempt than Daltry's but it's just as hungry and desperate. "Heart Full of Soul" is pure psychedelic Yardbirds elegance with a bunch of space and dimension added to redeem the track for the 21st century. The backmasked guitars on "Mr. Soul" and Neil Peart's deliberate mix of thud and snap give the cut a solid footing for Alex Lifeson to unhurriedly coax Lee's vocal along the lyric. The ringing of Lifeson's chords that barely hold this side of overblown feedback is masterful in keeping the original spirit of the song while future-dating its sonics. Rush's read of "Seven and Seven Is" is much faster that Love's original, but its barely-on-the-rails tempo is welcome in lieu of the fact that these guys are all in their fifties and play like they're kids. "Shapes of Things to Come" is fun, and a real attempt to provide nuance to a great song, especially the cross-channel fading in the guitar mix. But on "Crossroads," the other bookend of this EP, Rush give a romper-stomper wailing performance of Cream's arrangement of Robert Johnson's seminal blues tune. Lifeson leaves Eric what's-his-name in the dust. Lee may not be the vocalist that Jack Bruce is but he kicks his ass as a bass player, and his moment of glory in this cut tears the roof off the song. None of these tunes are done with an ounce of camp. What the listener encounters is a Rush that has never ever been heard before: they indulge in the hero-worship and dream roots of the garage band that eventually became Rush, and they simultaneously search for the young garage band whose members never dreamed they'd be playing these tunes 30 years later as Rush. Anyone who thinks that there is no life left in the classics of the genre needs to hear this. That something this wild and freewheeling could only be pulled off by a band with 30 years experience is not only worth noting, but celebrating…. AllMusic

Location

Shipping Cost for this record

Tracking and Insurance

U.S.A.  Air

$12 air mail

$16 Tracked w/insurance

Canada Expedited

$10-$14 PLUS HST - Depends on Location

Tracking and Insurance Included

Worldwide Air

$19-$24 Depends on Location-no Insurance or tracking

For Tracking cost please e-mail me or check canadapost.ca

I offer Combined shipping on all listings. Combined shipping rate is based on final weight of the package so if you'd like a quote prior to purchase, please inquire listing the titles you’re interested in.

I REMOVE RECORDS FROM THE COVERS TO AVOID SEAM SPLITS, IF IT'S SEALED I WILL LEAVE IT SEALED UNLESS YOU LET ME KNOW OTHERWISE. ALL USED RECORDS CLEANED ON A VPI RECORD CLEANING MACHINE.

PLEASE PAY WITHIN 7 DAYS UNLESS DISCUSSED BEFORE AUCTIONS END. IF NO CONTACT OR PAYMENT IS MADE THE ITEM WILL BE RE-LISTED AND I WILL FILE A NON PAYMENT CLAIM TO RECOVER MY COSTS. PLEASE DO NOT USE E-BAY CHECK OUT, I WILL SEND YOU THE CORRECT INVOICE. I WILL CONTACT YOU AFTER THE SALE. IF YOU ARE NOT HAPPY WITH YOUR PURCHASE PLEASE CONTACT ME TO RESOLVE THE ISSUE. PLEASE LEAVE FEEDBACK AND I WILL BE HAPPY TO DO THE SAME! THANKS AND GOOD LUCK!!

GRADING

MINT: I consider only New Unplayed or Sealed items.

NM or M- or Mint Minus is the same to me, very clean with clean visual appearance and sound, there may be a couple of light inaudible hairline scuffs or such and will be mentioned in the listing, a Mint- record looks and plays clean. Same for the cover. Very clean with no delete or other issues.

EXCELLENT: still very collectable for most, visually and sonicly clean. A handful of light inaudible scuffs, or hairlines. Cover will be clean with little wear, or delete. No splits.

VG++ still a very nice copy with minimal wear, the vinyl will retain it's original gloss and can have a few minor scuffs/scratches that don't affect play very much. Cover will have slight shelf wear, and or delete, minor split.

VG+ the vinyl will still retain much original gloss with a bit more scuffs and/or scratches. If I list a rare or desirable item with a lower grade, I will try to list all defects.