MILES DAVIS w/JOHN COLTRANE ROUND MIDNIGHT RARE ORIG'56 COLUMBIA 6EYE MONO LP 1A

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·       MILES DAVIS  WITH JOHN COLTRANE, TENOR SAX, RED GARLAND, PIANO, PAUL CHAMBERS, BASS AND "PHILY JOE" JONES, DRUMS – ‘ROUND ABOUT MIDNIGHT - ORIGINAL 1957 COLUMBIA RECORDS MONO LP CL-949

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED AND BLACK “SIX-EYE” COLUMBIA MONO LABEL

·       DEEP GROOVE PRESSING

·       RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       THIS WAS MILES' FIRST RECORD FOR COLUMBIA. GEORGE AVAKIAN (WHO WROTE LINER NOTES FOR THIS ALBUM),  HAD BRIEFLY LOST HIS JOB (OR QUIT) FOR HAVING SIGNED UP MILES DAVIS FOR THE LABEL BEFORE HE WAS MYSTERIOUSLY (BRIEFLY) REHIRED.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Given that Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, debuted at the Newport Jazz Festival the summer before to a thunderous reception. The date was also an ending of sorts because by the time of the album's release, Davis had already broken up the band, which re-formed with Cannonball Adderley a year later as a sextet, but it was a tense year. Musically, this sound is as unusual and as beautiful as it was when issued in 1956. Davis had already led the charge through two changes in jazz — both cool jazz and hard bop — and was beginning to move in another direction here that wouldn't be defined for another two years. Besides the obvious lyrical and harmonic beauty of "Round About Midnight" that is arguably its definitive version even over Monk's own, there are the edges of Charlie Parker's "Au Leu-Cha" with its Bluesology leaping from every chord change in Red Garland's left hand. Coltrane's solo here too is notable for its stark contrast to Davis' own: he chooses an angular tack where he finds the heart of the mode and plays a melody in harmonic counterpoint to the changes but never sounds outside. Cole Porter's "All of You" has Davis quoting from Louis Armstrong's "Basin Street Blues" in his solo that takes out the tune, and Coltrane  has never respected a melody so much. But it's in "Bye-Bye Blackbird" that we get to hear the band gel as a unit, beginning with Davis playing through the melody, muted and sweet, slightly flatted out until he reaches the harmony on the refrain and begins his solo on a high note. Garland  is doing more than comping in the background; he's slipping chord shapes into those interval cracks and shifting them as the rhythm section keeps "soft time." When Coltrane  moves in for his break, rather than Davis' spare method, he smatters notes quickly all though the melodic body of the tune and Garland  has to compensate harmonically, moving the mode and tempo up a notch until his own solo can bring it back down again. Which he does with a gorgeous all-blues read of the tune utilizing first one hand and then both hands to create fat harmonic chords to bring Davis back in to close it out. It's breathtaking how seamless it all is. There's little else to say except that Round About Midnight is among the most essential of Davis' Columbia recordings.

(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)

One of the finest hard bop records ever produced. 'Round About Midnight is, like many of Miles Davis's 50's and 60's records, a work of timeless, nocturnal beauty. Things start off quite nicely with Miles beautifully moody and lyrical reading of Thelonious Monk's jazz standard 'Round Midnight, which creates a lovely nocturnal, cinematic, noirish feeling and vision. Things take a more lively, bebop inflected turn with the first Davis quintet's interpretation of Charlie Parker's Ah-Leu-Cha which has a wonderfully nocturnal, urbane feel, while Davis's interpretation of the Cole Porter standard All of You, which rounds out the first side of the album, easily ranks up there with Circle, Pee-Wee, and Davis's interpretations of You're My Everything and My Funny Valentine as being one of his finest, most romantically lyrical ballads. Side two opens up with another lovely, lyrical ballad in the quintet's interpretation of Bye Bye Blackbird before finishing up the album with two lyrical, midtempo numbers in Tadd's Delight and Dear Old Stockholm which continue the lyrical, urbane, nocturnal feel of the record. Check out the mono version if you can.

(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.

(e)           True stereo pressings of this album do not exist

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ONLY ABOUT GOOD+ (G+).

The following flaws or imperfections are noted on the cover:

-        Cover has some visible ring wear; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 7  (front side) and 5 (back side).

-        The cover has a few visible scratch marks on the front side

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging (nothing significant)

-        Cover has a small quality control (inspection) stamp on the back panel

-        Cover has a few tiny wrinkles along the spine.

-        Cover has a minor wrinkle (crease) in the cardboard base on the front panel  (BARELY VISIBLE)

-        Tiny discolored spot noted on the front panel (less than ¼ square inch in size)

-        Back cover has a few yellowish dust speckles scattered here and there, covering about 20% of the back panel

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER

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POSTAGE & SHIPPING:

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FINE (BUT IMPORTANT!) PRINT

(1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!

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