LEO KOTTKE 12 STRING BLUES LIVE LP private press 1968
$
66
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Description
Issued 1968, 12 String Blues on Oblivion Records - Live Recording at The Scholar Coffee House in Minneapolis. Hard to find, original record.
Record VG+ / jacket strong VG, maybe VG+ with some age discoloring, slight soiling and spine a bit frayed at bottom. No split seams. Overall excellent condition, I am a fussy grader.
Tracks:
1 If Mama Knew (Leo Kottke) 2:08 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 2 So Cold in China (Leo Kottke) 4:06 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 3 Furry Jane (Leo Kottke) 2:01 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 4 Circle 'Round the Sun (Leo Kottke) 3:03 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 5 Sweet Louise (Leo Kottke) 3:17 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 6 The Prodigal Grave (Leo Kottke) 3:01 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/
1 Easter And The Sargasso Sea (Leo Kottke) 2:28 Instrumental twelve-string guitar - Leo Kottke/ 2 Sunrise (Leo Kottke) 2:37 Vocals - Leo Kottke twelve-string guitar - Leo Kottke/ 3 Living in the Country (P. Seeger) 1:21 Instrumental twelve-string guitar - Leo Kottke/ 4 Sail Away Laidies (John Fahey) 1:47 Instrumental six-string guitar - Leo Kottke/ 5 Last Steam Engine Train (John Fahey) 1:38 Instrumental six-string guitar - Leo Kottke/ 6 You Left Me Standing (Leo Kottke) 2:29 Vocals - Leo Kottke twelve-string guitar - Leo Kottke
From liner notes:
Excluding three instrumentals, this performance was taped live at the Scholar Coffeehouse in Minneapolis, one of the oldest coffeehouses in the country and one of the very few to survive electricity and liquor licenses while maintaining a respectably burdensome debt. Many of the sounds that sometimes characterize performances in the place though are absent from the record-random hummings from the piano when it feels like it, the sound of one or two people who eschewed the door for the plate glass window, and in Kottke's case, bizarre speech noises from the stage between songs. (These may be released later in Paoli, Penn.) Despite these "artifacts", coffeehouses and auditoriums are the only places where a guitar player can expect a quiet audience. Still, as in its now distant past for a younger Robert Zimmerman [a.k.a Bob Dylan -- BH] or John Koerner, the Scholar audience is appreciative and quiet.
Please add $6 for US shipment, $12 overseas.
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