PETER KELLEY - Path Of The Wave - LP UK 1st PRESS - RARE ACID FOLK PSYCH -

	£		31
	$		41

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PETER KELLEY

- PATH OF THE WAVE -

BEAUTIFUL  VINYL  1ST PRESSING

SUPERB 12" 1969 VINYL COPY OF THIS CLASSIC ALBUM

1969 LONDON RECORDS ( UK ) SH-K.8402

VINYL IN  NR MINT CONDITION

 LAMINATED SLEEVE IN VERY GOOD + CONDITION

LABELS IN EXCELLENT CONDITION

East Coast singer-songwriter Peter Kelley made two superb albums, of which this is the first. An atmospheric blend of bluesy downer folk and psychedelia, it features eerie vocals and deft touches of violin and fuzz guitar. Songs range from Dylanesque ballads to the monster cut The Man Is Dead with fuzz guitar. Most of the cuts feature sparse instrumentation (often just an acoustic guitar is featured) and singing that owes a lot to Dylan's style of vocal delivery (and perhaps something to psychoactive substances as well). The Man Is Dead may be the best cut, but the whole album is worth a listen. Released in 1969, its sure to appeal to fans of artists such as Sandy Bull, Michael Hurley and Gary Higgins.

This is a super copy of a very rare album. The laminated sleeve has a few signs of storage wear here and there, but the spine is strong and it has no major defects - I would rate it as VERY GOOD+. The vinyl is in superb condition and has a lustre that belies its 40+ years. The music is very subtle and thankfully none of its acoustic majesty is lost in a sea of pops and crackles - it plays with very little surface noise. Using the respected RRPG as a reference I would rate the vinyl as being NR MINT. The labels are in tip top condition and it comes complete with its original BLUE poly lined inner. This is a Decca pressing, so needless to say that sonically it beats recent CD re-issues hands down!!

Peter Kelley - guitar, vocals

With

David Budin (guitar, piano, bass, saxophone) / Rusti Clark (viola) / Chuck Colin (trumpet) / Danny Federici (organ) / Richard Gottehrer (viola) / Ed Guzman (drums) Harriet Jacoff (piano) /Jon Lehr (guitar) Walton Mendelson (flute) / Jack Nallon (bass) / Roy Nievelt (electric guitar)

Produced by Barton Friedman and David Budin

Arranged by David Budin

Engineered by Richard Husson and Warren Slaten

Remix engineer – Stanley Weiss

1. Apricot Brandy

2. High Flyin' Mama

3. Christine I

4. All I Needed Was Time

5. Childhood's Hour

6. The Man Is Dead

7. Christine II

8. In My Own & Secret Way

9. Path Of The Wave

SCARCE LP IN THIS CONDITION - DON'T MISS IT!

BUY WITH CONFIDENCE - LOOK AT MY FEEDBACK!!

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ALL ITEMS ARE PACKED SECURELY AND SHIPPED WITH DOUBLE STIFFENERS TO ENSURE THE ITEM IS DELIVERED IN THE CONDITION DESCRIBED. THE RECORDS ARE ALL CLEANED PRIOR TO DESPATCH USING THE APPROPRIATE PROFESSIONAL CLEANING PRODUCTS.?

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12” Vinyl removed from outer sleeves to prevent sleeve split.
Packaging - All vinyl sent in professional mailers with stiffeners.

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Delivered by Royal Mail Airmail

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£1.45 FOR EACH ADDITIONAL LP

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45 rpm*
1 x  45 rpm - £3.75
50p for each additional single

* Please note that to comply with EBAY guidelines and for your peace of mind ALL PURCHASES exceeding £15.00 require INTERNATIONAL SIGNED FOR delivery service at an additional cost of £5.30


REST OF THE WORLD
Delivered by Royal Mail Airmail
VINYL LP’S*
1 LP - £7.99
£2.70 FOR EACH ADDITIONAL LP

* Please note that to comply with EBAY guidelines and for your peace of mind ALL PURCHASES above £15.00 require INTERNATIONAL SIGNED FOR delivery service at an additional cost of £5.30

45 rpm*
1 x 45 rpm - £4.95
£2.85p for each additional single

* Please note that to comply with EBAY guidelines and for your peace of mind ALL PURCHASES exceeding £15.00 require INTERNATIONAL SIGNED FOR delivery service at an additional cost of £5.30

RECORD GRADING GUIDE

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."

As well as the above grades, Near Mint is often used as well; this is really for a record that appears new but is known to have been played because the label has light spindle marks or because it has come from a previous owner and is assumed to have been played by them. For records which appear to fall between the accepted grades, + and - are also often added to the grading.