LITTLE RICHARD HERE'S LITTLE RICHARD RARE '57 SPECIALTY MONO LP ROCK MILESTONE

$

56

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       LITTLE RICHARD – HERE’S LITTLE RICHARD (HIS FIRST ALBUM!) – 1957 SPECIALTY RECORDS MONO LP SP-2100

·       GENUINE U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1958/59 ON BLACK AND GOLD SPECIALTY LABEL

·       RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Little Richard had been making records for four years before he rolled into Cosimo Matassa's J&M Studio in New Orleans and cut the epochal "Tutti Frutti" in the fall of 1955, but everything else he'd done -- and much of what others had recorded -- faded into insignificance when Richard wailed "A wop bop a loo mop a lomp bomp bomp" and kicked off one of the first great wailers in rock history. In retrospect, Little Richard's style doesn't seem so strikingly innovative as captured in 1956's Here's Little Richard -- his boogie-woogie piano stylings weren't all that different from what Fats Domino had been laying down since 1949, and his band pumped out the New Orleans backbeat that would define the Crescent City's R&B for the next two decades, albeit with precision and plenty of groove. But what set Richard apart was his willingness to ramp up the tempos and turn the outrage meter up to ten; "Tutti Frutti," "Rip It Up," and "Jenny Jenny" still sound outrageous a half-century after they were waxed, and it's difficult but intriguing to imagine how people must have reacted to Little Richard at a time when African-American performers were expected to be polite, and the notion of a gay man venturing out of the closet simply didn't exist (Richard's songs were thoroughly heterosexual on the surface, but the nudge and wink of "Tutti Frutti" and "Baby" is faint but visible, and his bop threads, mile-high process, and eye makeup clearly categorized him as someone "different"). These 12 tunes may not represent the alpha and omega of Little Richard's best music, but every song is a classic and unlike many of his peers, time has refused to render this first album quaint -- Richard's grainy scream remains one of the great sounds in rock & roll history, and the thunder of his piano and the frantic wail of the band is still the glorious call of a Friday night with pay in the pocket and trouble in mind. Brilliant stuff.

(EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-100 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted in 1987 by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals   (►click here  for the complete album listing)

For additional historical information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 3 inches (1 inch = 2.5 centimeters). Visible and audible groove wear noted on one short segment of 'Long Tall Sally"

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 3:1.

(d)          True Stereo copies of this album are NOT known to exist.

(e)             The record comes in a poly-lined inner sleeve

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small original price sticker, which may be possible to remove with a little effort (we did not attempt to)

-        Back cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)

-         The cover has a small razor-like line (cut) on the back panel, as if someone attempted to cut away the shrink wrap with a razor, but inadvertently left the mark on the cover as well. The paper slick is intact and no part is missing, but the razor line is visible.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY)

-         Back cover has some tiny, faint writing on its back side (a small filing code written in one corner)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has a light "wrinkle" (crease)  in one of the corners.  (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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