JACK NITZSCHE LONELY SURFER RARE '64 WHITE LABEL PROMO
$
64
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· JACK NITZSCHE (with PHIL SPECTOR, LEON RUSSELL, HAL BLAINE AND PHIL SPECTOR’S STELLAR ‘WRECKING CREW’ STUDIO BAND) – LONELY SURFER – ULTRA-RARE ORIGINAL PRESSING OF THIS SURF CLASSIC – ORIGINAL 1964 REPRISE RECORDS MONO LP R-6101
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL REPRISE "RIVERBOAT" LABEL, EARLY ‘60s STYLE, WHITE PROMOTIONAL VERSION
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· PRODUCED BY JIMMY BOWEN, THE LEGENDARY ROCKABILLY PIONEER AND WITH ORIGINAL LINER NOTES BY PHIL SPECTOR
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Jack Nitzsche had one brush with greatness early in his career, apart from his job as Phil Spector's arranger -- "The Lonely Surfer," a classic of the surf music genre. This album attempted to extend his solo career beyond that of a one-hit wonder, with mixed success. The best cuts are songs that are in the same surfer mold: "Puerto Vallarta," "Baja," and "Beyond the Surf." Nitzsche had a gift for melodramatic, ascending arrangements that rose to dramatic crescendos, underpinned by rumbling basslines and clanging percussion. Less successful are a super-slow take on "Da Doo Ron Ron" and remakes of easy listening and soundtrack hits such as "Ebb Tide" and "More," which are given a precious sheen of strings. The one exception is a rather rocking version of Elmer Bernstein's "Magnificent Seven," which sounds like it was made for dancing
(EXCERPT FROM AN ONLINE REVIEW BY MARY GRADY, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical or discography information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 3:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS ABOUT VERY GOOD++ (VG++)
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has three (one on each seam) small, rectangular, tape residue stains (small yellowish discoloration from the removed pieces of old and yellowed scotch tape)
- Cover has a large (and somewhat annoying) writing on both sides (a filing code written in one corner on both sides, in thick black marker, about 1 x 3 inches in size)
- Minor shelf wear noted on the seams (nothing significant)
- Cover has one corner slightly worn / dinged (nothing significant)
- Two small pieces of scotch tape noted on the back panel, may be possible to remove (VISIBLE ON BACK SIDE ONLY) .
- Cover shows some light yellowing on back side, apparently from aging. (nothing significant)
- Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
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