OTIS REDDING OTIS BLUE RARE ORIG '65 VOLT/MONARCH MONO LP w/STICKER NEAR MINT

$

183

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

►Click here to see ALL our ROCK auctions ►Our PSYCH & PROGRESSIVE  auctions ►Our PUNK & NEW WAVE  auctions ► Our  JAZZ auctions ►Our BLUE NOTE JAZZ auctions  ►Our BLUES auctions ►Our CLASSICAL auctions ►Our COUNTRY auctions ►Our FUNK auctions ►Our LATIN auctions ►Our METAL auctions►Our REGGAE auctions ►Our SOUL auctions ► Our STILL SEALED ITEMS  ►Our PROMO auctions ►Our ACETATE  auctions ►Our TEST PRESSING  auctions  ►Our AUDIOPHILE auctions

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·       OTIS REDDING - OTIS BLUE/OTIS REDDING SINGS SOUL - ORIGINAL 1965 VOLT MONO LP 412

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW ‘VOLT’ LABEL WITH BLACK ‘THUNDERBOLT’ LOGO

·       VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)

·       THE ORIGINAL MONO PRESSING CONTAINS CONSIDERABLY DIFFERENT MIXES – ACTUALLY, DIFFERENT RECORDINGS ALTOGETHER - OF TWO SONGS - "OLE MAN TROUBLE' AND "RESPECT", THAN THE MORE COMMON, STEREO VERSIONS

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER HAS A NIFTY 'HYPE' STICKER STILL AFFIXED TO THE FRONT PANEL

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

Otis Redding's third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, "A Change Is Gonna Come" and "Shake," are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere. Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl," and "You Don't Miss Your Water." "Respect" and "I've Been Loving You Too Long," two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Let us be blunt: anyone claiming to be a Soul/R&B buff , but still does not own a copy of this phenomenal, extraordinary album deserves a good public flogging, Singapore style. 'Nuff said. There should be a law against not owning a copy of this album. Not loving this great piece of Soul art is totally, utterly impossible. This is a towering giant among R&B/Soul albums; it stands head, shoulders, elbows, knees, ankles, toes and toenails above everyone and everything else in its genre. If your heart is beating, you gotta have – and love – this majestic  album. We have spoken. 

And, finally, if this is of any relevance (and I do not claim that it is):  Otis Blue is an important  entry in ►my personal top list. Other entries - in no particular order - include  Love, Sam Cooke, Everly Brothers, James Carr, Can, Tim Buckley, Byrds, Five Royales, Stooges, Richard and Linda Thompson and  Muddy Waters)

***

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship,  revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or click here  for the complete album listing)

Track listing: Ole man trouble - Respect - Change gonna come - Down in the Valley - I've been loving you too long - Shake - My Girl - Wonderful World - Rock me baby - Satisfaction - You don't miss your water. 

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 3:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting) (BARELY VISIBLE)

-        Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-        Cover has a few tiny wrinkles along the spine

-        Cover has all four corners slightly dinged (nothing significant)

-        Minor shelf wear noted on the bottom seam and the opening side (nothing significant)

-        Cover has a minor wrinkle (crease) in the cardboard base on the front panel (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK ►HERE TO see HOW!

(please note recent changes in our policy)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

►OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

© 2001,2007 MDJ. All rights reserved.