MILES DAVIS Bitches Brew RARE ORIG US 360 Stereo Sound.
  £   128
  $   170

 


£ 128 Sold For
Sep 5, 2010 Sold Date
Aug 26, 2010 Start Date
£   14 Start price
25   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Delivering the World’s Greatest Jazz Albums.

Please see my Detailed Packing Description Further Down & All Shipping Rates.

Artist or Band: MILES DAVIS

Album Title: Bitches Brew.

TRACK LIST:

Side 1: Pharoah’s Dance.

Side 2: Bitches Brew.

Side 3: Spanish Key; John McLaughlin.

Side 4: Miles Runs the Voodoo Down; Sanctuary.

Country of Manufacture: US with the prized 360 stereo sound.

Label/Format: Columbia (Please see label scan).

Label Condition: Four super clean, fresh and attractive examples with barely a spindle trace to be seen on any. Without doubt, this scarce US 360 pressing has barely, if ever been played.

Cat Number: GP 26 (CS 9996).

Mode / Speed: Stereo with 360 degree sound mix / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 125 / 130 grams. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.

Rarity: These American 360 degree sound copies are seldom seen outside the US. As this album was available worldwide as a standard stereo pressing, imported copied were deemed unneccessary. These pressings are highly prized by audiophile connoisseurs and offer the most stunning sound available, this one more than delivers.

Original Year of Release: 1970

Matrix Nos: XSM 152412-1A / XSM 152413-1D / XSM 152414-1A / XSM 152415-1E /

Brief Artist & Album Info: Is this the greatest jazz album of all time? Well only Coltrane’s A Love Supreme and Davis’s are serious contenders for me to challenge this crown. This is a stunning double set and was as pioneering in the field of modern music as any ever made. Its influences can still be heard today and this massive set should even appeal to non-jazz fans. This long album has only six tracks - awesome sound with a distinctly cutting edge that includes Bennie Maupin’s eerie deep bass clarinet that sends shivers down the spine. Davis blows his distinctive trumpet that shreiks and rips through the speaker cloth - this is pioneering electric jazz fusion that almost single handedly invented a few form of music. The backing is of the highest quality imaginable, the players were: Davis - trumpet; Wayne Shorter - soprano saxophone; Lenny White - drums; Bennie Maupin - bass clarinet; Chick Corea - electric piano; Jim Riley - percussion; Jack DeJohette - drums; Harvey Brooks - Fender bass; Charles Alias - drums; Dave Holland - bass and John McLaughlin - electric guitar. Larry Young played electric piano as does Joe Zawinul on some tracks. What makes this copy that extra bit special is the 360 degree sound mix, famed and prized by serious collectors, also all four sides play with pristine sound with nothing unwanted at all. The sound is astonishing, clean and breathtakingly clear and will make even a high end deck sing with joy. Just one paper scuff on side one and a hairline on side two, both are totally ignored and for an imported album, these have avoided the usual transit marks seen on many US records. The cover is ultra wear prone (sorry to keep repeating this, but its true, double sets with no laminate are unforgiving for ringwear and rubbing) and American covers even more so. This one has little wear and looks superb and it even includes the original promotional inners. This will be hard to find much better and is a terrific set that should please most collectors needing this groundbreaking album. For sound, this is almost unbeatable.

Cover Grade and Format: Near Excellent: and for a US imported cover, this is exceptional. An unlaminated gatefold format that was printed in the USA.

Cover Front: A splendid front with stunning artwork, even this design entered Davis into new realms of excellence for his covers - this was nearly as groundbreaking as the music enclosed. With such strongly coloured artwork and lack of protection happy to say this front still looks very attractive indeed. This is very clean with few marks and any rubbing faint. just a mild rim arc near the top edge but little else. The two bottom corners have small creases. Strong rich colour with no fading and remaining very fresh with no creasing bar those corner tips. This will match or better the UK versions that are equally wear-prone.

Cover Back: The back is practically the same, just slightly more faint rim rubs and odd minor surface mark, but this will prove very difficult to find better.

Cover Inner Gatefold: Apart from the small corner tip creases on the bottom, there is barely anything else to fault and both faces look magnificent.

Top Edges: Any rub traces are tiny, few and faint.

Bottom Edges: Mostly little wear but towards the right corners (approx 2 inches) have rubbed.

Right Edge(s), and Type: Clean, sharp with little wear and no feathering, neither have been trimmed. Records entered on these edges.

Spine and Text: Solid, thick and robust, straight with no compression and folded squarely so both the right edges meet up closely together and parallel. The only slight rubbing is at the very ends and traces on the folds. All text is present and unworn, centred slightly high.

Corners: The corners have rubbed but mostly light and fine shape is retained.

Cover Summary: A very fine all round example of this very fragile US cover, one that will prove difficult to find significantly better. This strong item should please most collectors.

The Inner Sleeves: Both very clean and attractive, any creasing small and faint and these look hardly aged. Neat edge splits are near unavoidable on import inners that were unlined.

Vinyl Condition/Visual Grading: Record one is undergraded EX+ (one light paper scuff and hairline, neither have any audio sound at all). Record two is Mint(-) and could almost pass for new. A superb visual pair that are super clean, shiny, intense black and solidly pressed. A pair not even ‘run-in’ in vinyl terms and how many will be found like this? Visually super records that should please most-all collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This super pair play even above their high visual grading with nothing to fault, a bold statement maybe over four lengthy sides, but true. Powerful, distortion-free sound, all frequencies are sharp and clear, including that awesome trumpet and bass clarinet - sound quality is astonishing with a wide dynamic range and very rich sound and details. Devoid of surface sounds and no pops or clicks were noted. The 360 sound mix is gorgeous, this gives in-the-room sound which is fully focused and precise, it almost takes you the recording studio itself. Clearly this pair of records have hardly been played and have been sparingly and carefully handled. Nothing spoilt my pleasure when play-grading this pair, a set that never fails to impress when heard so clean. This is powerhouse electric jazz fusion with strong rock elements, ‘Bitches Brew’ is spellbinding. As groundbreaking, challenging and mesmerising as when first issued in 1970, this is truly an incredible listen. These records will prove near impossible to find better and I mean that with all sincerity.

End Piece: The greatest jazz-rock album ever, well possibly? This is my favourite era of Miles Davis work - the modern ‘electric’ period. The previous album In a Silent Way was almost a prelude this stunning, earth-shattering Bitches Brew double set. This album, and the ones that followed should appeal to fans of rock music equally, not just jazz connoisseurs. This is a work of immense beauty and has a sound and atmosphere that few records could ever match. Dark, brooding with real menace, that bass clarinet growls below the surface and when the full band get into gear the music explodes. An ear shattering and blistering set that took the jazz world by storm - a massive departure from his early acoustic traditional material. I strongly recommend this classic album and copy, one the sound purist will treasure.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

PACKING - THIS IS WHAT YOU GET - PLEASE SEE MY TYPICAL PACKING BOX PICTURE.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional thick boxes (NOT Mailers or Cruciforms, these do not offer maximum protection). The record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with THREE or EVEN FOUR ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. The thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. Please see my picture of a typical finished box packet that will now be used on ALL transactions as from now. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. These boxes and ultra thick double-wall stiffners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 6,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FOUR records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£40 maximum]) = £9. (insurance optional extra £3). Add £2.50 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £13. Add £4 per extra LP. (insurance optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.




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