JIMMY LUNCEFORD 78 RMP TEST PRESSING EXTREMLEY RARE

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YOU ARE BIDDING ON A VINTAGE RECORDING   JIMMY LUNCEFORD ORCHESTRA TEST PRESSING OF "YOU GOT ME DOWN"  78rmp 10" RECORD. THIS RECORD IS IN EXCELLENT PLUS CONDITION AND WOULD BE A GREAT ADDITION TO YOUR COLLECTION. I WILL SHIP INTERNATIONALLY BUT POSTAGE WOULD VARY ON LOCATION.  IF YOU HAVE ANY QUESTIONS PLEASE EMAIL ME.  THANKS FOR LOOKING AND GOOD LUCK!!!

Lunceford was born in Fulton, Mississippi. Little is known about his parents, though his father was a choirmaster in Warren, Ohio, before the family moved to Denver. He went to high school in Denver and studied music under Wilberforce J. Whiteman, father of Paul Whiteman, whose band was soon to acquire a national reputation. After high school he continued his studies at Fisk University. During 1922, Lunceford played alto saxophone in a local band led by George Morrison which included Andy Kirk, another musician destined for fame as a bandleader.

In 1927, while teaching at Manassas High School in Memphis, Tennessee, he organized a student band, the Chickasaw Syncopators, whose name was changed to the Jimmie Lunceford Orchestra when it began touring. Lunceford was the first high school band director in Memphis. This band recorded in 1927 and 1930. After a period of touring, the band accepted a booking at the Harlem nightclub, The Cotton Club in 1934. The Cotton Club had already featured Duke Ellington and Cab Calloway, who won their first widespread fame from their inventive shows for the Cotton Club's all-white patrons. Lunceford's orchestra, with their tight musicianship and often outrageous humor in their music and lyrics made an ideal band for the club, and Lunceford's reputation began to steadily grow.

Comedy and vaudeville played a distinct part in Lunceford's presentation. Songs such as "Rhythm Is Our Business", "I'm Nuts about Screwy Music", "I Want the Waiter (With the Water)", and "Four or Five Times" displayed a playful sense of swing, often through clever arrangements by trumpeter Sy Oliver and bizarre lyrics. Lunceford's stage shows often included costumes, skits, and obvious jabs at mainstream white jazz bands, such as Paul Whiteman's and Guy Lombardo's.

Despite the band's comic veneer, Lunceford always maintained professionalism in the music befitting a former teacher; this professionalism paid off and during the apex of swing in the 1930s, the Orchestra was considered the equal of Duke Ellington's, Earl Hines' or Count Basie's. This precision can be heard in such pieces as "Wham (Re-Bop-Boom-Bam)", "Lunceford Special", "For Dancers Only", "Uptown Blues", and "Stratosphere". The band's noted saxophone section was led by alto sax player Willie Smith. Lunceford often used a conducting baton to lead his band.

The orchestra began recording for the Decca label and later signed with the Columbia subsidiary Vocalion in 1938. They toured Europe extensively in 1937, but had to cancel a second tour in 1939 because of the outbreak of World War II. Columbia dropped Lunceford in 1940 because of flagging sales. (Oliver departed the group before the scheduled European tour to take a position as an arranger for Tommy Dorsey). Lunceford returned to the Decca label.

WOW!!    FANTASTIC RECORD !!

VERY RARE!!    TEST PRESSING  VOCALION   (# W-24648)

NO RESERVE SO THE HIGH BIDDER WILL GET IT !!!

I HAVE OTHER TEST PRESSINGS ON AUCTION AND WILL COMBINE TO SAVE A GREAT AMOUNT OF MONEY ON SHIPPING !!!

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THIS RECORD COMES FROM A RETIRED RADIO ENGINEER'S PRIVATE COLLECTION FROM MANY MANY YEARS AGO!!!