JIMI HENDRIX w/OTIS REDDING AT MONTEREY INTL POP FEST REPRISE 2-TONE LP
$
84
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WE CURRENTLY HAVE NEARLY 700 LISTED ITEMS
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· OTIS REDDING AND JIMI HENDRIX - OTIS REDDING AND JIMI HENDRIX EXPERIENCE - AT THE MONTEREY INTERNATIONAL POP FESTIVAL 1967 - ULTRA-RARE 1970 CAPITOL RECORD CLUB PRESSING - CAPITOL/REPRISE RECORDS STEREO LP SKAO-93371
· GENUINE U.S. PRESSING
· BY FAR THE RAREST JIMI HENDRIX RECORD CLUB PRESSING !!!
· ORIGINAL 2-TONE REPRISE LABEL (NO STOCK COPIES OF THIS ALBUM WITH THIS LABEL EXIST – THIS IS THE ONLY WAY YOU CAN FIND THIS ALBUM ON A 2-TONE REPRISE LABEL!!!!)
· CAPITOL RECORDS, JACKSONVILLE, IL PRESSING.
· RARE 'PSYCHEDELIC POSTER' ("MATA HARI") VERSION OF THE COVER
· UNIQUE COVER WITH WHITE RIM ONLY FOUND ON CAPITOL RECORD CLUB PRESSINGS OF THIS TITLE (THE REGULAR, STOCK COPIES HAVE NO RIM ALONG THE COVER’S EDGE)
· INCREDIBLY RARE 2-TONE REPRESE LABEL WITH CAPITOL RECORDS CLUB INSCRIPTION AND A UNIQUE CAPITOL RECORDS SERIAL NUMBER (AND NOT A REGULAR REPRISE NUMBER MS-2029)
· THIS IS NOT AN IMPORT OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· BEAUTIFUL, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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What we have here technically DOES NOT EXIST and is not supposed to exist. To our best knowledge, the existence of this record-club-only issue previously has never been substantiated, and none of the price books and guides currently in print make any reference to its existence or background. According to both Tim Neely and Neil Umphread price guides (multiple editions), the only Jimi Hendrix album ever issued on Capitol Records Club/Reprise label (and with the different catalog number - assigned by CAPITOL records and NOT by Reprise), was his posthumous "Rainbow Bridge" soundtrack. The historical importance of this item cannot be overestimated. Namely, Capitol records and Reprise were at loggerheads over Jimi Hendrix' career literally from the very first moment Jimi Hendrix signed for Reprise, with Capitol claiming (more or less successfully) that Jimi was contractually tied to Capitol Records and that he owed them (at least) one more album. We believe - but have no firm or concrete proof to substantiate our claim - that this Capitol Records pressing was Reprise's attempt to toss a little something to Capitol records in order to appease them. If this was the motive, it did not work. Capitol pressed on until they forced Jimi to record his final album (Band of Gypsys) for Capitol records (chalk one for corporate greed, for Heavens know that “Band of Gypsys” was Jimi's finest hour, and not merely a "contractual obligation album").
To go back to the "Live at Monterey" album for a second. This version has a distinct Reprise Records customized label which makes a pointed reference to the Capitol Records (see the photo of the label); the cover has a DISTINCT Capitol catalog number (SKAO-93371) rather than its regular Reprise number. It also has a unique white rim along the edges of the cover which is unique to the Capitol Record Club pressings of some titles. Another curiosity: This Capitol Records issue clearly uses old 2-tone Reprise label which was in print between 1968-1970, meaning that this particular pressing was CLEARLY issued in Jimi's lifetime. Literally and figuratively, a piece of history, not to be missed at any price.
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OK…where do we start? Let's start with Jimi: this legendary, incendiary Jimi Hendrix performance (“incendiary” to be taken literally here: Jimi actually doused and torched his guitar in Monterey) is one of two or three pinnacles of Rock music. Think of this performance as Jimi Hendrix dropping a REAL Big One on the world of Pop and Rock music. In the mayhem that ensued, nothing would ever be the same. And, no, after playing this disc "you will never listen to the Surf music again" (certainly not the way you did before Hendrix cremated his Guitar for the whole world to see).
Ah, but wait…you ain’t heard nothing yet…compared to what you are about to find on the other side of this record, Jimi Hendrix's side is basically a filler - a light aperitif; a humble hors d’oeuvre to a delicious five-course meal Otis Redding is about to serve you. Flip the disc to the Otis Redding side and hear what we totally, firmly, believe is the SINGLE GREATEST live performance in the history of recorded music. According to the legend, after Otis' 15-minute performance with Booker T. & the MG's and Mar-Keys (he was more or less dragged away from the stage by the police despite protestations from the audience, because he overstayed his brief time slot), Mama Cass was gasping for air, Janis Joplin was weeping uncontrollably, and Brian Jones and Pete Townsend were standing there, deaf, dumb and… numb. No wonder. Nothing we've heard in 34 years of collecting music matches, let alone tops, the screaming passion, the agony and the ecstasy, and the brutal intensity - almost violence - of Otis's Monterey performance – the very last live performance of his brief life. You can literally hear Otis struggling in between songs to regain his breath. If ever a performer EXPLODED on stage in a mushroom cloud, this is IT. Show us another concert performance of this level of emotional intensity, if you can. SHOW US!!! WE DARE YOU!!!
In other words, on side 1 Jimi Hendrix douses and torches his guitar. On side 2, Otis Redding sets HIMSELF on fire!!!
Finally, for those doubting Thomases who claim that Otis Redding had a voice of only limited range: hearing this live version of "I've been loving you too long" should keep ‘em mum for awhile.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here for the complete album listing)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY JIMI HENDRIX► CLICK HERE
TO SEE IF WE HAVE OTHER LISTED ITEMS BY OTIS REDDING ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
COVER IS STILL SEALED; HOWEVER, WE ARE UNABLE TO GRADE IT MINT OR NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS EXCELLENT OR VG++
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has some fraying/wear along the upper seam
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.
INTERNATIONAL POSTAGE rates vary from one region of the world to another. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
FINE (BUT IMPORTANT!) PRINT
(1) The year indicated in the title bar is the year of the original release, NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7) All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner; please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!
© 2001,2007 MDJ. All rights reserved.
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