PEARLS BEFORE SWINE BEAUTIFUL LIES RARE ORIG '71 REPRISE WHITE LABEL PROMO LP NM

$

56

    
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·       PEARLS BEFORE SWINE - BEAUTIFUL LIES YOU COULD LIVE IN – ORIGINAL 1971 REPRISE RECORDS STEREO LP RS-6467

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       ORIGINAL REPRISE LABEL WITH RIVERBOAT LOGO AND WITHOUT ‘WEA’ LOGO ON THE EDGE OF THE LABEL, WHITE PROMOTIONAL VERSION

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Released in 1971, Beautiful Lies You Could Live In was the final release of Tom Rapp (guitar/vocals) and Pearls Before Swine. This discounts the 1972 LP Familiar Songs, which was compiled from scraps by Reprise Records and put out as a solo Rapp effort despite protests from Rapp, who has all but disowned it. Unlike the previous pair of PBS Nashville outings, the band -- whose core had been condensed to only Rapp and wife Elisabeth (vocals) -- had returned to New York and a new set of backing musicians, notably former Mothers of Invention member Billy Mundi (drums), Stu Scharf (guitar), Bob Dorough (piano), Grady Tate (drums), and Amos Garrett (guitar), among others. Rapp's originals continue to reflect his distinctively personal and poignant folk-rock style, apparent on the starkly introverted and haunting "She's Gone" and the Baroque-tinged opener, "Snow Queen." This is contrasted by the laid-back rural "A Life," highlighting Rapp and Elisabeth's tight harmonies, as well as the midtempo narrative "Simple Things." However, it is the cover of Leonard Cohen's "Bird on a Wire" that may garner the most spins. The plaintive lyrics are swaddled in a homey waltz arrangement, capturing the spirit of the piece like few readings have done. The succinct "Epitaph" concludes the album, and is marked by a rare lead vocal from Elisabeth, who set A.E. Housman's "Epitaph on an Army of Mercenaries" to a beautifully mysterious melody that lingers long after the tune has stopped. It is likewise a fitting way to have ended Pearls Before Swine, as Rapp retired the moniker prior to recording Stardancer for Blue Thumb the following year.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 10:1.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has a minor 'bump' (dent) on the opening side (a small piece of cardboard is missing)  (VISIBLE ON BACK SIDE ONLY)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         A small water stain noted on both sides (about 1 square inch in size on front side, 3 square inches on the back) 216-

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant)

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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