MILES DAVIS+JOHN COLTRANE COOKIN' MINT ORIG'56 PROMO LP

$

410

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·       MILES DAVIS QUINTET - COOKING WITH THE MILES DAVIS QUINTET (MILES’ FOURTH ALBUM ON PRESTIGE LABEL) –  ORIGINAL 1956 PRESTIGE RECORDS MONO LP 7094

·       Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones. Any questions?

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL YELLOW AND BLACK 'PRESTIGE' RECORDS LABEL WITH ‘FIREWORKS’ MOTIF AND  50TH STREET, NYC ADDRESS ON THE LABEL

·       The record has a "DEEP GROOVE" (an indent in the label about 1/2-inch from the perimeter of the label, which on SOME labels is associated with very early or first pressings)

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Cookin' is the first of four albums derived from the Miles Davis quintet's fabled extended recording session on October 26, 1956. The concept being that the band would document their vast live performance catalog in a studio environment, rather than preparing all new tracks for their upcoming long-player. The bounty of material in the band's live sets -- as well as the overwhelming conviction in the quintet's studio sides -- would produce the lions share of the Cookin', Relaxin', Workin', and Steamin' albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band -- consisting of Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums) -- to work so efficiently both on the stage as well as in the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with the ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation. "Blues By Five" reveals the exceptional symmetry between Davis and Coltrane that allows them to complete each other's thoughts musically. Cookin' features the pairing of "Tune Up/When Lights Are Low," which is without a doubt a highlight not only of this mammoth session, but also the entire tenure of Miles Davis mid-'50s quintet. All the elements converge upon this fundamentally swinging medley. Davis' pure-toned solos and the conversational banter that connects with Coltrane and later Garland during "When the Lights Are Low" resounds as one of the finest moments between these musicians.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a hi-grade MFSL-type PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(e)           The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has some tiny, faint, barely visible writing in plain PENCIL on its back side, which can be easily and effortlessly erased (recording dates of the tracks added to the track listing by the previous owner).

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters) [practically invisible – merely a crack in the paper slick]

-         Cover shows some light yellowing on both sides, apparently from aging (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant);  (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has a light "wrinkle" (crease)  in one of the corners.  (VISIBLE ON FRONT SIDE ONLY)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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