HOWLIN' WOLF "Change My Way" LP CHESS NM/VG+, 1977

$ 20

$ 20 Sold For

May 6, 2016 Sold Date

Jun 29, 2015 Start Date

1 Number Of Bids

USA Country Of Seller

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Description

Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.

All Music Review by Cub Koda

Originally compiled and issued in 1975 as a vinyl album in the original Chess Blues Masters Series, this 19-tracker is some of Wolf's best middle-period (1959-1963) material. Surprisingly, many of the tracks were cut in stereo and their appearance on compact disc does much to enhance their sonic ambience. Although some of this material surfaces on the three-disc Howlin' Wolf box set ("I Ain't Superstitious," "Just Like I Treat You"), this single disc stands mightily on its own. If you really want to hear Hubert Sumlin rip up the fretboard, this an excellent place to start.

Howlin' Wolf ?– Change My Way

Label: Chess ?– CHV 418 Series: Chess Vintage Series – Format: Vinyl, LP, Compilation
Country: US Released: 1977 Genre: Blues Style: Electric Blues, Chicago Blues

TracklistHide Credits

A1 Mr. Airplane Man Bass Guitar – Unknown ArtistDrums – S.P. LearyGuitar – Hubert SumlinPiano – Hosea Lee KennardTenor Saxophone – Abe Locke 2:43 A2 Love Me Darlin' Baritone Saxophone – Donald HawkinsBass – Willie DixonDrums – Sam LayElectric Bass – Andrew Palmer (2)Guitar – Hubert SumlinPiano – Johnny Jones*Tenor Saxophone – Arnold Rogers 2:49 A3 Change My Way Bass – Willie DixonDrums – S.P. LearyGuitar – Hubert Sumlin, L.D. McGheePiano – Hosea Lee Kennard 3:30 A4 I Walked From Dallas Drums – Sam LayGuitar – Hubert SumlinPiano [Probably] – Henry Gray 3:07 A5 I Better Go Now Bass [Probably] – Willie DixonDrums – S.P. LearyGuitar – Hubert SumlinPiano – Hosea Lee KennardTenor Saxophone – Abe Locke 2:40 A6 New Crawlin' King Snake Drums – Sam LayGuitar – Hubert SumlinPiano [Probably] – Henry Gray 2:54 A7 Just Like I Treat You Bass – Willie DixonBass Guitar – Jimmy RogersDrums – Sam LayGuitar – Hubert SumlinPiano – Henry GraySlide Guitar [Acoustic] – Howling Wolf*Written-By – W. Dixon* 2:47 B1 I've Been Abused Bass Guitar – Unknown ArtistDrums – S.P. LearyGuitar – Hubert SumlinPiano – Hosea Lee KennardTenor Saxophone – Abe Locke 2:14 B2 Don't Laugh At Me Drums – Sam LayGuitar – Hubert SumlinPiano [Probably] – Henry Gray 2:59 B3 I Didn't Know Drums – Earl PhillipsGuitar – Hubert Sumlin, Jody WilliamsPiano – Hosea Lee Kennard 2:24 B4 I Aint Superstitious Bass – Willie DixonBass Guitar – Jimmy RogersDrums – Sam LayGuitar – Hubert SumlinPiano – Henry GraySlide Guitar [Acoustic] – Howling Wolf*Written-By – Willie Dixon 2:48 B5 Howlin' Blues Bass [Probably] – Willie DixonDrums – S.P. LearyGuitar – Hubert SumlinPiano – Hosea Lee Kennard 2:44 B6 My Mind Is Ramblin' Drums – Sam LayGuitar – Hubert SumlinPiano [Probably] – Henry Gray 2:51 B7 Do The Do Bass – Willie DixonDrums – Junior BlackmanGuitar – Hubert SumlinPiano – Johnny Jones*Written-By – Valentine*, W. Dixon* 2:10 B8 Hidden Charms Baritone Saxophone – Donald HawkinsDrums – Sam LayGuitar – Buddy Guy, Hubert SumlinPiano – Lafayette LeakeTenor Saxophone – J.T. Brown 2:18

Companies etc

Produced For – Chess Records
Phonographic Copyright (p) – Chess Records
Copyright (c) – Chess Records
Published By – Arc Music (2)
Pressed By – GRT Corporation

Credits

Compiled By, Edited By, Liner Notes – Pete Welding
Producer [Original Recordings] – Leonard & Phil Chess, Willie Dixon
Vocals, Harmonica [Where Heard] – Howlin' Wolf
Written-By – Chester Burnett (tracks: A1 to A6, B1 to B3, B5, B6)

Notes

© ? 1977 Chess Records, a division of All Platinum Record Group
96 West Street, Englewood, New Jersey 07631
Printed in USA

Chicago 1958-1966

Barcode and Other Identifiers

Matrix / Runout (Runout Side A, etched): CH 418 A GRT FLICK/
Matrix / Runout (Runout Side B, etched): CH 418 B FLICK! GRT
Rights Society: BMI

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.

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