M4U-(NEW YORK DOLLS)-proto punk/noisy/reckless/hard-LP

	A$		22
	$		14

music4ewe Store

DESCRIPTION ITEM: VINYL LP
ARTIST: NEW YORK DOLLS
TITLE: NEW YORK DOLLS
COUNTRY PRINTED: USA
CAT No: SRM-1-675
COVER: (Grade at VERY GOOD+) moderate seam wear
VINYL: (Grade at EXCELLENT+ to NEAR MINT-)
TRACKS:
1 -Personality Crisis -Johansen, Thunders 3:43
2 -Looking for a Kiss -Johansen, Thunders 3:20
3 -Vietnamese Baby -Johansen 3:39
4 -Lonely Planet Boy -Johansen, Thunders 4:10
5 -Frankenstein -Johansen, Sylvain 6:00
6 -Trash -Johansen, Sylvain 3:09
7 -Bad Girl -Johansen, Thunders 3:05
8 -Subway Train -Johansen, Thunders 4:22
9 -Pills -Diddley 2:49
10 -Private World -Johansen, Kane 3:40
11 -Jet Boy -Johansen, Thunders 4:40

COMMENT:

Review: by Stephen Thomas Erlewine
There are hints of girl group pop and more than a hint of the Rolling Stones, but The New York Dolls doesn't really sound like anything that came before it. It's hard rock with a self-conscious wit, a celebration of camp and kitsch that retains a menacing, malevolent edge. The New York Dolls play as if they can barely keep the music from falling apart and David Johansen sings and screams like a man possessed. The New York Dolls is a noisy, reckless album that rocks and rolls with a vengeance. The Dolls rework old Chuck Berry and Stones riffs, playing them with a sloppy, violent glee. "Personality Crisis," "Looking for a Kiss," and "Trash" strut with confidence, while "Vietnamese Baby" and "Frankenstein" sound otherworldly, working the same frightening drone over and over again. The New York Dolls is the definitive proto-punk album, even more than anything the Stooges released. It

Biography: by Stephen Thomas Erlewine
The New York Dolls created punk rock before there was a term for it. Building on the Rolling Stones' dirty rock & roll, Mick Jagger's androgyny, girl group pop, the Stooges' anarchic noise, and the glam rock of David Bowie and T. Rex, the New York Dolls created a new form of hard rock that presaged both punk rock and heavy metal. Their drug-fueled, shambolic performances influenced a generation of musicians in New York and London, who all went on to form punk bands. And although they self-destructed quickly, the band's two albums remain two of the most popular cult records in rock & roll history.

All of the members of the New York Dolls played in New York bands before they formed in late 1971. Guitarists Johnny Thunders and Rick Rivets, bassist Arthur Kane, and drummer Billy Murcia were joined by vocalist David Johansen. Early in 1972, Rivets was replaced by Syl Sylvain and the group began playing regularly in lower Manhattan, particularly at the Mercer Arts Center. Within a few months, they had earned a dedicated cult following, but record companies were afraid of signing the band because of their cross-dressing and blatant vulgarity.

Late in 1972, the New York Dolls embarked on their first tour of England. During the tour, drummer Murcia died after mixing drugs and alcohol. He was replaced by Jerry Nolan. After Nolan joined the band, the Dolls finally secured a record contract with Mercury Records. Todd Rundgren -- whose sophisticated pop seemed at odds with the band's crash-and-burn rock & roll -- produced the band's eponymous debut, which appeared in the summer of 1973. The record received overwhelmingly positive reviews, but it didn't stir the interest of the general public; the album peaked at number 116 on the U.S. charts. The band's follow-up, Too Much Too Soon, was produced by the legendary girl group producer George "Shadow" Morton. Although the sound of the record was relatively streamlined, the album was another commercial failure, only reaching number 167 upon its early summer 1974 release.

Following the disappointing sales of their two albums, Mercury Records dropped the New York Dolls. No other record labels were interested in the band, so they decided to hire a new manager, the British Malcolm McLaren, who would soon become famous for managing the Sex Pistols. With the Dolls, McLaren began developing his skill for turning shock into invaluable publicity. Although he made it work for the Pistols just a year later, all of his strategies backfired for the Dolls. McLaren made the band dress completely in red leather and perform in front of the U.S.S.R.'s flag, all of which meant to symbolize the Dolls' alleged communist allegiance. The new approach only made record labels more reluctant to sign the band and members soon began leaving the group.

By the middle of 1975, Thunders and Nolan left the Dolls. The remaining members, Johansen and Sylvain, fired McLaren and assembled a new lineup of the band. For the next two years, the duo led a variety of different incarnations of the band, to no success. In 1977, Johansen and Sylvain decided to break up the band permanently. Over the next two decades, various outtakes collections, live albums, and compilations were released by a variety of labels and the New York Dolls' two original studio albums never went out of print.

Upon the Dolls' breakup, David Johansen began a solo career that would eventually metamorphose into his lounge-singing alter ego, Buster Poindexter, in the mid-'80s. Syl Sylvain played with Johansen for two years before he left to pursue his own solo career. Johnny Thunders formed the Heartbreakers with Jerry Nolan after they left the group in 1975. Over the next decade, the Heartbreakers would perform sporadically and Thunders would record an occasional solo album. On April 23, 1991, Thunders -- who was one of the more notorious drug abusers in rock & roll history -- died of a heroin overdose. Nolan performed at a tribute concert for Thunders later in 1991; a few months later, he died of a stroke at the age of 40.

In 2004, former Smiths vocalist Morrissey -- who was once the president of a British New York Dolls fan club -- invited the surviving members of the New York Dolls to perform at the 2004 Meltown Festival, a music and cultural festival that was being curated that year by the singer. To the surprise of many, David Johansen, Syl Sylvain, and Arthur Kane agreed to the gig, with Steve Conte (from Johansen's solo band) standing in for Thunders and Gary Powell from the Libertines sitting in on drums. The group's set was well received by critics and fans (and was recorded for release on DVD and compact disc), which led to offers for other festival appearances, but only a few weeks after the Meltdown show, Kane checked himself into a Los Angeles hospital with what he thought was a severe case of the flu. Kane's ailment was soon diagnosed as leukemia, and he died only a few hours later, on July 13, 2004, at age 55. With Sam Yaffa (of Hanoi Rocks) on bass, the remaining Dolls played a hometown tribute to their fallen brothers at Little Steven's International Underground Garage Festival in New York City on August 14, 2004, reuniting again (this time with Brian Delaney on drums) in 2006 for the all-new CD/DVD One Day It Will Please Us to Remember Even This. The Todd Rundgren-produced 'Cause I Said So appeared on Rhino in 2009.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

BULK POSTAGE SAVINGS

WITHIN AUSTRALIA
1 LP:
ALL AUSTRALIAN STATES=$8.95

2-3 LPs:
NSW=$9.95
VIC=$11.95
QLD/SA/TAS=$12.95
NT/WA=$13.95

4-7 LPs:
NSW=$10.95
VIC=12.95
QLD/SA/TAS=$14.95
NT/WA=$16.95

8-11 LPs:
NSW=$12.95
VIC=14.95
QLD/SA/TAS=$17.95
NT/WA=$20.95

NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

OUTSIDE AUSTRALIA
1 LP:
NEW ZEALAND=$12.95
ASIA/PACIFIC=$16.95
AMERICAS/MIDDLE EAST=$18.95
REST OF WORLD=$20.95
2-3 LPs:
NEW ZEALAND=$19.95
ASIA/PACIFIC=$24.95
AMERICAS/MIDDLE EAST=$29.95
REST OF WORLD=$36.95

4-7 LPs:
NEW ZEALAND=$34.95
ASIA/PACIFIC=$43.95
AMERICAS/MIDDLE EAST=$52.95
REST OF WORLD=$67.95

8-11 LPs:
NEW ZEALAND=$42.95
ASIA/PACIFIC=$53.95
AMERICAS/MIDDLE EAST=$67.95
REST OF WORLD=$91.95

NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

PAYMENT METHOD

WITHIN AUSTRALIA
Preferred Payment methods…
Internet Bank Deposit
Money Order,
Personal Cheque (waiting period 5 days till cleared)
Paypal in $AUD

OUTSIDE AUSTRALIA
Preferred method is PayPal in $AUD.

INSURANCE

Insurance is optional but recommended and available at your request.
Items posted without insurance and LOST in the mail are at the buyers risk.

WITHIN AUSTRALIA
Registered post covers insurance up to $100.00 AUD.
If you require insurance above $100.00 AUD please email me and I will provide the latest Australia Post cost. This is because Australia Post change many of their fees every 6 months.

OUTSIDE AUSTRALIA
If you require insurance please email me and I will provide the latest Australia Post cost. This is because Australia Post change many of their fees every 6 months.
Insurance is not available to all countries. Canada is a country that does not allow insured items from Oz.

M4U GUARANTEE

I strive to provide an accurate grading to ensure a quality product.
But sometimes an error is made.
If you consider this is the case, then please contact me for the refund of your purchase.


FEEDBACK

When you get your item, please examine or test it.
If you are satisfied, then leave some positive feedback for me.
This lets me know you have got it and all is OK.
I will then leave positive feedback for you.
If you consider that you are not satisfied, then please contact me for the refund of your purchase.
If there is a problem, it can be resolved.

MY OTHER ITEMS

To view my other items, go to the top of this page and in the top right hand corner click “VIEW SELLER’S OTHER ITEMS” or alternatively, click on the “STORES” logo to view my EBAY STORE ITEMS.