JOHN MARTYN SOLID AIR RARE ORIG '73 ISLAND LP UK FOLK PSYCH CLASSIC BEAUTIFUL

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WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       JOHN MARTYN – SOLID AIR – ORIGINAL 1973 ISLAND RECORDS STEREO LP SW- 9325

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE ISLAND LABEL WITH A DESERT ISLAND (“SUNBURST”) LOGO, (THE LABEL HAS A DESERT ISLAND MOTIF WITH PALM TREES AND BEAMING RAYS OF SUNSHINE ON WHITE BACKGROUND AT THE CORE OF THE LABEL, SURROUNDED BY PINK RIM ALONG THE LABEL’S EDGE (THIS LABEL WAS IN USE DURING ISLAND RECORD’S INFANCY, WHEN ISLAND WAS DISTRIBUTED BY CAPITOL RECORDS, BETWEEN 1970-1973).

·       CAPITOL RECORDS, JACKSONVILLE, IL  PRESSING

·       The record has LEO HULKA’ initials (LH) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       VERY THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS A 'STERLING' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Solid Air (whose title track was written for John Martyn's friend, songwriter Nick Drake) is one of the defining moments in British folk, in the same league as Fairport Convention's Liege & Lief, Richard & Linda Thompson's Shoot Out the Lights, and Michael Chapman's Rainmaker. Martyn stepped out of his comfort zone to record and produce it, including not only jazz and blues but rock and plenty of sound effects, and featuring Rhodes piano on some of its tracks, dismaying some fans while winning a ton more for its genre-blurring presentation. A number of its cuts -- such as the title track, "Over the Hill," "I'd Rather Be the Devil," and "May You Never" -- remained staples in his live sets until the end of his life.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Add one pint of Fred Neil, two ounces of Tim Hardin’s “Suite for Susan Moore”, quarter pound of Tom Waits circa 1974, a pinch of Nick Drake (to whom title track is dedicated), a whiff of Nico,  and about three gigatons of Tim Buckley’s “Blue Afternoon” and what do you get?  Well, in this case you get one of the finest British folk/psych/far-out/experimental/progressive albums of the early 1970’s. John Martyn rules !!! 

For additional historical information on this album, including track listing ►click here

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 5 (back side).

-        Visible shelf wear noted on the seams

-        Cover has some fraying/wear along the spine

-        Cover has a partially split spine (less than 1 inch / 2.5 centimeters)

-        Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-        The cover has a few tiny scratch marks on both sides (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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