HANK MOBLEY W/DIZZY REECE & PHILLY JOE JONES FLIP RARE ORIG '69 BLUE NOTE LP RVG
$
36
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· HANK MOBLEY with DIZZY REECE, PHILLY JOE JONES, SLIDE HAMPTON AND OTHERS - THE FLIP - ORIGINAL 1969 BLUE NOTE RECORDS STEREO LP BST-84329
· ORIGINAL U.S. PRESSING
· ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'A DIVISION OF LIBERTY RECORDS INSCRIPTION ON THE LABEL (NOTE: THIS IS THE ORIGINAL PRESSING OF THIS TITLE, AND NOT A REISSUE)
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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While not as groundbreaking as A Caddy For Daddy, Dippin' or Soul Station, Flip is nonetheless a solid hard groove date for Mobley, who wrote all five of its selections. Flip is Mobley's second-to-last date, and he cut the session in a Paris studio with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Vince Benedetti, Philly Joe Jones on drums, and a young French bassist named Alby Cullaz. All but Cullaz and Reece were expatriated Americans. (Reece came to Paris from New York, but is Jamaican). The title track opens the set and it lays deep in the soul-jazz cut, tempered by hard bop sensibilities: the solos by Reece, Hampton, and Mobley are top-notch, but it is Benedetti's muscular comping and blues-wailing piano that drives the tune. "Feelin Folksy," means in an African way, with its beautifully crafted and lively minor key melody that touches upon South African township musics and the lyrical harmonic assertions put forth by Abdullah Ibrahim (then known as Dollar Brand). But the personality of the tune, with its gloriously bluesy swing, is all Mobley. The head features all three horns in striated harmony, playing the section with long, loping notes that get shorter as they dissolve into the solos. "Snappin Out," with its Brazilian samba-derived rhythm, is a knotty groover full of loping changes and a killer Slide Hampton solo. But the choruses are pure Mobley fire. In all, Flip is a very worthwhile side to add to the Mobley shelf.
(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has some visible ring wear; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 6 (front side) and 3 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a small cutout corner visible
- Minor shelf wear noted on the seams (nothing significant)
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover has two corners slightly worn / dinged (nothing significant)
- Cover has a partially split spine (less than 1 inch / 2.5 centimeters)
- Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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