LP - DANZIG - "DANZIG" - RARE 1ST - Misfits Samhain -UK
  £   20
  $   26

 


£ 20 Sold For
Mar 8, 2009 Sold Date
Feb 26, 2009 Start Date
£   5 Start price
9   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

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ATTENTION ALL EUROPEANS!!  - THE EURO IS VERY STRONG AGAINST THE POUND. SEIZE THE CHANCE NOW TO GRAB BRITISH BARGAINS!

BRITISH 33 rpm LP ALBUM FROM 1988

The song "Mother" became a hit on radio and MTV in 1993-94 after a new video-single with live footage was created to mark its inclusion on Thrall: Demonsweatlive; the song was also later included on various hard-rock/heavy metal/alternative music compilations, including the video games Grand Theft Auto: San Andreas, Guitar Hero II (to which a final solo was added, in this case) and True Crime: New York City.

"The people who designed today's CD standard  knew that vinyl Records offered superior sound"

DANZIG

"DANZIG"

DEF AMERICAN - 828124-1 - LYRIC INNER SLEEEVE - GREAT GATEFOLD SLEEVE DEPICTING THE HORNED HEAD OF AN ANIMAL'S SKULL  WITH LARGE BAND PHOTO INSIDE

  1. "Twist of Cain" – 4:17
  2. "Not of This World" – 3:42
  3. "She Rides" – 5:10
  4. "Soul On Fire" – 4:36
  5. "Am I Demon" – 4:57
  6. "Mother" – 3:24
  7. "Possession" – 3:56
  8. "End of Time" – 4:02
  9. "The Hunter" – 3:31
  10. "Evil Thing" – 3:16

Danzig is the 1988 debut album of the American heavy metal band Danzig, led by Glenn Danzig who was formerly the songwriter and vocalist of The Misfits and Samhain.

The album was also the first release on producer Rick Rubin's new label Def American Recordings. Def American's successor, American Recordings reissued the album in the USA and UK in 1998. It was recorded at Atlantic Recording Studios and Chung King Metal, and mixed at Smoke Tree and Village.

The song "Mother" became a hit on radio and MTV in 1993-94 after a new video-single with live footage was created to mark its inclusion on Thrall: Demonsweatlive; the song was also later included on various hard-rock/heavy metal/alternative music compilations, including the video games Grand Theft Auto: San Andreas, Guitar Hero II (to which a final solo was added, in this case) and True Crime: New York City.

CONDITION: Note, unless stated beneath, I haven't had time to play the record

Disc: Disc appears to have been played only a few times. Strong light reveals light marks mostly of the type that come from a sleeve or placing on turntable. I played track one of side two and noticed a little very quiet crackle in the quiet fade-out. Vocals and backing loud and very clear!

Sleeve/Cover: Outer and inner sleeves both look great, just a little corner wear and a couple of miniscule edge wear spots.

During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish, graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metal subject matter, but took the concept of darkness to an extreme. After the demise of Samhain, Danzig formed his own eponymous band with Samhain guitarist John Christ, ex-Rosemary's Babies drummer Eerie Von on bass, and longtime hardcore drummer Chuck Biscuits (D.O.A., Black Flag, Circle Jerks); this band would prove a more effective vehicle for Danzig's obsession with the dark side. While that obsession can seem cartoonish at times, there is more to the band than meets the eye — Danzig obviously relishes casting himself as the menacing, evil heavy metal frontman, and his theatricality often seems to indicate that his posturing is not meant to be taken very seriously. At the same time, the darkness of Danzig's vision has increasingly expressed itself over the band's career in a heavily romanticized, brooding, gothic sensibility, more quietly sinister and darkly seductive than obviously threatening or satanic, and the group's music progressed from simple, blues-based heavy metal riffs to more atmospheric, coldly haunting song textures that attempt to sonically replicate the feel of the lyrics.

Glenn Danzig cofounded the Misfits in Lodi, NJ, in 1977. When the hardcore band broke up in 1983, Danzig formed the metallic, brooding Samhain in order to experiment with different sounds, but that project imploded as well. The band Danzig was put together in 1987, and quickly inked a deal with Rick Rubin's Def American label. Their self-titled debut found Danzig playing the satanic metal singer role to the hilt, even if the band's songs sounded much the same. Danzig II: Lucifuge followed in 1990, and it broadened the band's musical palette, expanding on the simple blues riffs of the debut with more extensive forays into that style. Danzig III: How the Gods Kill marked a full-fledged entry into the realm of gothic romanticism, working to create moods rather than pounding heavy metal aggression; "Dirty Black Summer" and "How the Gods Kill" became staples on MTV's Headbanger's Ball.

Danzig next released a solo project, Black Aria, a quasi-operatic attempt at classical instrumentals depicting the fall of Satan from heaven. The band broke through into the mainstream in 1993, when a live video for "Mother," a song originally released on Danzig, became an inescapable smash on MTV and even charted as a single, nearly cracking the Billboard Top 40. Meanwhile, Danzig contributed a track entitled "Thirteen" to Johnny Cash's acclaimed 1994 effort American Recordings. The more experimental Danzig 4 was released in 1994 and entered the charts at number 29, but its quiet, moody, atmospheric subtlety didn't find as much favor with the band's new audience as the anthemic "Mother," while some longtime fans dismissed it as mellow and therefore commercial.

During the supporting tour, Chuck Biscuits left the band and was replaced by Joey Castillo. Following the tour, Danzig broke up the band and formed a new version featuring ex-Prong guitarist/vocalist Tommy Victor, drummer Castillo, and bassist Josh Lazie; this lineup released Blackacidevil on Halloween 1996. Blackacidevil was ignored by both the press and the public, falling out of the charts after a mere three weeks. 6:66 Satan's Child followed in 1999; Live on the Black Hand Side appeared two years later. In 2002 and 2004 Danzig released the stripped-down I Luciferi and Circle of Snakes, both returns to form that found the artist emulating the simplistic brutality of his 1988 debut. Black Aria II arrived in fall of 2006.

 

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POSTAGE & PACKING - All records are posted in a proper  mailer with stiffener. Note - this item is located in The United Kingdom of Great Britain and Northern Ireland - UK see below..........

EUROPE Airmail £5.14.  Europe includes Russia, Turkey, Azerbaijan, Georgia...(NOT the USA state), Kazakhstan, Kyrgystan, Spitzbergen, Turkmenistan and Uzbekistan

REST OF THE WORLD (Including USA) - Airmail £7.60. Surface Mail £4.53. NB. Surface mail travels by ship so will take several weeks to arrive, I usually invoice Airmail. If you prefer Surface mail, please ask. 

Items are posted at your risk. If you require extra services please enquire before bidding. UK buyers may be able to initiate a compensation claim from Royal Mail up to a value of £32 (at the time of writing). I usually keep proof of posting and I shall be pleased to provide this if requested.

This item is described in good faith and has a low starting price to reflect the fact that it is not in brand-new condition (unless stated). I would not usually consider a refund but please do not hesitate to contact me if you have any queries or problems

PAYMENT - I accept PAYPAL from any country. I'd be grateful for payment within 3 days of invoice please.

UK - I will also accept cheques (allow time to clear) and Postal Orders. If you want to pay by any other method please contact me before bidding.

EUROPE & REST OF THE WORLD (including USA) I will also accept Bankers Drafts and International Money Orders drawn on a UK bank in GBP - Pounds Sterling. If you want to pay by any other method please contact me before bidding.

THE TRUTH ABOUT VINYL RECORDS VERSUS CDs
"The people who designed today's CD standard twenty years ago knew that
vinyl Records offered superior sound"

THE DAY THE MUSIC DIED - THE DIGITAL DISASTER
"Digitalization kills music stone dead. It is music with the heart and soul ripped out of it.
It is genetically-modified music, throwaway music for the throwaway age"

SALES OF VINYL RECORDS ARE MAKING A COMEBACK IN BRITAIN
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British album sales are up 87.3 percent compared to the same period last year."

FANS STAY TRUE TO VINYL RECORD FORMAT
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People who sold their old records are kicking themselves for it now."



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