PROCOL HARUM LIVE IN CONCERT ORIG 1972 A&M WHITE LABEL PROMO LP NEAR MINT

$

32

WE CURRENTLY HAVE   MORE THAN 1,000  LISTED ITEMS

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·       PROCOL HARUM - LIVE IN CONCERT WITH THE EDMONTON SYMPHONY ORCHESTRA - ORIGINAL 1972 A&M RECORDS STEREO LP SP-4335

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This whole album was an afterthought -- Procol Harum had been invited to play a concert with the Edmonton Symphony Orchestra and the Da Camera Singers in Edmonton, Alberta, Canada, in August of 1971, at the tail-end of their last tour with Robin Trower in the lineup. Amid all of the preparation -- including the writing of new orchestral arrangements by Gary Brooker and with a new lead guitarist, Dave Ball, just joining the lineup -- Brooker decided that it might be a good idea to preserve a professionally made tape of the show and suggested that A&M Records, to which they were signed, might want to record the performance; the label agreed with just a week to go until the concert. Even "Conquistador," the song on which the resulting album's commercial success was built, was added at the last minute, with no time for the orchestra to rehearse the arrangement that Brooker wrote on the flight from England. They did it cold, opening the concert, and the eventual album featured a performance -- highlighted by the orchestra's brass in a Spanish mode, running scales on the strings, and B.J. Wilson's powerful drumming -- helped loft the single to number 16 in America. The group's second-biggest hit record (after "A Whiter Shade of Pale"), in turn, helped lift the album into the American Top Five. Ironically, the success of the LP also left Procol Harum's image slightly askew, with the presence of the orchestra and choir and the selection of songs, from the most ambitious part of the band's repertory, all combining to present the group as more of a progressive rock act than they actually were. "Conquistador" was the most accessible song on the album, and nothing else here matches it for sheer, bracing excitement, but the rest -- especially "Whaling Stories" and "A Salty Dog" and the multi-part "In Held 'Twas I" -- were all opened up by the vast canvas provided by the orchestra, and the group didn't wimp out in their own performance; Wilson, Ball, Brooker, and company all played hard and heavy where the songs required it.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

***

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

***

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl either.

(c)           The record comes in the original stock inner sleeve.

(d)          White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-        Cover has a neat, round PROMO cutout hole in one of the corners

-         Cover has a few tiny wrinkles along the spine  (VISIBLE ON BACK SIDE ONLY)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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