MOUNT RUSHMORE/HIGH ON MOUNT RUSHMORE ORIG.FIRST US PRESSING 68´STEREO BEAUTIFUL
£
29
$
38
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Description
ORIGINAL FIRST US STEREO PRESSING ON DOT RECORDS DLP 25898 1968 IN CASES LIKE THIS ONE WE DO NOT CARE IS IT STEREO INDIANOPILIS ,MONARCH OR SOME OTHER PRESSING FROM THE SAME YEAR WHEN ALL OF THEM STEREO ARE PART OF THE FIRST PRESSING AND HAVE SAME VALUE. ORIGINAL CLEAN DOT LEBELS US 1968 ORIGINAL DOT THICK RECORD 1968 BEAUTIFUL BAND FROM SAN FRANCISCO 1968. THEIR FIRST BLUES PSYCH ROCK RECORD. THEY RIDE AND RIDE…. THICK RECORD WITH BEAUTIFUL ANALOG SOUND AND NOT DIGITAL INFERIOR COMPRESSED SOUND. BEAUTIFUL CONDITION
REVIEW FROM PROGROGRAPHY:
Frank Zappa wasn’t kidding; there really were people who moved to San Francisco, started a band, rented a house on Haight-Ashbury and smoked an awful lot of dope. That formula paid off for Mount Rushmore, who managed to score some high-profile gigs in the area and, soon after, a record contract with Dot Records. Their first album, High On Mount Rushmore, was produced by Ray Ruff (Time Out! Time In For Them) and featured middling psychedelic blues-rock that went largely ignored at the time and has only been resurrected in the wake of a resurgent interest in psychedelic rock. As an artifact of the times, High On Mount Rushmore holds some interest for musical archaeologists. You have the white hippie heist of Jimi Hendrix’ “Stone Free,” which became the band’s only single, a genuine psychedelic epic (“Looking Back”) that represents the height of Mount Rushmore’s achievement here and a few songs that capture the band’s live energy in the studio (“Ocean,” “She’s So Good To Me”). Among the psychedelic rock records made in the Sixties, High on Mount Rushmore wouldn’t be high on my list. Mount Rushmore were in the right place at the right time, and Dot Records was a country music label (not an astute connoisseur of psychedelia) looking to take a flyer on the latest musical trend. I wouldn’t be surprised at all to learn that the label pushed the band to record “Stone Free,” since the band doesn’t seem to have given their arrangement of it much thought. In mounting a defense of the band, they had undergone significant changes in their short history; Glenn Smith and Mike Bolan were recent additions, and they were still playing material from their original lead guitarist, Warren Phillips. In that context, High On Mount Rushmore is better viewed as the demo tape of a band in transition.
BY DAVE CONNOLLY
THIS IS IS THE ORIGINAL, AUTHENTIC, FIRST US STEREO PRESSING FROM 1968; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING. ULTRA RARE .
: PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from SOME OTHER auction. What you see is what you'll get. GUARANTEED
IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded! We grade records under the strong, diffuse room light or discrete sunlight.
WE WILL ALWAYS PREFER TO GRADE OUR RECORDS FAIRLY AND PROFESSIONALLY.
VINYL WITH SOME VERY LIGHT AND SUPERFICIAL ABRASIONS-MOSTLY SLEEVE SCUFFS -ARE (BARELY)VISIBLE ,BUT ARE PROBABLY INAUDIBLE, AND DO NOT AFFECT VISUAL INTEGRITY OR BEAUTY OF THE VINYL.
BEAUTIFUL VINYL
WE GRADE VINYL VG++
SLEEVE:
SLEEVE HAVE SOME WEAR ON THE EDGES.SEE PICTURES.
THERE ARE SOME WEAR ON THE CORNERS TOO .SEE PICTURE.
SMALL SEAM SPLITS ON THE OPENING UPP AND DOWN AROUND 1 CM.
SPINE IS BEAUTIFUL AND MOSTLY CLEAN.
THERE IS ONE VERY SMALL DRILL HOLE UPP ON THE LEFT SEE PICTURE.
SOME SLIGHT YELLOWING ON THE BACK SIDE DUE TO AGES. NOTHING SIGNIFICANT.
OTHERWISE CLEAN SLEEVE IN ONE PIECE.
ORIGINAL DOT INNER WITH SMALL CUT OUT. ONE EXTRA USUAL THICK INNER FOLLOWS.
OVERALL GOOD FEELING REALLY OK SLEEVE.
WE GRADE SLEEVE VG+
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