NOSFERATU (ORIGINAL MOTION PICTURE SOUNDTRACK) - ROBIN CAROLAN 2X VINYL LP (NEW)
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£ 36 Sold For
Jul 11, 2025 Sold Date
Oct 11, 2024 Start Date
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Title: NOSFERATU (ORIGINAL MOTION PICTURE SOUNDTRACK) - ROBIN CAROLAN 2X VINYL LP (NEW) 2x Black Vinyl LP Catalogue Number: SBR355LP Barcode: 843563179567 Record Grading: Mint (M) Sleeve Grading: Mint (M) Condition Note: Brand New

Track Listing / Description 01 Once Upon a Time 02 Come to Me 03 Premonition 04 Herr Knock 05 Ellen's Dream 06 Incantation 07 Goodbye 08 The Inn / Moroi 09 Shrine 10 A Carriage Awaits 11 Come by the Fire 12 Destiny 13 The Castle 14 Covenant 15 The Crypt 16 Lost 17 Hysterical Spell 18 Devourance 19 The Monastery 20 Solomonar 21 Increase thy Thunders 22 The Professor 23 Dreams Grow Darker 24 Possession 25 An Arrival 26 A Return 27 Grünewald 28 Despair in my Coming 29 A Curious Mark 30 Orlok's Shadow 31 The Vampyr 32 The First Night 33 Death, All Around Us 34 I Know Him 35 The Second Night 36 These Nightmares Exist 37 A Priestess of Isis 38 Last Goodbye 39 Never Sleep Again 40 The Third Night 41 The Prince of Rats 42 Daybreak 43 Liliacs   Robin Carolan's latest soundtrack forRobert Eggers' highly anticipatedNosferatuisa haunting, gothic-infused and meticulously crafted work that draws from a vast paletteof sounds, instruments, and inspirations. Following their successful collaboration onThe Northman, Carolan reunites with Eggers to bring the legendary tale ofNosferatutolife, infusing the film with a score that is as complex and nuanced as the story itself.WithDaniel Pioro, one of Britain's most exciting young classical musicians, at the helmas the orchestra leader and first chair for a vast majority of the recording, the soundtrackfeatures a vast orchestration, including 60 string players, a full choir, various horns andwoodwinds, a harpist, and two percussionists. Despite the grandeur of the orchestra-tion, one of the most challenging pieces was the music box used at the film's beginning.Carolan and Eggers struggled to perfect its sound, a process marked by their meticulousattention to detail, which Carolan describes as almost telepathic.   Set in the 1800s,Nosferatuallowed Carolan to incorporate contemporary instrumenta-tion, though he made a deliberate effort to ensure the score didn't sound overly modern.Letty Stott, who also worked onThe Northman, contributed ancient horns and pipes,enhancing the soundtrack's eerie atmosphere. Additionally, percussionistPaul Clarviscustom-built a toaca-like instrument for added authenticity   Carolan's inspirations for the soundtrack were as eclectic as they were profound. Hefrequently drew upon the works ofBartokandCoil, while films likeThe Innocents,Angels and Insects, andEyes Wide Shutprovided cinematic inspiration. Additionally, heexplored the more obscure side of Hammer Horror soundtracks and found a deepconnection to the music of the Ukrainian filmThe Eve of Ivan Kupalo, which helpedshape the score's otherworldly tone   Carolan intentionally moved beyond the typical horror score, focusing on capturing thetale's melancholy and tragic elements while weaving in a sense of warped romanticism.The result is a soundtrack that not only complements the film but also stands on its ownas a testament to Carolan's artistry and the enduring power of collaboration


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