LSD Report on Current Psychedelic Drug Controversy
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Description
LSD "A Documentary Report on the Current Psychedelic Drug Controversy." ORIGINAL
1966/USA/Capitol TAO-2574…..here’s a clean original pressing of this rare psychedelic drug lp. The gatefold cover is in solid VG+ to VG++ condition, there is light shelf wear and some light staining on the back cover at the top (see pictures), inner gatefold is clean, no splits or delete. The vinyl is in strong glossy VG++ condition with a handful of very light inaudible hairline scuffs, the record plays clean with little noise. The labels are clean with no spindle marks. A very nice original first pressing for your collection. Please check my auctions for other psych lp’s. Good Luck and thanks for looking!
This LP was created and released in 1966 by Capitol Records as a response to the burgeoning use of LSD -- lysergic acid diethylamide -- among American teenagers. The rear album jacket proclaims "A documentary report on the current psychedelic drug controversy!" Almost salaciously, the contents are depicted as "Actual recordings of people under the influence of psychedelic drugs...Psychedelic music...The sound of the "Acid Test"...LSD users and pushers and the amazing story of LSD in action." In an ironic and fascinating twist, some of that "psychedelic music" -- particularly the fast-paced tune heard at the beginning of side two -- is that of Neal Cassidy and a pre-Grateful Dead combo called the Warlocks performing "Speed Limit" circa 1965. Each side of the long-player consists of a single, continuous track. Narrated by author Lawrence Schiller, side one sets "The Scene" with information on the history of the drug, its effects, as well as sound bites of acid users -- both novice and seasoned -- during and after use. Likewise there are points of view from leading authorities in the medical community via Dr. Sidney Cohen, M.D. -- from the Psychosomatic Services division of the Wadsworth V.A. Hospital in Los Angeles, CA. Conversely, several minutes are devoted to the warnings and proselytizations of Dr. Timothy Leary and a variety of young men and women -- from equally diverse walks of life -- who speak candidly about their experiences -- both pro and con. Several countercultural iconic names are dropped, most prominent among them is that of Owsley Stanley aka Bear. He is specifically mentioned for creating a synthesis which left the LSD practically free of impurities and, for a time, the safest non- pharmaceutical acid being circulated. Side two contains "The Trip" where Schiller again guides listeners through comments from primarily teens about when they began their experimentation and what (if anything) they were able to take from their use. Next up is the audio vérité eight-party acid trip. One of the participants -- named "Brian" -- is the primary focus of Schiller's occasional commentary. Despite his purported familiarity with the drug, its ability to incapacitate becomes evident and his already fragile psyche turns increasingly dark and introspective as "Brian" is heard going through an especially unpleasant manic and psychotic episode. Or, as Schiller refers to it, a "rocky journey [that] ended 12 hours after it had so innocently begun." As to the positive uses of the compound, both Schiller and Dr. Cohen are not secretive about the treatment of cancer patients, chronic alcoholics, and even the breakthroughs in therapy for mentally-challenged children. After providing a brief update of LSD's legal nature -- circa 1966 -- there are additional quotes from Laura Archera Huxley, widow and biographer for her late husband, author of The Doors of Perception, Aldous Huxley. She vehemently disagrees with the illegality of the drug, yet is quick to warn of its dangers when used irresponsibly. Following a brief allusion to the infamous Acid Tests held by Ken Kesey and company, portions of a live Allen Ginsberg poetry reading are played prior to some interview clips in which he talks about his revelations and insights on the substance. There are also a few minutes of rambling Acid Test recordings, concluding with the profound statement that "...on the basis of the evidence...the answer to the LSD problem should be just about as obvious as the basic question: Is this trip really necessary?" The LP's inner-gatefold includes a "Glossary of terms used in this album" with an A to Z of hippie slang -- from "Acidhead" to "Turn On," while the back cover has an essay from concurrent Capitol Records President, Alan W. Livingston that, in part, states "At Capitol Records we live in a world of the young -- a world of rock 'n' roll music, amid the need for a constant awareness of teenage interests of all kinds." ~ Rovi
Please DO NOT bid if you don't plan to follow through with the transaction Satisfaction Guaranteed. I have been selling records by mail order for 25+ years. Check my feedback and bid with confidence! All used records are cleaned on a VPI cleaning machine!
///GRADING///
MINT: as stated with no defects
M- OR NEAR MINT: as stated near Mint!, or Mint Minus, same thing, very clean with no defect to sound or visual appearance, one scuff or mark may be permitted but it will be mentioned in the description, a near Mint record looks and plays very clean
EXCELLENT: not much below near Mint, may have a delete hole and/or a minor defect or two not visually detracting from the cover, the vinyl will appear shiny and in clean condition with very minor defects not affecting the sound, still very clean and very collectable!
VG++ still a very nice copy with minimal cover wear and/or delete/splits, still visually appealing, the vinyl will retain it's original gloss and can have some minor scuffs/scratches that don't affect play very much
VG+ a little more cover/ring wear and delete, splits etc., the vinyl will still retain much original gloss with a bit more scuffs and/or scratches I may list a very rare or desirable item with a lower grade, I will try to list all defects, both cover and vinyl no matter the condition, I also play grade the records on high end equipment and will give an honest play grade as well as visual grade, considering the number of records I buy on line my grading is very conservative and fair.
AIR POSTAGE TO USA IS $10 ...OR $8 SURFACE IF THE PACKAGE WEIGHS LESS THAN 500 GRAMS(one regular weight pressing).........USA AIR POSTAGE FROM 500 GRAMS TO 1 KILO IS $15 AND SURFACE MAIL IS $12(usually 1-3 lp’s depending on individual weight)
Combined auctions of up to 8 lp’s will ship to the USA by expedited surface mail, this option includes a tracking number. I can send up to 8 lp’s combined postage of $20 and that includes your tracking number and full insurance.
INTERNATIONAL AIR POSTAGE(depending on destination) UNDER 500 grams is $17 to $21(one regular weight lp), OVER 500 grams UP TO 1000g is $30 to $36(usually up to 3 lp’s depending on individual weight), INTERNATIONAL AIR POSTAGE BETWEEN 1000g AND 2000g (usually between 3 and 6 lp’s depending on individual weight) is $49 to $55.
IN CANADA..postage is $10 for 1-8 lp’s fully insured with tracking.
NOTE: when purchasing some of the new deluxe re-issues are well over 500 grams, if you need to know postage on a certain lp please drop me a line just to be sure!
I REMOVE RECORDS FROM THE COVERS FOR SAFE SHIPPING, IF IT'S SEALED I WILL LEAVE IT SEALED UNLESS YOU LET ME KNOW OTHERWISE.
PLEASE PAY WITHIN 7 DAYS UNLESS DISCUSSED BEFORE AUCTIONS END, IF NO CONTACT OR PAYMENT IS MADE THE ITEM WILL BE RE-LISTED AND I WILL FILE A NON PAYMENT CLAIM TO RECOVER MY COSTS, PLEASE DO NOT USE E-BAY CHECK OUT, I WILL CONTACT YOU AFTER THE SALE, PLEASE LEAVE FEEDBACK AND I WILL BE HAPPY TO DO THE SAME!, THANKS AND GOOD LUCK!!
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