ROLLING STONES Bridges To Babylon 2LP ROLLING STONES-VIRGIN 1997 UK orig+inner

	£		58
	$		77

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 RON WOOD, MICK JAGGER, CHARLIE WATTS, KEITH RICHARDS

plus DON WAS, ME'SHELL NDEGEOCELLO, BILLY PRESTON, BENMONT TENCH,

WADDY WATCHEL, BLONDIE CHAPLIN, JIM KELTNER, etc.

The premier British rock band for over half a century, 

creators of the sound and style imitated by countless group

"BRIDGES TO BABYLON"

Produced by Don Was and The Glimmer Twins except where noted*

1997   2LP     ROLLING STONES/VIRGIN RECORDS    STEREO   V 2840 (7243 8 44712 1 7)

MADE IN ENGLAND      ORIGINAL UK/EUROPE PRESSING

SINGLE COVER + INNER SLEEVES

This version: Printed in the UK on back cover, just below the barcode.

 Label Code: LC 3098

Other (Distribution Code F:): PM 264

Other (Distribution Code I:): 038

Original pressing with glossy cover and glossy printed and pictured inner sleeves with lyrics and credits

Barcode and Other Identifiers

Barcode: 7243 8 44712 1 7

LABEL:  ROLLING STONES - "SKY w/DUNES" LABELS - BLACK TEXT

Catalog on cover: (spine): 7243-8- 44712-1-7 ? V2840      (rear): 7243 8 44712 1 7 UK: V 2840    LC 3098

Catalog on Inner:

LP 1: 7243 8 44712 1 7 (7243 8 45038 1 0) V2840

LP 2: 7243 8 44712 1 7 (7243 8 45038 1 9) V2840

Catalog on labels:

Side A: 7243 8 44712 1 7 ? (7243 8 45038 1 0) ? V2840 ? LC 3098

Side B: 7243 8 44712 1 7 ? (7243 8 45038 1 0) ? V2840 ? LC 3098

Side C: 7243 8 44712 1 7 ? (7243 8 45038 1 9) ? V2840 ? LC 3098

Side D: 7243 8 44712 1 7 ? (7243 8 45038 1 9) ? V2840 ? LC 3098

Matrix / Runout (A Side, Stamped): V2840 A-1-1-I

Matrix / Runout (B Side, Stamped): V2840 B-1-1-I

Matrix / Runout (C Side, Stamped): V2840 C-1-1-I

Matrix / Runout (D Side, Stamped): V2840 D-1-1-I

On labels: rim text reads "All rights.............© 1997 Promotone B.V."

This label copy information is the subject of copyright protection.

All rights reserved. © 1997 Virgin Records Ltd. 

On Inner Sleeves: lyrics and credits

On back cover: "Rolling Stones" and Tongue and Lip Design are Trademarks of Musidor B.V.

Mastered by Stephen Marcussen at Precision Mastering, Hollywood

©1997 Virgin Records America Inc.

from my records collection

tracklisting

Side A: FLIP THE SWITCH - ANYBODY SEEN MY BABY?

LOW DOWN - ALREADY OVER ME

Side B: GUNFACE - YOU DON'T HAVE TO MEAN IT - OUT OF CONTROL

Side C: SAINT OF ME - MIGHT AS WELL GET JUICED - ALWAYS SUFFERING

Side D: TOO TIGHT - THIEF IN THE NIGHT - HOW CAN I STOP

grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Voodoo Lounge confirmed that the Stones could age gracefully, but it never sounded modern; it sounded classicist. 

With its successor, Bridges to Babylon, Mick Jagger was determined to bring the Rolling Stones into the '90s, albeit tentatively, 

and hired hip collaborators like the Dust Brothers (Beck, Beastie Boys) and Danny Saber (Black Grape) to give the veteran group 

an edge on their explorations of drum loops and samples. Of course, the Stones are the Stones, and no production is going to erase that, 

but the group is smart enough -- or Keith Richards is stubborn enough -- to work within its limitations and to have producer 

Don Was act as executive producer. As a result, Bridges to Babylon sounds like the Stones without sounding tired. 

The band is tight and energetic, and there's just enough flair to the sultry "Anybody Seen My Baby?," the menacing "Gunface," 

and the low-key, sleazy "Might as Well Get Juiced" to make them sound contemporary. But the real key to the success of 

Bridges to Babylon is the solid, craftsmanlike songwriting.And, as always, Keith contributes three winners -- including the reggae workout 

"You Don't Have to Mean It" and the slow-burning "How Can I Stop" -- that cap off another fine latter-day Stones record...(AllMusic)