Jimi Hendrix - Are You Experienced - RARE Original Tri-Color Reprise US LP
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Feb 14, 2016 Sold Date
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All my records have been cleaned and visually graded as accurately as possible.  If you’re not completely satisfied with your purchase, please contact me for a refund.  Will combine shipping on multiple purchases! Thanks for looking!
Please note the condition of this copy is not the best.  I graded the sleeve as "G", the lowest pre-set grade eBay offers.  The seams are split on the top and bottom and have been carefully taped together, but is still noticeable if you look closely.  Visually, the vinyl looks pretty bad.  However, I've played this exact vinyl several times and would give it a "VG" play grade.  You'll definitely hear some crackling and popping throughout the record, but there are no major scratches that make it skip for more than a split second.  I was actually quite surprised it played so well.
The original paper sleeve is missing and has been replaced by a plain white paper sleeve.

Are You Experienced Cover of the original British edition Studio album by The Jimi Hendrix Experience Released May 12, 1967 Recorded October 23, 1966 – April 4, 1967 Studio De Lane Lea, CBS, and Olympic Studios in London Genre Rock, psychedelic rock, hard rock,blues, rhythm and blues, acid rock Length 40:12 Label Track Producer Chas Chandler Jimi Hendrix chronology Are You Experienced
(1967) Axis: Bold as Love
(1967) Alternate cover North American release

Are You Experienced is the debut studio album by English-American rock band the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. The album features Jimi Hendrix's innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music.

By mid-1966, Hendrix was struggling to earn a living playing the R&B circuit as a backing guitarist. After being referred to Chas Chandler, who was leaving the Animals and interested in managing and producing artists, Hendrix was signed to a management and production contract with Chandler and ex-Animals manager Michael Jeffery. Chandler brought Hendrix to London and began recruiting members for a band designed to showcase the guitarist's talents, the Jimi Hendrix Experience. In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who's managers Kit Lambert and Chris Stamp.

Are You Experienced and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in sixteen recording sessions at three London locations, including De Lane Lea Studios, CBS, and Olympic. Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. The album was issued in the US on August 23 by Reprise Records, where it reached number five on the Billboard 200, remaining on the chart for 106 weeks, 27 of those in the Top 40. The US version contained some of Hendrix's best known songs, including the Experience's first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: "Purple Haze", "Hey Joe", and "The Wind Cries Mary".

In 2005, Rolling Stone ranked Are You Experienced fifteenth on its list of the 500 Greatest Albums of All Time. They placed four songs from the album on their list of the 500 Greatest Songs of All Time: "Purple Haze" (17), "Foxy Lady" (153), "Hey Joe" (201), and "The Wind Cries Mary" (379). That same year, the record was one of 50 recordings chosen by the Library of Congress in recognition of its cultural significance to be added to the National Recording Registry. Writer and archivist Rueben Jackson of the Smithsonian Institution wrote: "it's still a landmark recording because it is of the rock, R&B, blues ... musical tradition. It altered the syntax of the music ... in a way I compare to James Joyce's Ulysses."

Background

The Experience, 1968

By May 1966, Jimi Hendrix was struggling to earn a living playing the R&B circuit as a back-up guitarist. During a performance at one of New York City's most popular nightspots, the Cheetah Club, he was noticed by Linda Keith, the girlfriend of Rolling Stones guitarist Keith Richards. Soon afterward, Hendrix relocated to the city's Greenwich Village and began a residency at the Cafe Wha? fronting his own band, Jimmy James and the Blue Flames. Keith recommended Hendrix to Stones manager Andrew Loog Oldham and producer Seymour Stein. They failed to see Hendrix's musical potential, and rejected him. She then referred him to Chas Chandler, who was leaving the Animals and interested in managing and producing artists. Chandler liked the Billy Roberts song "Hey Joe", and was convinced he could create a hit single with the right artist. Impressed with Hendrix's live version of the song with his band, he brought him to London on September 24, 1966, and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery.

Immediately following Hendrix's arrival in London, Chandler began recruiting members for a band designed to showcase the guitarist's talents, the Jimi Hendrix Experience. Hendrix met the guitarist Noel Redding at an audition for the New Animals, where Redding's knowledge of blues progressions impressed Hendrix. Chandler asked Redding if he wanted to play bass guitar in Hendrix's band; Redding agreed. Chandler then began looking for a drummer and soon after, he contacted Mitch Mitchell through a mutual friend. Mitchell, who had recently been fired from Georgie Fame and the Blue Flames, participated in a rehearsal with Redding and Hendrix where they bonded over their shared interest in rhythm and blues. When Chandler phoned Mitchell later that day to offer him the position, he readily accepted. In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who's managers Kit Lambert and Chris Stamp.

Recording

Are You Experienced and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in sixteen recording sessions at three London locations, including De Lane Lea Studios, CBS, and Olympic. Chandler booked many of the sessions at Olympic because the facility was acoustically superior and equipped with most of the latest technology, though it was still using four-track recorders, whereas American studios were using eight-track.

Chandler's budget was limited, so in an effort to reduce expenditures he and Hendrix completed much of the album's pre-production work at their shared apartment. From the start, Chandler intentionally minimized the creative input of Mitchell and Redding. He later explained: "I wasn't concerned that Mitch or Noel might feel that they weren't having enough—or any—say ... I had been touring and recording in a band for years, and I'd seen everything end as a compromise. Nobody ended up doing what they really wanted to do. I was not going to let that happen with Jimi." When the Experience began studio rehearsals, Hendrix already had the chord sequences and tempos worked-out for Mitchell, and Chandler would direct Redding's bass parts.

Release

Europe

The third Experience single, "The Wind Cries Mary" backed by "Highway Chile", was released in the UK on May 5, 1967, while "Purple Haze" occupied the number three spot in the charts. The management's decision to release the single while the previous one was still present in the UK charts was unorthodox, as was the choice of "The Wind Cries Mary", which differed greatly from "Purple Haze". Stamp recalled: "We did that on purpose ... We wanted musically to show who this person was." Egan wrote: "It alerted the public to the fact that the so-called Wild Man of Borneo was capable of songs of delicacy and sensitivity." "The Wind Cries Mary" reached number six in the UK in May.

Track Records released Are You Experienced in the UK on May 12, 1967. It entered the charts on May 27, where it spent 33 weeks, peaking at number two. It remained in the charts long enough that it was still present when the Experience released their second album, Axis: Bold as Love. The album, which was released in the UK without the first three singles, was prevented from reaching the top spot by the Beatles' Sgt. Pepper's Lonely Hearts Club Band.

North America

Although popular in Europe at the time, the Experience's first US single, "Hey Joe", failed to reach the Billboard Hot 100 chart upon its release on May 1, 1967. The group's fortunes improved when Paul McCartney recommended them to the organizers of the Monterey Pop Festival. He insisted that the event would be incomplete without Hendrix, whom he called "an absolute ace on the guitar", and he agreed to join the board of organizers on the condition that the Experience perform at the festival in mid-June. During the climax of the festival, which was filmed by D. A. Pennebaker for the documentary Monterey Pop, Hendrix burned and smashed his guitar on stage for dramatic effect.

After the show-stealing performance, Reprise Records agreed to distribute Are You Experienced. However, despite the increased awareness that the Experience's performance at Monterey provided, the second Experience single, "Purple Haze"/"The Wind Cries Mary", released in the US on August 16, 1967, stalled at number 65 on the Billboard Hot 100. Although the single performed poorly in the US charts, its presence on underground FM radio stations, which were transitioning from easy listening and classical music formats to album cuts, significantly aiding sales of the LP. Reprise allocated a $20,000 promotional budget for the LP, which was an unprecedented amount for an unproven artist. Released in the US on August 23 by Reprise, Are You Experienced reached number five on the Billboard 200. The album remained on Billboard?'?s album chart for 106 weeks, 27 of those in the Top 40. The North American edition of Are You Experienced featured a new cover by Karl Ferris and a new track list, with Reprise omitting "Red House", "Remember", and "Can You See Me", and including the first three A-sides omitted from the UK release: "Hey Joe", "Purple Haze", and "The Wind Cries Mary".

Music and lyrics

"Much of what Jimi did with the guitar translated the R&B-blues-soul sensibility to the psychedelic age."

—Ritchie Unterberger, 2009

According to Hendrix biographer Harry Shapiro, the music on Are You Experienced incorporates a variety of music genres from rhythm and blues to free jazz; author Peter Doggett noted its "wide variety of styles", while journalist Chris Welch said "each track has a different personality". Musicologist Gilbert Chase asserted that the album "marked a high peak in hard rock", and music critic Jim DeRogatis characterized the LP and its preceding singles as "raw, focused psychedelic rock". A contemporary review published in Newsweek in October 1967 identified the influence of soul music on the Experience and the album. In 1989, Hit Parader magazine ranked it number 35 in a list of the top 100 heavy metal albums. In 2006, writer and archivist Rueben Jackson of the Smithsonian Institution wrote: "it's still a landmark recording because it is of the rock, R&B, blues ... musical tradition. It altered the syntax of the music ... in a way I compare to, say, James Joyce's Ulysses."

Included on the UK edition of Are You Experienced were two tracks that represented the music Hendrix had played in the US before the formation of the Experience: the blues track "Red House" and the rhythm and blues song "Remember". The album's psychedelic title track, which author Sean Egan described as impressionistic, featured the post-modern soundscapes of backwards guitar and drums that pre-date scratching by 10 years. Musicologist Ritchie Unterberger considers the lyrics to "I Don't Live Today" to be more at home in a gothic rock setting than in psychedelia, however; he describes the music as being "played and sung with an ebullience that belies the darkness of the lyrics." The song's tribal rhythms served as a platform for Hendrix's innovative guitar feedback improvisations. Whereas "Fire" is a funk and soul hybrid driven by Mitchell's drumming, "May This Be Love" and "The Wind Cries Mary" are soft ballads that demonstrate Hendrix's ability to write thoughtful lyrics and subtle melodies. The influence of raga rock can be heard in his sitar-like guitar solo on "Love or Confusion". "Can You See Me" is an uptempo rocker that features Hendrix's double tracked vocals and his use of a one-note bend in the style of Hank Marvin. Although "Hey Joe" is a folk song, and the only cover on the album, it would become one of Hendrix's most requested tracks.

The UK edition of Are You Experienced opened with "Foxy Lady", a track that, with the exception of a few overdubs, was recorded in one session at CBS. Hendrix wrote the song about Heather Taylor, a highly desirable London socialite who later married the Who's Roger Daltrey. It begins with the fade-in of an F note that Hendrix is bending-up to F? while applying generous finger vibrato. Using his guitar's control knob, he slowly increases volume until an audio feedback loop develops and he slides into the song's dominant F?m7 chord. Hendrix used a combination of natural amplifier overdrive and fuzz box effects units to create the song's razor-sharp guitar tone. Its blues–inspired solo—his fourth since arriving in England—used pentatonic scales while showcasing his innovative approach to melody; by exploiting the increased sustain created by overdriving his amplifiers, he moved seamlessly between the middle and high registers with a fluid, singing tone. While author Peter Doggett compared its slow beat to Memphis soul, David Stubbs described the track as a prototype for heavy metal bands such as Black Sabbath.

"Purple Haze" MENU 0:00 The intro and opening riff Problems playing this file? See media help.

Although the lyrics to "Purple Haze", which opened the US edition of Are You Experienced, are often misinterpreted as describing an acid trip, Hendrix explained: "[It] was all about a dream I had that I was walking under the sea." He speculated that the dream may have been inspired by a science fiction story about a purple death ray. Redding stated that Hendrix had not yet taken LSD at the time of the song's writing, which was after a gig in London on December 26, 1966. The first draft of the lyrics was exceedingly long, so Chandler and Hendrix reduced its length to something appropriate for mainstream pop music. It opens with a guitar/bass harmony in the interval of a tritone that was known as the diabolus in musica during the time of the Spanish Inquisition. The Catholic Church prohibited medieval composers of religious music from using the tritone, or flattened fifth, because as musicologist Dave Whitehill wrote: "to play it was like ringing Satan's doorbell." In the opinion of the author Ritchie Unterberger, the opening riff has "become a permanent part of rock's vocabulary." Whereas Rolling Stone described the song as the beginning of late-60s psychedelia, the authors Harry Shapiro and Caesar Glebbeek identified Hendrix's use of R&B, funk, and soul elements in the track.

"Third Stone from the Sun" MENU 0:00 A spoken passage from the second section Problems playing this file? See media help.

In 1967, Hendrix told the journalist Keith Altham that "Third Stone from the Sun" is about a visiting space alien who, upon evaluation of the human species, decides that people are not fit to rule Earth, destroys their civilization, and places the planet in the care of chickens. The song is composed of two contrasting sections, one that features a jazzy guitar melody played in the style of Wes Montgomery over a straightforward rock tempo, and another that showcases Hendrix's free-form mixolydian mode guitar lines with a jazz beat. The track contains no proper vocals, instead using spoken words played at half-speed to invoke images of interstellar space travel. In addition to jazz elements, Unterberger identified Hendrix's use of surf music motifs in the track that are reminiscent of earlier works by the Ventures, a group from the Pacific Northwest that Hendrix would have heard during his childhood.

Hendrix described "Manic Depression" as "ugly times music"; during a live performance he explained the meaning of the lyrics: "It's a story about a cat wishing he could make love to music instead of the same old everyday woman." The song is unusual in that its written in triple meter, or 3/4 time, which is the time signature commonly associated with a waltz, whereas most rock music is written in 4/4. Although his delivery is rock oriented, Mitchell's drumming on the track is reminiscent of Elvin Jones's fluid jazz patterns. Musicologist Andy Aledort noted Hendrix's "dramatic use of chromaticism" during the song's opening bars and the "heavily vibratoed unison bends" that presage what he described as one of Hendrix's best guitar solos.

"The Wind Cries Mary" is the first ballad recorded by the Experience; Hendrix wrote the lyrics after an argument with his girlfriend, Kathy Etchingham, whose middle name is Mary. She explained: "I smashed plates on the floor, [and] he swept them up. He locked me in the bathroom for absolutely ages and ... eventually Chas's girlfriend Lotta let me out ... I ran out to get a taxi and was standing under the traffic lights, and I had red hair and a red dress. I went back after I'd cooled down and he'd already written it." The song featured a chord progression inspired by Curtis Mayfield and lyrics that reflected Hendrix's admiration of Bob Dylan. "Stone Free" expressed Hendrix's desire to preserve his personal freedom, demurring the concepts of conformity and long-term relationships. He revisited this theme in "51st Anniversary" and "Highway Chile". Omitted from the American version of the album, "Red House" would not see an official release in US until the 1969 compilation, Smash Hits. An unusual feature of the recording is that it does not include a bass guitar track; Redding instead played rhythm guitar with his equalization set strongly in favor of bass tones. It is Hendrix's only original twelve-bar blues.

Album cover

Chris Stamp designed the cover of the UK version of Are You Experienced, which featured a picture of Hendrix, Mitchell, and Redding by Bruce Fleming. The image shows Hendrix wearing a long dark cape while standing over Mitchell and Redding, striking what Egan described as a "Dracula-esque pose". Chandler contacted Fleming based on the photographer's previous work with the Hollies, the Dave Clark Five, and the Animals. The photo shoot took place in February after Fleming had attended several recording sessions and Experience gigs. Chandler made a point of requesting that the band member's faces be clearly visible in the photograph; Fleming explained: "[Album covers] got much more esoteric as time went on, but to establish the artist we had to get their faces across so the kids would recognize them." He took monochrome and color shots of the band; Track selected an image from the latter group. Fleming had indicated which picture he preferred they use, marking the shot with a cross, but after the album's release he realized that they had selected another, less desirable image. According to Fleming, the shot that he chose was "more sinister; more interesting". Stamp hired graphic artist Alan Aldridge to design the sleeve's psychedelic lettering. Track inexplicably put only the album's title on the cover, omitting the band's name; Polydor issued the release throughout Europe with Hendrix's name printed at the top in matching font. The cover art's combination of dull green and brown tones, juxtaposed with the jocular nature of the subject's pose, created a weak overall visual impression; Stamp commented: "It's not a great cover at all. Hopefully, we made up for that in all the other covers."

Hendrix disliked the UK cover of Are You Experienced, so arrangements were made for a photo shoot with graphic designer Karl Ferris. Hendrix wanted "something psychedelic", so he requested Ferris because he appreciated the photographer's sleeve-work on the Hollies June 1967 release, Evolution. During a meeting with the band, Ferris told Hendrix that he wanted to hear more of their music from which to draw inspiration. They accommodated his request by allowing him to attend several sessions for their second album, Axis: Bold as Love. Ferris brought home tapes from the sessions, which along with Are You Experienced he listened to intently. His first impression of the music was that it was "so far out that it seemed to come from outer space", which inspired him to develop a backstory about a "group travelling through space in a Biosphere on their way to bring their unworldly space music to earth." With this concept in mind, he took color photographs of the band at Kew Gardens in London, using a fisheye lens which was then popular in Mod sub-culture. Ferris used what Egan described as "an infrared technique of his own invention which combined color reversal with heat signature", further enhancing the exotic nature of the image. Ferris was an experienced fashion photographer, and his interest in the finer details of his covers led him to choose the band's wardrobe. After seeing Hendrix with his hair combed away from the scalp, Ferris requested that he wear it that way during the photo shoot. Hendrix's girlfriend, Kathy Etchingham, trimmed his hair to improve its symmetry, forming an afro that became the basis of a homogenized Experience image. Redding and Mitchell liked Hendrix's new hairstyle, so Ferris hired a hairdresser to style their hair in a similar fashion. After purchasing clothing for Redding and Mitchell at the boutiques on King's Road—Hendrix wore clothes from his wardrobe, including a psychedelic jacket with a pair of eyes printed on the front which had been given to him by a fan—the Experience travelled to Kew Gardens. In an effort to focus on Hendrix's hands, Ferris shot the band at a low angle. The daylight faded soon after their arrival at the garden, so they returned the following day for a second shoot, which was not needed; the image selected for the US cover of Are You Experienced was the first shot taken the previous day. Ferris chose the cover's yellow background and its surreal lettering, and he intended for a textured gatefold jacket that Reprise, as a cost-saving measure, did not approve.

Reception and legacy

Professional ratings Retrospective reviews Review scores Source Rating AllMusic Blender Down Beat Encyclopedia of Popular Music PopMatters 10/10 Q The Rolling Stone Album Guide

Music critics widely regard Are You Experienced as one of the greatest debut albums in the history of rock and roll. An immediate commercial success, within seven months of its release it had sold more than one million copies. Melody Maker praised the work's artistic integrity and the Experience's varied use of tempo. NME?'?s Keith Altham said it is "a brave effort by Hendrix to produce a musical form which is original and exciting". However, not all contemporary writers gave the LP a favorable review; in November 1967, Rolling Stone?'?s Jon Landau wrote that although he considered Hendrix a "great guitarist and a brilliant arranger", he disapproved of his singing and songwriting. He criticized the quality of the material and described the lyrics as inane: "Above all this record is unrelentingly violent, and lyrically, inartistically violent at that."

Journalist Ritchie Unterberger described Are You Experienced as "one of the definitive albums of the psychedelic era." In the opinion of author Chris Smith, the release was "a landmark in a summer of landmark albums". Noe Goldwasser, the founding editor of Guitar World magazine, called it "a veritable textbook of what a musician can do with his instrument" and "the measure by which everything ... in rock and roll has been compared since." According to music journalist Charles Shaar Murray, the album "completely changed notions of what a guitar could sound like, or indeed, what music could sound like", while The Miami Herald credited Are You Experienced with introducing acid rock,classic rock, and the guitar aesthetic of heavy metal. Critic Robert Christgau called it a "bombshell debut" in his review for Blender and said its songs were innovative for how they utilized three-minute pop structures as a medium for Hendrix's unprecedentedly heavy and turbulent guitar and loud, powerful hooks, which greatly appealed to young listeners.

Mojo magazine listed Are You Experienced as the greatest guitar album of all time. Rolling Stone called the double-platinum LP Hendrix's "epochal debut", and they ranked it number fifteen on their list of the 500 Greatest Albums of All Time, noting his "exploitation of amp howl", and characterizing his guitar playing as "incendiary ... historic in itself".[160] They ranked it as the number three debut album of all time, crediting it as the LP "that established the transcendent promise of psychedelia", stating: "Every idea we have of the guitarist as groundbreaking individual artist comes from this record." They placed four songs from the album on their list of the 500 Greatest Songs of All Time: "Purple Haze" (17), "Foxy Lady" (153), "Hey Joe" (201), and "The Wind Cries Mary" (379). In 2005, Are You Experienced was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant".

Track listing

Since the first release of Are You Experienced in 1967, there have been six distinct versions of the track listing. As of 1997, compact disc editions in the US and UK feature 17 tracks, including all songs that appeared on either the original UK/international edition of the album, or the original North American edition, or the Experience's first three singles (Stone Free, 51st Anniversary, and Highway Chile).

Original North American edition

All songs written and composed by Jimi Hendrix except where noted. 

Side one No. Title Length 1. "Purple Haze"   2:46 2. "Manic Depression"   3:46 3. "Hey Joe" (Billy Roberts) 3:23 4. "Love or Confusion"   3:15 5. "May This Be Love"   3:14 6. "I Don't Live Today"   3:55 Side two No. Title Length 7. "The Wind Cries Mary"   3:21 8. "Fire"   2:34 9. "Third Stone from the Sun"   6:40 10. "Foxy Lady"   3:15 11. "Are You Experienced?"   3:55


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