GRATEFUL DEAD LIVE/DEAD RARE ORIG'70 WARNER LP WHITE LABEL PROMO VERY NICE wBOOK

$

61

    
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·       GRATEFUL DEAD – LIVE/DEAD - ORIGINAL 1969 WARNER BROTHERS DOUBLE ALBUM - ORIGINAL WARNER BROTHERS STEREO 2-LP SET 2WS-1820

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       ORIGINAL WARNER BROTHERS LABEL WITH A W-7 LOGO AT THE TOP OF THE LABEL AND “A DIVISION OF WARNER – SEVEN ARTS” INSCRIPTION AT THE BOTTOM OF THE LABEL, LATE 60’s STYLE, WHITE PROMOTIONAL VERSION; INCLUDES ORIGINAL 'CELTIC CALIGRAPHY' (ILLUMINATED ST. STEPHEN  MANUSCRIPT / BOOKLET)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1B/-1B/-1E. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       THICK, HEAVY VINYL PRESSING

(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

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The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real time. Additionally, it unleashed several key entries into their repertoire, including the sidelong epic and Deadhead anthem"Dark Star" as well as wailing and otherwise electrified acidic covers of the Rev. Gary Davis blues standard "Death Don't Have No Mercy" and the R&B rave-up "(Turn on Your) Lovelight." Finally, the conundrum of how to bring a lengthy performance experience to the listener has been solved. The album's four sides provided the palette from which to replicate the natural ebb and flow of a typical Dead set circa early 1969. Tomes have been written about the profound impact of "Dark Star" on the Dead and their audience. It also became a cultural touchstone signifying that rock music was becoming increasingly experimental by casting aside the once-accepted demands of the short, self-contained pop song. This version was recorded on February 27, 1969, at the Fillmore West and is presented pretty much the way it went down at the show. The same is true of the seven remaining titles on Live/Dead. The rousing rendition of "St. Stephen" reinvents the Aoxomoxoa (1968) prototype with rip-roaring thunder and an extended ending which slams into an instrumental rhythmic excursion titled "The Eleven" after the jam's tricky time signature. The second LP began with a marathon cover of "(Turn on Your) Lovelight," which had significant success for both Bobby "Blue" Bland and Gene Chandler earlier in the decade. With Ron "Pigpen" McKernan at the throttle, the Dead barrel their way through the work, reproportioning and appointing it with fiery solos from Garcia and lead vocal raps courtesy of McKernan. "Death Don't Have No Mercy" is a languid noir interpretation of Rev. Gary Davis' distinct Piedmont blues. Garcia's fretwork smolders as his solos sear through the melody. Likewise notable is the criminally underrated keyboard work of Tom Constanten, whose airy counterpoint rises like a departing spirit from within the soul of the song. The final pairing of "Feedback" -- which is what is sounds like it might be -- with the "lowering down" funeral dirge "And We Bid You Goodnight" is true to the way that the band concluded a majority of their performances circa 1968-1969. They all join in on an a cappella derivative of Joseph Spence and the Pinder Family's traditional Bahamian distillation. Few recordings have ever represented the essence of an artist in performance as faithfully as Live/Dead. It has become an aural snapshot of this zenith in the Grateful Dead's 30-year evolution and as such is highly recommended for all manner of enthusiasts.

(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ?click here

-        or, better yet – ?click here

All early, Grateful Dead albums on white label promo W-7 Warner Bros label are rare, but this one is getting to be ridiculously rare; this is an ORIGINAL Live/Dead album, the CORNERSTONE of Grateful Dead discography and one of 10 most important and influential psychedelic albums ever made. Don’t be a braindeadhead – bid now!

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ? CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)          EXCEPT FOR SIDE 2 (WITH 'ST. STEPHEN' AND 'ELEVEN'), WHICH IS VERY GOOD+ (VG+) , WE GRADE THE VINYL (THE REMAINING THREE SIDES) AS VERY GOOD++ (VG++) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The records come in their original stock inner sleeves.

(c)           The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 200:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

(f)      The album comes with its original insert / booklet INCLUDED.

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging (nothing significant). Yellowing is also noted on the INSIDE gatefold

-         Light shelf wear noted on the seams

-         Cover has some writing on its back side (name of the previous owner written in blue ballpoint pen, about ½ x 3 inches in size)

-         The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 1 inch = 2.5 centimeters).

-         The cover has a few tiny scratch marks on the front side (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ?click here. While you can be rest assured that ?our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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