JUDAS PRIEST, Sin After Sin USA 1st pressing LP [Diamonds & Rust]
  $   24

 


$ 24 Sold For
Apr 3, 2018 Sold Date
Apr 2, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

  Judas Priest ?– Sin After Sin Label: Columbia ?– PC 34787, Columbia ?– 34787 Format: Vinyl, LP, Album, Terre Haute  Country: US Released: 1977 Genre: Rock Style: Heavy Metal, Hard Rock TracklistHide Credits A1 Sinner Written-By – Tipton*, Halford* 6:40 A2 Diamonds And Rust Arranged By – Glenn Tipton Written-By – Joan Baez 3:22 A3 Starbreaker Written-By – Tipton*, Downing*, Halford* 4:42 A4 Last Rose Of The Summer Written-By – Tipton*, Halford* 5:30 B1 Let Us Prey Written-By – Tipton*, Downing*, Halford* 6:12 B2 Call For The Priest/Raw Deal Written-By – Tipton*, Halford* 7:04 B3 Here Come The Tears Written-By – Tipton*, Halford* 3:26 B4 Dissident Aggressor Written-By – Tipton*, Downing*, Halford* 3:02 Companies, etc. Manufactured By – Columbia Records Manufactured By – CBS Inc. Pressed By – Columbia Records Pressing Plant, Terre Haute Phonographic Copyright (p) – CBS Records Copyright (c) – CBS Records Published By – Arnakata Music Inc. Published By – Chandos Music Co. Recorded At – Ramport Studios Mixed At – Wessex Sound Studios Mastered At – Sterling Sound Mastered At – Customatrix Credits Art Direction – Roslav Szaybo Bass Guitar – Ian Hill (2) Design, Photography By – Bob Carlos-Clarke* Drums, Percussion – Simon Phillips Engineer – Mark Dodson Engineer [Assistant] – Dave Ballotti*, Judy Szekely, Neil Hornby Guitar – Glenn Tipton, K. K. Downing Management – David Hemmings (3) Producer – Judas Priest, Roger Glover Vocals – Robert Halford* Notes Columbia, Terre Haute pressing Catalog number PC 34787 appears on spine and label, 34787 on front cover. Recorded at Ramport Studios. Battersea Mixed at Wessex Studios, Highbury © ? 1977 CBS Records All songs published by Arnakata Music, Inc. (ASCAP) except: A2 published by Chandos Music Co. (ASCAP)  

USA FIRST PRESSING VINYL ALBUM WITH WHITE INNER SLEEVE.

Matrix:    º STERLING   T1 AL-34787-1E C /  º BL-34787-1H 1T. 

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE HAS MARKS AND BOTTOM SEAM SPLIT.

DISC[S]: VERY GOOD+. NO SCRATCHES, BUT THERE ARE SOME PLAY SCUFFS AND FINGERPRINT SPOTS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)


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