LEONARD COHEN THE BEST OF VERY RARE ORIG '75 WHITE LABEL PROMO LP w/INSERT 1A NM
$
37
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Description
WE CURRENTLY HAVE NEARLY 200 LISTED ITEMS
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· LEONARD COHEN - THE BEST OF LEONARD COHEN - VERY RARE ORIGINAL 1975 COLUMBIA RECORDS STEREO LP PC-34077
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL TIMING STRIP ON THE FRONT COVER AND GOLD PROMO STAMP ON THE BACK COVER CLEARLY IDENTIFY THE ITEM AS PROMOTIONAL ***
· TO THE BEST OF OUR KNOWLEDGE AND RECOLLECTION, THIS IS ONE OF ONLY FOUR LEONARD COHEN ALBUMS EVER TO BE RELEASED ON WHITE PROMOTIONAL LABEL, THE OTHER BEING 'NEW SKIN FOR THE OLD CEREMONY', 'DEATH OF THE LADIES' MAN' AND 'RECENT SONGS'.
· ORIGINAL COLUMBIA LABEL WITH “COLUMBIA” LETTERS WRAPPED AROUND THE RIM OF THE LABEL (70’s STYLE), WHITE PROMOTIONAL VERSION
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE
· INCLUDES RARELY SEEN ORIGINAL LYRICS SHEET.
· CLEAN, WEAR-FREE LABELS
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1D'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Although a compilation this is a nigh on perfect survey of Cohen's early - and probably strongest - ouevre. I struggle to think of one bad track on the record. Cohen further enhances the reputation of the 'Greatest Hits' comp, by including some poetic and enigmatic sleeve notes to on the writing of each track. The album's artwork is a perfect encapsulation of the Cohen persona, alone, aloof and infinitely cool (the smoke ring picture in particular is album art at its best). Among the songs selected you have the dreamy, blissed out nightmare which is 'Suzanne', the gorgeously bitter 'So Long, Marianne' and the majestic memorial 'Chelsea Hotel No.2'. Each song is saturated with a stimulating melancholia, something only Cohen has ever really mastered. A mood so dense that it will not allow you to feel just the one monolithic sensation. Much of the trick in Cohen's tail is his ability to undermine the meaning of a lyric with the closing couplet. Often each line is ambiguously set up in this fashion. Take 'Chelsea Hotel' and it's closer 'That's all I don't think of you that often', which comes after three minutes of reminiscence. Another fine example is in 'So Long, Marianne' with the scaborous 'Oh, you are really such a pretty one I see you've gone and changed your name again and just when I climbed this whole mountainside to wash my eyelids in the rain.', which in this case follows about six verses of indifference and a sudden seachange into neediness. Cohen's ladiesman persona is constructed around such unabashed emotional openness and not the haughty austerity of his more calculated and cereberal image. Nonetheless the depth of learning expressed in the allegorical and metaphorical content of much of Cohen's lyrics is staggering and the way that he converts this old testament rabbinical world view into his own questing for love and fleshly companionship is quite staggering. No other singer-songwriter (including Dylan) can boast the ability to tread the fine line of mythic and immediate. In essence all of Cohen's work on this record is about something essential and wholly beautiful, the spiritual need for communion and yet the distance that can often emerge from it's trail.
(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►CLICK HERE
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.
(d) The album comes with the original album insert / lyrics sheet.
(e) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Back cover has some light yellowish stains, probably from exposure to humidity (nothing significant)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has a few tiny wrinkles along the spine
- Cover has two corners slightly dinged (nothing significant)
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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