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***** - LAST COPY!! - LAST COPY !! - LAST COPY !! -*****

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We offer a "not satisfied, money back!"  guarantee.

If you are not happy with your purchase you can return it

within 14 days and you will be refunded without discussion.

The return postage is not refundable.

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Nous offrons un garantie "non satisfait, remboursé!".

Si vous n'êtes pas satisfait avec votre achat,

vous pouvez le retourner pendant 14 jours et vous serez remboursé sans discussion.

Les frais de retour ne sont pas remboursables. 

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

..... very-hard-to-find-worldwide in this " perfect " Quality !! .....

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Thank you for visiting my auction .....

I have for sale: ..... with .....

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..... secure & insured shipping worldwide .....
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..... Foreign bidders are welcome .....
..... please, ..... Winners have to contact me within 3 days ..... 

..... of auction close .....

..... Winners have to pay shipping costs .....

..... for 1 valuable, analogue, audiophile MOSAIC-LP/RECORD-BOX .....

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.......... and safety first class cardboard package ............

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..... secure & insured shipping worldwide .....

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..... SALE !! ..... OF MY PRIVATE ANALOGUE - .....
..... MOSAIC - LP/RECORD - COLLECTION .....
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..... my audiophile hobby over 40 years !! .....
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..... please note ..... all of my worldwide = ..........

..... many thousands of positive feedbacks ..........

..... soon over 20 ebay years ..... 

..... if you are satisfied, they say....there friends and other music-collectors....
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..... EXTREMELY RARE AUDIOPHILE MOSAIC-LP/RECORD-BOX !! .....

..... LIMITED EDITION ..... VERY-HARD-TO-FIND-WORLDWIDE !! .....

..... THIS ALBUM IS ONE OF AN SPECIAL EDITION LIMITED NUMBER !! .....

..... IN " VERY HIGH " QUALITY !! ..... BEST CONDITION !! .....

..... ORIGINAL ANALOGE MOSAIC RECORDING, ..... MADE IN USA .....

..... IN VERY HIGH QUALITY !! ..... TRANSFERRED DIRECTLY .....

..... FROM THE FIRST ORIGINAL ANALOGE MASTER TAPES .....

..... FROM MY WELL-TENDED AUDIOPHILE VINYL COLLECTION !! .....

..... COLLECTOR OVER MANY, MANY YEARS ..... OVER ..... 40 YEARS .....

..... I AM THE ORIGINAL OWNER OF THE ANALOGE MOSAIC-LP/RECORD ..... 

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..... ONE COPY !! ..... LAST CHANCE  !! .....

..... AUDIOPHILE MOSAIC 8-LP-Record-Box = .....

..... in perfect " NEW = NEVER PLAYED " Quality !! .....

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******* - LAST COPY!! - LAST COPY !! - LAST COPY !! -********

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..... rare audiophile Mosaic 8-LP/Record-Box .....
..... limited edition ..... limited edition .....
..... made by Mosaic Record in USA !! .....

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... MOSAIC RECORD 8-LP/RECORD-BOX !! .....

..... ORIGINAL HIGH QUALITY VINYL-RECORDING !! .....  

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... MOSAIC MQ8-197 ..... (8-LP/Record-Box!!) .....
..... in perfect " NEW = NEVER PLAYED" Quality .....

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......... HORACE PARLAN (PIANO) ......................

...... " THE COMPLETE BLUE NOTE SESSIONS "

.......... LIMITED EDITION ..... MADE IN USA !! ....

********this is one of an edition limited to 5000 albums********

******with special limited number # 0470******

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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TRACKLISTING: (Album Index) ........

Trackliste

Horace Parlan – Movin' & Groovin' A1 C Jam Blues 5:08 A2 On Green Dolphin Street 5:27 A3 Up In Cynthia's Room 5:23 A4 Lady Bird 5:00 B1 Bag's Groove 5:45 B2 Stella By Starlight 6:00 B3 There Is No Greater Love 6:42 B4 It Could Happen To You 3:17
Horace Parlan Trio – Us Three C1 Us Three 4:32 C2 I Want To Be Loved 4:49 C3 Come Rain Or Come Shine 6:23 C4 Wadin' 5:51 D1 The Lady Is A Tramp 7:07 D2 Walkin' 7:04 D3 Return Engagement 4:49
Horace Parlan – Headin' South E1 Headin' South 4:26 E2 The Song Is Ended 5:52 E3 Summertime 5:58 E4 Low Down 5:27 F1 Congalegre 4:21 F2 Prelude To A Kiss 5:26 F3 Jim Loves Sue 4:30 F4 My Mother's Eyes 5:21
Horace Parlan Quintet, The – Speakin' My Piece G1 Wadin' 6:15 G2 Up In Cynthia's Room 6:17 G3 Borderline 6:08 H1 Rastus 6:52 H2 Oh So Blue 7:37 H3 Speakin' My Piece 6:04
Horace Parlan – On The Spur Of The Moment I1 On The Spur Of The Moment 5:52 I2 Skoo Chee 10:56 I3 And That I Am So In Love 5:03 J1 Al's Tune 7:02 J2 Ray C. 6:54 J3 Pyramid 6:27
Horace Parlan – Up and Down K1 The Book's Beat 9:44 K2 Up And Down 6:07 K3 Fugee 7:06 L1 The Other Part Of Town 11:37 L2 Lonely One 4:02 L3 Light Blue 5:59
Horace Parlan – Happy Frame Of Mind M1 Home Is Africa 8:46 M2 A Tune For Richard 6:07 M3 Back From The Gig 5:52 N1 Dexi 5:55 N2 Kucheza Blues 5:41 N3 Happy Frame Of Mind 6:11
Alternate Takes O1 Rastus (Alt Take) 6:41 O2 Oh So Blue (Alt Take) 7:38 P1 On The Spur Of The Moment 7:55 P2 Pyramid (Alt Take) 6:31 P3 Fugee (Alt Take) 6:57

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 ..... ORIGINAL COMPILATION / RECORDING BY MOSAIC RECORD IN USA .....

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ALBUM NOTES: ...................

Horace Parlan ‎–

The Complete Blue Note Horace Parlan Sessions

Label: Mosaic Records (2) ‎– MQ8-197 Format: 8 × Vinyl, LP, Album - Box Set, Compilation, Limited Edition, Numbered
Land: US Released: 2000 Genre: Jazz Stil: Soul-Jazz, Hard Bop

artists

• Bass – Butch Warren (tracks: M1-N3), George Tucker (tracks: C1-L3, O1-P3), Sam Jones (tracks: A1-B4)
• Congas – Ray Barretto (tracks: E1-F4)
• Design – Richard Mantel
• Drums – Al Harewood (tracks: A1-L3, O1-P3), Billy Higgins (tracks: M1-N3)
• Engineer [Masering From Analog Tapes] – Ron McMaster
• Engineer [Recording] – Rudy Van Gelder
• Executive Producer – Charlie Lourie
• Guitar – Grant Green (tracks: K1-N3, P3)
• Photography By – Francis Wolff
• Piano, Leader – Horace Parlan
• Producer [Original Sessions] – Alfred Lion
• Producer [Release] – Michael Cuscuna
• Tenor Saxophone – Booker Ervin (tracks: K1-N3, P3), Stanley Turrentine (tracks: G1-J3, O1-P2)
• Trumpet – Johnny Coles (tracks: M1-N3), Tommy Turrentine (tracks: G1-J3, O1-P2)

Remarks

Hand-numbered inside front cover of the 16-page booklet, out of 5,000 sets produced.

A1-B4: Recorded February 29, 1960 - Originally Issued as BST 84028
C1-D3: Recorded April 20, 1960 - Originally Issued as BST 84037
E1-F4:Recorded December 6, 1960 - Originally Issued as BST 84062
G1-H3, O1, O2: Recorded July 14, 1960 - Originally Issued as BST 84043
I1-J3, P1, P2: Recorded March 18, 1961 - Originally Issued as BST 84074
K1-L3, P3: Recorded June 18, 1961 - Originally Issued as BST 84082
M1-N3: Recorded February 15, 1963 - Originally Issued as BST 84134

Review from AMG.com:
"Horace who?" That's what one is likely to encounter when excitedly talking of this set to jazz pedestrians. And it's not their fault, either. People who are reasonably familiar with the music can be excused for not hearing of the great American hard bop pianist who has made his living from Denmark since 1972. At age 70, Parlan is still a pianist of enormous talent, but is rarely heard on this side of the Atlantic. The Mosaic set compiles all seven of Parlan's sessions as a leader from 1960 through 1963 -- Movin' and Groovin', Us Three, Speakin' My Piece, Headin' South, On the Spur of the Moment, Up and Down, and Happy Frame of Mind -- and his work on the label as part of Booker Ervin's band on Back From the Gig. Before becoming a leader, he enjoyed the honor of being Charles Mingus' pianist (1957-1959), during an era that saw the release of two of Mingus' finest records: the groundbreaking Blues and Roots and Mingus Ah Um. One of the reasons for the richness of those recordings was Parlan's style. A pianist who suffered from polio since the age of five, the fourth and fifth fingers of his right hand were useless. He compensated by using the thumb and first two fingers to complete extended chords normally handled by the left hand. But, to become a soloist, he developed a style that Mingus would find irresistible: He would use short melodic runs with the right hand and build them into chunky percussive chords that had the density of Red Garland's and the gutbucket funk of Horace Silver's, all while rooted in the blues. The Movin' and Groovin' sides tell the whole story in a way. The set begins with a formalist interpretation of "C Jam Blues, a tune on which many of Parlan's rhythmic and melodic principles are showcased. Much of Parlan's inventiveness is built upon repetition, which is used as a structural device to dull the harmonic movement of a particular tune. Here, he uses thick, block-like chords in non-varying eighths against a minimal set of right-hand lines that grow more elaborate with each pass through the chorus. Elsewhere on the album, on "Up in Cynthia's Room," a badassed blues gives way to an ostinato of shimmering color and grace. It was used again with a quintet on "Speakin' My Piece," with more of the dark blues funk percussively added to Parlan's solo to make it stick out among the horns. Another of Parlan's hot moves is his rooting in the gospel traditions for which repetition was made, varying phrases just enough to move the tune along without edging it too far from its harmonic root -- give a listen to the preacher's shout in "Wadin'" for an example of this. Slide-and-jump and call-and-response methods are employed over and over again, with chords built by the minute to juxtapose his short rhythmic melodic eight hand inventions against. Al Harewood on drums and bassist George Tucker were one of the steadiest, most rock-solid rhythm sections in the music at the time, capable of backing any soloist. They are present on all but two Parlan sessions, the first of which has Sam Jones on bass and the last which features Butch Warren and Billy Higgins on bass and drums, respectively. Parlan's choice of material, from the mainly standards bag of the first couple of recordings to the mix of original compositions and bandmates' material on the other four, is an evolution of the music as much as it is of Parlan himself. After 1961, the hard bop trend was to keep it all inside the unit wherever possible. Even on Booker Ervin's date (with Grant Green on guitar) that ends the set, the tunes tend to be homemade and written for the band. With horn players, Parlan really shined as a soloist. His sessions with Stanley and Tommy Turrentine for Speakin' My Piece showcase his structural style in a manner that gives the soloists more freedom and elongates the blues line to an extent that it almost disappears. With his varying placement of meter and his shifting of harmonics always toward the blues end, ostinato becomes a natural extension of meter and rolls off the end onto another chorus, giving the appearance that the 12-bar blues has been subverted. His short, tight, intense bursts of sound are small, span-wise, but resonant for the horn player or bassist who is playing off of them. Of all the recordings here, perhaps Up and Down, his second from last as a leader, is Parlan's signature album from the period. "The Other Part of Town" is an outlandish bit of harmonic strangling on Parlan's part, with Booker Ervin's trademark tone spitting through the mix and Grant Green funking it up just enough that Parlan has to take control with huge chords played in blocks all around the his phrase-like melody, which builds and releases tension before turning around on about the tenth chorus and restating the blues theme for the other soloists. Parlan may not be the best-known of Blue Note's piano giants, but that doesn't make him any less an architect of the hard bop sound of the early '60s, as this wonderful box -- with Mosaic's usual exhaustive annotation -- so profoundly attests.........If only we had started collecting the Mosaic Jazz Record titles when they first started issuing them! There is no doubt that Mosaic Records have been quietly issuing some of the most important jazz performances ever committed to vinyl record and/or CD. Many of the Mosaic sets have reached "mythical" status and are highly prized by jazz afficionados, audiophiles and music collectors. Indeed, their sets are first rate in terms of production quality, performances chosen, libretto information and sound! All the Mosaic sets are limited edition and numbered and when they sell out, the company does not reissue them anymore - in other words, if you snooze, you lose! ......................

Best of all, this set is BRAND NEW and UNPLAYED! It has been safely stored away for a number of years - this may be your only chance to get a MINT copy of a superb rarity!
Up for sale:  ................

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            U.S.A. "MOSAIC RECORDS" 8-LP boxed set (180 gram vinyl)
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            Audiophile Pressings of these magnificent performances
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            LPs come in a hard outer box
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            Set comes complete with an extensive Libretto
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            Limited Edition & Numbered LP set - 5,000 made worldwide
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            Record Catalog Number: MQ8-197 (8-LP boxed set)

Extremely rare, this is a much sought after 8-LP set:
The BOX and LIBRETTO are in Mint condition - the set is actually BRAND NEW.
The LPs are in Mint condition! - everything is BRAND NEW & UNPLAYED. ........

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in German Language: ...................

Wenn wir nur angefangen hätten, die Mosaic Jazz Record Titel zu sammeln, als sie anfingen sie zu veröffentlichen! Es besteht kein Zweifel, dass Mosaic Records still und leise einige der wichtigsten Jazz-Performances herausgebracht hat, die jemals auf Vinyl-Schallplatten und / oder CD-Platten aufgenommen wurden. Viele der Mosaic-Sets haben einen "mythischen" Status erreicht und werden von Jazz-Fans, Audiophilen und Musiksammlern sehr geschätzt. In der Tat, ihre Sets sind erstklassig in Bezug auf Produktionsqualität, Leistungen gewählt, Libretto Informationen und Sound! Alle Mosaic-Sets sind limitiert und nummeriert und wenn sie ausverkauft sind, gibt das Unternehmen sie nicht mehr aus - mit anderen Worten, wenn du schläfst, verlierst du!
Das Beste ist, dass dieses Set " NEU UND UNGESPIELT ist. Es wurde einige Jahre lang sicher aufbewahrt - das ist vielleicht Ihre einzige Chance, eine NEUE UND UNGESPIELTE Kopie einer großartigen Rarität zu bekommen! .....

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Beschreibung von AMG.com:

"Horace wer?" Das ist wahrscheinlich der Fall, wenn man aufgeregt von diesem Set zu Jazz-Passanten spricht. Und es ist auch nicht ihre Schuld. Leute, die mit der Musik einigermaßen vertraut sind, können sich entschuldigen, dass sie nicht von dem großen amerikanischen Hardbop-Pianisten gehört haben, der seit 1972 in Dänemark lebt. Mit seinen 70 Jahren ist Parlan immer noch ein Pianist von enormem Talent, aber selten zu hören Seite des Atlantiks. Das Mosaik-Set fasst alle sieben Parlan-Sitzungen als Führer von 1960 bis 1963 zusammen - Movin 'und Groovin', Us Three, Speakin 'My Piece, Heading' South, Im Sog des Moments, Up and Down und Happy Frame of Mind - und seine Arbeit auf dem Label als Teil von Booker Ervin's Band auf Back From the Gig. Bevor er ein Anführer wurde, genoss er die Ehre, Charles Mingus 'Pianist zu sein (1957-1959), während einer Ära, in der zwei der besten Platten von Mingus veröffentlicht wurden: die bahnbrechenden Blues and Roots und Mingus Ah Um. Einer der Gründe für den Reichtum dieser Aufnahmen war Parlans Stil. Ein Pianist, der seit seinem fünften Lebensjahr an Kinderlähmung litt, war der vierte und fünfte Finger seiner rechten Hand nutzlos. Er kompensierte, indem er den Daumen und die ersten zwei Finger benutzte, um erweiterte Akkorde zu vervollständigen, die normalerweise von der linken Hand gehandhabt werden. Aber um Solist zu werden, entwickelte er einen Stil, den Mingus unwiderstehlich finden würde: Er benutzte kurze Melodieläufe mit der rechten Hand und baute sie zu klobigen perkussiven Akkorden zusammen, die die Dichte von Red Garlands und des Gutbucket-Funks von Horace Silver aufwiesen während im Blues verwurzelt. Die Movin 'und Groovin' Seiten erzählen die ganze Geschichte in gewisser Weise. Das Set beginnt mit einer formalistischen Interpretation von "C Jam Blues", einer Melodie, auf der viele von Parlans rhythmischen und melodischen Prinzipien zur Geltung kommen. Ein großer Teil von Parlans Einfallsreichtum baut auf Repetition auf, die als strukturelles Instrument verwendet wird, um die harmonische Bewegung eines zu dämpfen Hier verwendet er dicke, blockähnliche Akkorde in nicht variierenden Achteln gegen eine minimale Reihe von rechten Linien, die mit jedem Durchgang durch den Refrain immer ausgeklügelter werden. An anderer Stelle auf dem Album "Up in Cynthia's Room, "Ein schlecht betasteter Blues weicht einem Ostinato aus schillernder Farbe und Anmut. Er wurde erneut mit einem Quintett auf" Speakin 'My Piece "verwendet, wobei mehr von dem dunklen Blues-Funk perkussiv zu Parlans Solo hinzugefügt wurde, um es zwischen den Hörnern herausragen zu lassen Ein weiterer von Parlans heißen Bewegungen ist seine Verwurzelung in den Traditionen des Evangeliums, für die Wiederholungen gemacht wurden, die Phrasen gerade genug variierten, um die Melodie vorwärts zu bewegen, ohne sie zu weit von ihrer harmonischen Wurzel zu entfernen. Hören Sie auf den Ruf des Predigers in "Wadin ' " zum ein Beispiel dafür. Slide-and-Jump- und Call-and-Response-Methoden werden immer wieder eingesetzt, mit Akkorden, die minutenschnell aufgebaut sind, um seine kurzen rhythmischen melodischen Acht-Hand-Erfindungen gegenüberzustellen. Al Harewood am Schlagzeug und Bassist George Tucker waren eine der beständigsten und felsenfestesten Rhythmusgruppen in der damaligen Musik und in der Lage, jeden Solist zu unterstützen. Sie sind in allen außer zwei Parlan-Sessions anwesend, von denen die erste Sam Jones am Bass und die letzte mit Butch Warren und Billy Higgins am Bass bzw. Schlagzeug spielt. Parlans Materialwahl, von der Standard-Tasche der ersten paar Aufnahmen bis zum Mix aus Originalkompositionen und Material der Bandkollegen auf den anderen vier, ist ebenso eine Evolution der Musik wie Parlans. Nach 1961 bestand der Trend zum Hardbop darin, alles in der Einheit zu halten, wo immer es möglich war. Sogar bei Booker Ervins Dates (mit Grant Green an der Gitarre), die das Set beenden, sind die Songs eher hausgemacht und für die Band geschrieben. Mit Hornisten glänzte Parlan wirklich als Solist. Seine Sessions mit Stanley und Tommy Turrentine für Speakin 'My Piece zeigen seinen strukturellen Stil in einer Weise, die den Solisten mehr Freiheit gibt und die Blueslinie in einem Ausmaß verlängert, dass sie fast verschwindet. Mit seiner variierenden Platzierung des Metrums und seiner Verschiebung der Harmonien immer in Richtung des Blues-Endes wird Ostinato zu einer natürlichen Verlängerung des Metrums und rollt vom Ende auf einen anderen Chorus, was den Eindruck erweckt, dass der 12-Bar-Blues untergraben wurde. Seine kurzen, engen, intensiven Klangstöße sind klein, spannenweise, aber resonant für den Hornisten oder Bassisten, der von ihnen spielt. Von all den Aufnahmen hier, vielleicht Up and Down, seine zweitletzte als Anführer, ist Parlans Signaturalbum aus dieser Zeit. "The Other Part of Town" ist ein paranormales Stück harmonischer Strangulation auf Parlans Seite, wobei Booker Ervins markentypischer Ton durch den Mix spuckt und Grant Green gerade so weit auftaktet, dass Parlan mit riesigen Akkorden die Kontrolle übernehmen muss seine phrasenhafte Melodie, die Spannungen aufbaut und löst, bevor sie sich etwa dem zehnten Refrain zuwendet und das Blues-Thema für die anderen Solisten wiedergibt.
Parlan ist vielleicht nicht der bekannteste Klaviergitarrist von Blue Note, aber das macht ihn nicht weniger zum Architekten des harten Bop-Sounds der frühen 60er Jahre, als diese wundervolle Box - mit Mosaics üblicher erschöpfender Anmerkung - so bestätigt es zutiefst......

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..... Vinyl / Cover / Box = 8-LP/RECORD-BOX .....

..... in perfect " NEW = NEVER PLAYED " Quality !! .....

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..... rare MOSAIC 8-LP/RECORD-BOX !! .....

..... very hard-to-find-worldwide .....

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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Here a couple of small details ...... " The original analoge MOSAIC-180gram 8-LP/RECORD-BOX is " NEW = NEVER PLAYED ", in perfect condition, complete and made in USA ..... with very high Eqipment from the original master/session tapes. The original analoge MOSAIC 8-LP/RECORD-BOX is " NEW = NEVER PLAYED ". The Box/Booklet includes the complete original artwork, linernotes and Photos. There are none dents or cracks in the Box, ..... none of seams are split or corners badly damaged. It is not a cut-out. (No saw marks or drill holes.) It is a completely original Pressing in USA. This original analoge MOSAIC 8-LP/RECORD-BOX is long out of print and is an extremely rare title.  This is one of the rarest titles to find, especially perfect " NEW = NEVER PLAYED ".  This original analoge MOSAIC 8-LP/Record-Box comes from my own vinyl collection and smoke-free environment. ........ "

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... ORIGINAL MOSAIC RECORDING, USA ..... VERY HIGH QUALITY .....

..... Specially Plated and Pressed on High Definition Super Vinyl .....

..... by MOSAIC RECORD in USA ... " NEW = NEVER PLAYED " - Copy !! .....

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*** - LAST COPY!! - LAST COPY !! - LAST COPY !! -***

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..... sorry, ..... please ..... look at my ebay assessments .....

..... I prefer payment with Paypal .....

..... to keep the handling fair is very important for me. .....

..... I promise you that .....

..... if you have any questions, please email me .....

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..... sorry, .... please look all my other  .....

..... items in my auction .... this week ......

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Dear music collectors, .......

I have been collecting music for about 40 years and as I wish to reduce my vinyl collection,  .....

I am offering various analogue and audiophile LPs & CDs for sale. .....

I have some particularly rare and out-of-print objects: .....

many of my LP's and CD's are still FACTORY SEALED = OVP.  .....

I have verified and evaluated all used LP´s and CD´s according to the official collectors rating. .....

I will take any LP or CD back, if you are not satisfied with the quality of the item and disagree with my rating. .....

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............ with money-back guarantee ...........

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Explanations regarding my ratings: ..........

1st part: quality of the record 2nd part: quality of the cover ..............

SEALED / OVP: ..... LP & CD is FACTORY SEALED in shrink-wrap or cellophane ...

NEU / NEW: ..... LP & CD is OPEN and UNPLAYED = NEVER PLAYED .........

MINT / MINT: ..... LP & CD is as new and does not show wear .............

M - / M - : .....LP & CD shows minimum wear ............

VG / VG (very good): ..... LP & CD shows wear ..........

Demo-Copy: LP & CD = ..... Promo - not for sale - particularly rare!! ....

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..... THANK YOU !! .....

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