LEO KOTTKE 12-STRING BLUES RARE PRE-JOHN FAHEY PRIVATE PRESSING ORIG OBLIVION LP
  $   237

 


$ 237 Sold For
Feb 24, 2013 Sold Date
Feb 14, 2013 Start Date
$   25 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

      THIS  RECORD  COMES  FROM  OUR  PERSONAL COLLECTION 


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·       LEO KOTTKE – 12-STRING BLUES: LIVE AT THE SCHOLAR - ULTRA-RARE PRE-JOHN FAHEY DISCOVERY  ORIGINAL 1969 PRIVATE PRESSING ON (HIS OWN?) OBLIVION LABEL - ORIGINAL OBLIVION STEREO LP OBL-S1

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL PLAIN, RED OBLIVION LABEL WITH BLACK PRINT

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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12-String Blues (sub-titled Live at the Scholar), is the first album by American guitarist Leo Kottke, released in 1969.; The majority of the album was recorded live at the Ten O'Clock Scholar, a Minneapolis coffee house that had also featured Bob Dylan, Spider John Koerner and Simon & Garfunkel early in their careers. Three of the instrumentals were recorded in a studio. The LP record was a limited edition of 1000 copies, on the Minneapolis-based Oblivion Records (apparently this is their only album), and it has not been reprinted and or re-issued on CD. Publishing for the songs was by Symposium Music, same as the publishing and record label for Kottke's third LP. The Oblivion catalog number, "obl-s1," also indicates a possible connection with Symposium. Most of these songs were re-recorded for Kottke's album, Circle Round The Sun.

 

Leo Kottke's wide-release debut came about after he sent a cassette to John Fahey's Takoma label. Not surprisingly, it recalls Fahey's work in a number of respects: the synthesis of numerous influences from blues, pop, classical, and folk styles, the weirdly titled instrumentals, even the tongue-in-cheek liner notes. Kottke's brand of virtuosity, however, is more soothing and easy on the ear than Fahey's. It's far from sappy, though, the rich and resonant picking intimating some underlying restlessness, like peaceful open fields after a storm. Establishing much of the territory Kottke was to explore throughout his career, this release was also one of his most popular, eventually selling over 500,000 copies.

 

 (EXCERPT FROM AN ONLINE REVIEW AT WIKIPEDIA / WIKIPEDIA.ORG)

 

For additional historical or discography information on this album, including track listing ►click here

 

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·       CONDITION:

 

·       RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-         Cover shows some light yellowing on both sides, apparently from aging 

 

-         Minor shelf wear noted on the top seam and spine (nothing significant)

 

-         Cover has one corner slightly worn / dinged / bent.  (nothing significant)

 

-         Cover has a small sticker /label, which may be possible to remove with a little effort (we did not attempt to)

 

-        Cover has a visible wrinkle (crease) in the cardboard base on the back panel  (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

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