Public Service Compilation LP - Red Cross, Bad Religion, Disability, Circle One
$
70
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Description
<div style="text-align:center"><img src="http://ti2.auctiva.com/sw/java.gif" border="0"><br><table align="center"><tr><td><a style="text-decoration:none" href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear"><img src="http://ti2.auctiva.com/sw/browse1.gif" border="0"></a></td><td height="23px" valign="middle" align="center"><font face="arial" size="2"><b><a href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear">DesignerSunglasses4DivaEyewear</a> Store</b></font></td></tr></table></div> Check out my other items! This is a rare misprint on Side 2 label incorrectly lists Disability for track #8 "Destroy Exxon"
<img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk1" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line1.gif" border="0"></a> So here it is E.P on a 12" Vinyl ..COVER AND VINYL ARE IN EX CONDITION, lyric sheet included
Country: US Released: 1981 Genre: Rock Style: Hardcore, Punk
TracklistHide Credits?
A1 Red Cross* – Cease To Exist Bass, Vocals – Steve McDonald*Drums – John StielowLead Guitar, Vocals – Jeff McDonaldProducer – Paul Cutler*, Redd Cross*Rhythm Guitar – Tracy LeaWritten-By – Charles Manson A2 Red Cross* – Everyday There's Someone New Bass, Vocals – Steve McDonald*Drums – John StielowLead Guitar, Vocals – Jeff McDonaldLyrics By – Jeff*Producer – Paul Cutler*, Redd Cross*Rhythm Guitar – Tracy Lea A3 Red Cross* – Kill Someone You Hate Bass, Vocals – Steve McDonald*Drums – John StielowLead Guitar, Vocals – Jeff McDonaldLyrics By – Jeff*Producer – Paul Cutler*, Redd Cross*Rhythm Guitar – Tracy Lea A4 RF7 – World Of Hate Bass, Engineer – Mike Smith (23)Drums – Walter "Bud" Phelan*Guitar [Guitars] – Nick LamagnaLyrics By – F. Alanis*Producer – RF7Vocals – Felix Alanis A5 RF7 – Scientific Race Bass, Engineer – Mike Smith (23)Drums – Walter "Bud" Phelan*Guitar [Guitars] – Nick LamagnaLyrics By – F. Alanis*Producer – RF7Vocals – Felix Alanis A6 RF7 – Long Live Their Queen Bass, Engineer – Mike Smith (23)Drums – Walter "Bud" Phelan*Guitar [Guitars] – Nick LamagnaLyrics By – F. Alanis*Producer – RF7Vocals – Felix Alanis A7 RF7 – Perfect World Bass, Engineer – Mike Smith (23)Drums – Walter "Bud" Phelan*Guitar [Guitars] – Nick LamagnaLyrics By – F. Alanis*Producer – RF7Vocals – Felix Alanis A8 Circle One – G.I. Combat Bass – Mike ItuarteDrums – Bill ItuarteGuitar – Mike Vallejo*Producer – SpotProducer, Lyrics By – Circle OneVocals – John Macias A9 Circle One – High School Society Bass – Mike ItuarteDrums – Bill ItuarteGuitar – Mike Vallejo*Producer – SpotProducer, Lyrics By – Circle OneVocals – John Macias B1 Bad Religion – Bad Religion Bass – Jay BentleyDrums – Jay ZiskroutGuitar, Lyrics By – Brett*Producer – Bad Religion, Jim MankeyVocals – Greg Graffin B2 Bad Religion – Slaves Bass – Jay BentleyDrums – Jay ZiskroutGuitar – Brett*Producer – Bad Religion, Jim MankeyVocals, Lyrics By – Greg Graffin B3 Bad Religion – Drastic Actions Bass – Jay BentleyDrums – Jay ZiskroutGuitar, Lyrics By – Brett*Producer – Bad Religion, Jim MankeyVocals – Greg Graffin B4 Disability (2) – Battling Against The Police Bass – Joe TravisDrums – Jordan LiebermanEngineer – Mike Smith (23)Guitar – Gene LipinLyrics By – D. Price*Producer – Disability (2)Vocals – Darren Price (2) B5 Disability (2) – White As A Ghost Bass – Joe TravisDrums – Jordan LiebermanEngineer – Mike Smith (23)Guitar – Gene LipinLyrics By – D. Price*Producer – Disability (2)Vocals – Darren Price (2) B6 Disability (2) – Rejection Bass – Joe TravisDrums – Jordan LiebermanEngineer – Mike Smith (23)Guitar – Gene LipinLyrics By – J. Travis*Producer – Disability (2)Vocals – Darren Price (2) B7 Circle One – F. O. Bass – Mike ItuarteDrums – Bill ItuarteGuitar – Mike Vallejo*Producer – SpotProducer, Lyrics By – Circle OneVocals – John Macias B8 Circle One – Destroy Exxon Bass – Mike ItuarteDrums – Bill ItuarteGuitar – Mike Vallejo*Producer – SpotProducer, Lyrics By – Circle OneVocals – John MaciasCompanies etc?
- Recorded At – Reels Of Sound
- Recorded At – Track Record (3)
- Mastered At – Greg Lee Processing
Credits?
- Cover [Back Cover] – Teri Alanis
- Cover [Front Cover] – Howard Drossin
- Engineer [Project Assistant Engineer] – Jim Hopkins (3)
- Engineer [Project Engineer] – Mike Smith (23)
- Producer [Project Producer] – Felix Alanis
Notes?
Side 2 label incorrectly lists Disability for track #8 "Destroy Exxon" (see pics).
All tracks recorded and produced @ Reels Of Sound Studios, Ventura, CA. except tracks B1 to B3 recorded and produced Track Records Studios, Hollywood, CA.
Lyrics and credits printed on back cover.
LP contains different versions of the Bad Religion songs 'Bad Religion', 'Slaves' and 'Drastic Actions' (tracks B1 to B3) from their first, eponymous EP (Bad Religion). These songs are available at the end of the '80-'85 compilation, and also on its 2004 re-release as 'How Could Hell Be Any Worse?'.
please note ...that if I can't BUY SHIPPING INSURANCE for the item through USPS..I CAN'T SELL IT TO YOU!VINYL ALBUM GRADING/CONDITION
Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)
MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.
NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.
EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.
VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.
GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will havedistracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.
On a scale from 1 (Poor) to 10 (Perfect) the above gradings are equivalent to:
MINT - 10, Near Mint - 8, Excellent - 7, Very Good Plus - 6 , Very Good - 5 , Good - 2
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